- Paperback: 560 pages
- Publisher: Penguin Books Ltd (25 July 2002)
- ISBN-10: 0141011068
- ISBN-13: 978-0141011066
- Average Customer Review: 3.3 out of 5 stars See all reviews (226 customer reviews)
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The story travels through Jamaica, Turkey, Bangladesh and India but ends up in a scrubby North London borough, home of the book's two unlikely heroes: prevaricating Archie Jones and intemperate Samad Iqbal. They met in the Second World War, as part of a "Buggered Battalion" and have been best friends ever since. Archie marries beautiful, buck-toothed Clara, who's on the run from her Jehovah's Witness mother, and they have a daughter, Irie. Samad marries stroppy Alsana and they have twin sons: "Children with first and last names on a direct collision course. Names that secrete within them mass exodus, cramped boats and planes, cold arrivals, medical checks."
Big questions demand boldly drawn characters. Zadie Smith's aren't heroic, just real: warm, funny, misguided and entirely familiar; reading their conversations is like eavesdropping. A simple scene, Alsana and Clara chatting about their pregnancies in the park: "A woman has to have the private things--a husband needn't be involved in body business, in a lady's ... parts."
Samad's rant about his sons--"They have both lost their way. Strayed so far from what I had intended for them. No doubt they will both marry white women called Sheila and put me in an early grave--acutely displays "the immigrant fears--dissolution, disappearance" but it also gets to the very heart of Samad.
White Teeth is a joy to read. It teems with life and exuberence and has enough cleverness and irreverent seriousness to give it bite. --Eithne Farry --This text refers to an out of print or unavailable edition of this title.
[Zadie Smith] is one of the prominent voices of her generation
(Sunday Times ) --This text refers to an alternate Paperback edition.
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If you like character portraits though, this might be one for you. The story revolves around a number of characters and their relationships with each other. It deals with race, marriage, kids and the like. It also gives an interesting portrayal of the variety that is London.
But that's about it.
For my liking, the characters were described in too much detail. We get to know everything from how people met to their favourite colour and blood group, it seems. And although this is not such a travesty, the plot line does slow because of it - you start looking behind the sofa to find it again.
All this said, ZS does have a lovely writing style. No long show-off words for the sake of it. Just clear, east-to-read prose, which is nice. It's just too blinking long!
If you've got more reading stamina than me though and like books about people and their cultures, feel feel to disagree. The thousands of people reading it on the London Underground can't all be wrong. Can they?
One of the book's main flaws is that in addition to these five major characters, there are the mothers of each, and a veritable wagonload of important supporting characters, including a third family that appears well into the book. There's a lot of coming and going and coming, and on and on as characters assume central importance for ten pages, only to disappear for two-hundred. Smith is trying to weave a very complicated web (many critics call this aspect of the book "Dickensian"), but in doing so, the transitions become awfully jarring, and very often, annoying. A second major issue is that the characters are all types of one sort or another. Smith sets them in motion in order to comment on her grab-bag of issues, but never quite gives them enough individuality or humanity. The good thing is that she does manage to create a unique voice for each . Like Martin Amis, she's has an excellent ear for the rhythms of conversation and the specific vernaculars of both time and group. Similarly, she likes to play with language in a way that is both refreshing and assured.
On the whole, I liked this book-albeit grudgingly. Smith has taken a kind of "throw everything except the kitchen sink at the wall and see what sticks" approach, leaving no major issue unturned in her attempt to leave her mark on the reader. This means that a lot of the threads never lead anywhere, and thus the overall effect is not as strong as she might have intended. A good editor might have been able to pare some elements back a bit, allowing others to blossom more. Similarly, an editor ought to have helped with some of the many inaccuracies that crop up (two random examples: some of the portrayal of the Jehovah's Witnesses is factually incorrect, as are some of the details of Ryan's scooter). Still, as a portrait of multicultural London over the years and how the concept of "being British" has evolved in that time, it works quite well. And its questions about identity and belonging are applicable to immigrants coming to any Western country. The book was made into a 4-hour BBC miniseries, which has still never been released on video in the US.
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