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Track Listings
| 1. Doctor Who (Original Theme) | |||
| 2. Original Tardis Effects | |||
| 3. Original Tardis Effects | |||
| 4. Original Tardis Effects | |||
| 5. Doctor Who (Original Titles Music) | |||
| 6. Tardis Takeoff | |||
| 7. "The Daleks" | |||
| 8. "The Daleks" | |||
| 9. "The Daleks" | |||
| 10. "The Daleks" | |||
| 11. "The Daleks" | |||
| 12. "The Edge Of Destruction" | |||
| 13. "The Keys Of Marinus" | |||
| 14. "The Sensorites" | |||
| 15. "The Chase" | |||
| 16. "The Chase" | |||
| 17. "Galaxy Four" | |||
| 18. "Galaxy Four" | |||
| 19. "Galaxy Four" | |||
| 20. "Galaxy Four" | |||
See all 76 tracks on this disc
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Product Description
Amazon.co.uk Review
It's been so easy to sympathetically think back on the series as budget-challenged chintz. Contemporary technology is like a comfort zone of superiority against TV of the past; what really mustn't be forgotten is how appreciated Dr. Who was in its day for technical innovation. And that's where this first volume comes in: the Hartnell and Troughton years-apart from being blessed with Ron Grainer's immortal theme--were often tracked with sourced library cues. The majority of playtime is thereby made up by the unique sound designers then resident at the BBC's Radiophonic Workshop (principally Brian Hodgson, Delia Derbyshire, and Dick Mills). While this hardly makes for any sort of light musical experience, it is nonetheless a fascinating record of electronic sound at its genesis. Twenty-two episodes are covered in various fashions, there's the old-piano-and-a-key "Original TARDIS Effect", but most importantly a chronicling of each stage of the Grainer theme. Preparing for the continuation on Volume Two is a final, unused rendition. --Paul Tonks
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Customer Reviews
Most Helpful Customer Reviews
8 of 8 people found the following review helpful
Format:Audio CD
This is a brilliant selection of many of the unearthly sound effects which were so essential to the success of the 60s Doctor Who adventures.
Highlights must be the superb swirling Dalek City sounds, the full TARDIS take-off and the various versions of the original "Who" theme tune, but there are countless other atmospheric tracks. Radiophonic Workshop "guardian" Mark Ayres has done a fantastic job in finding and restoring these cues to their present quality. There are also a few tantalizing segments of Dudley Simpson's early incidental music using the BBC's electronic organ and synthesizers.
Forget the repetitive and unimaginative sounds of Star Trek: The Next Money Grabbing Franchise, these are truly the most original and otherworldly special sounds you are likey to hear.
I highly recommend this release, and also its sequel, volume 2!
5 of 5 people found the following review helpful
Format:Audio CD
Musician Mark Ayres has been working with the BBC on remastering a number of audio releases, as well as researching and cataloguing the output of the Radiophonic Workshop. There's little in the way of actual music by the Workshop from this time though Ayres has unearthered different and unreleased, albeit similar, variants on the theme music and a large number of background sound effects - some familiar, others less so. How about recreating a Dalek control room in your own bedroom - or perhaps a very unusual dinner party ambience!
4 of 4 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
Overall this has very little music, but it's a fascinating listening experience nonetheless. You might have to skip past the theme tune, because you've heard it before, and it's on the record three times (four if you count the end theme). The rest is a mixture of unsettling ambient drones, disturbing space atmospheres, and cold, dispiriting pings and whooshes.
My favourite track is "Cybermats attracted to Wheel". It's a boing noise that repeats a few times, but it's a lovely boing noise, and I love the way it repeats. The selection from The Wheel in Space, which makes up tracks 37 - 51, is like a miniature early Tangerine Dream record, or a more peaceful Stockhausen. It is my favourite part of the album. "Floating Through Space" is sinister, "Interior Rocket (Suspense Music)" is menacing, and "Jarvis in a Dream State" is perturbing. Listening to the music without watching the show, I am left with a mental impression of avant-garde experimental black and white horror cinema. I have a mental impression of some very clever people in a stark, abandoned school hall, carefully preparing tapes and oscilloscopes. It's all very reminiscent of Gil Mellé's music from The Andromeda Strain.
I say "music", but this album often blurs the boundaries between noise and music, and indeed many of the tracks were commissioned as background atmospheres. Several of the consist of a single albeit often complicated effect, e.g. the various noises that accompany functions of the Tardis, whereas "Galaxy Atmosphere" is an evolving noise layered on top of itself. Other highlights of the record include "Machine and City Theme", which has an ominous, grinding feel; the peaceful, ambient "Musak", which should have been released as a single; and "White Void", which is cold, so cold, like the universe itself. Track 29, "Chromophone Band", is a relatively conventional tune with a melody and a beat. It sounds like the work of Joe Meek. It was written by Dudley Simpson, and arranged in typically inventive style by Delia Derbyshire. The "Chumbley" tracks are cute, and it's a shame that Chumbley has to die (with an electronic death gasp!).
As the title of the record states, this music was made between 1963 and 1969. It sounds timeless, as if from another universe where time does not exist.
It's worth looking on Google for Mark Ayres' website; he compiled the record, and on his website he writes about the tracks, telling us that e.g. "Cyber Invasion" was originally eight minutes long (it is a whooshing noise, the audio equivalent of a barber's pole, and it would be horrible to listen to for eight minutes).
My favourite track is "Cybermats attracted to Wheel". It's a boing noise that repeats a few times, but it's a lovely boing noise, and I love the way it repeats. The selection from The Wheel in Space, which makes up tracks 37 - 51, is like a miniature early Tangerine Dream record, or a more peaceful Stockhausen. It is my favourite part of the album. "Floating Through Space" is sinister, "Interior Rocket (Suspense Music)" is menacing, and "Jarvis in a Dream State" is perturbing. Listening to the music without watching the show, I am left with a mental impression of avant-garde experimental black and white horror cinema. I have a mental impression of some very clever people in a stark, abandoned school hall, carefully preparing tapes and oscilloscopes. It's all very reminiscent of Gil Mellé's music from The Andromeda Strain.
I say "music", but this album often blurs the boundaries between noise and music, and indeed many of the tracks were commissioned as background atmospheres. Several of the consist of a single albeit often complicated effect, e.g. the various noises that accompany functions of the Tardis, whereas "Galaxy Atmosphere" is an evolving noise layered on top of itself. Other highlights of the record include "Machine and City Theme", which has an ominous, grinding feel; the peaceful, ambient "Musak", which should have been released as a single; and "White Void", which is cold, so cold, like the universe itself. Track 29, "Chromophone Band", is a relatively conventional tune with a melody and a beat. It sounds like the work of Joe Meek. It was written by Dudley Simpson, and arranged in typically inventive style by Delia Derbyshire. The "Chumbley" tracks are cute, and it's a shame that Chumbley has to die (with an electronic death gasp!).
As the title of the record states, this music was made between 1963 and 1969. It sounds timeless, as if from another universe where time does not exist.
It's worth looking on Google for Mark Ayres' website; he compiled the record, and on his website he writes about the tracks, telling us that e.g. "Cyber Invasion" was originally eight minutes long (it is a whooshing noise, the audio equivalent of a barber's pole, and it would be horrible to listen to for eight minutes).
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Most Recent Customer Reviews
The real deal
Listening to the original Dr Who theme on this compilation as originally intended by Delia Derbyshire et al made me realise why I do not like the present version of Who. Read more
Published on 26 April 2008 by C. Copp
Interesting...
It should be called a sound effects CD as there are only a few pieces of music, and mostly the Who theme from the two different Doctors of the time. Read more
Published on 19 April 2004 by Andrew Kyle
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