I loved the oral biography style that Brendan Mullen used in "We Got the Neutron Bomb: The Untold Story of LA Punk" (which in turn was inspired by the classic in this mini-genre, "Please Kill Me: The Uncensored Oral History of Punk"), so I wasn't disappointed with this book. There's no denying that Janes Addiction were as debauched and hard-living a band as they were an amazing and innovative one. "Whores" seems to focus more on the debauchery, although I think the Janes tale doesn't offer anything as memorable as, say, Led Zeppelin's shark incident or Nikki Sixx's many ODs. Still, the reader gets a good sense of Janes Addiction' musical impact and legacy from the band's friends and admirers, many of whom are incorporated here -- some unsurprisingly (Flea, for example) and some whose connections to the band I never knew about (avant-country diva Carla Bozulich was an early girlfriend of Eric Avery's?!). Perhaps most tantalizing is the sketch Mullen draws of the larger mid- to late-1980s scene in Los Angeles that Janes Addiction came from: early LA goth, hair metal, Fishbone, the Red Hot Chili Peppers, Thelonious Monster, the Nymphs, local rivals Guns N Roses, etc. I only wish this scene had its own document -- a sequel to "We Got the Neutron Bomb," perhaps?