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White Noise (Picador Books) Paperback – 10 Oct 1986


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White Noise
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Product details

  • Paperback: 326 pages
  • Publisher: Picador; New edition edition (10 Oct 1986)
  • Language: English
  • ISBN-10: 1447206592
  • ISBN-13: 978-1447206590
  • ASIN: 0330291084
  • Product Dimensions: 13 x 2.2 x 19.7 cm
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (46 customer reviews)
  • Amazon Bestsellers Rank: 342,932 in Books (See Top 100 in Books)

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Product Description

From the Back Cover

Reading the fiction of Don DeLillo is an utterly original experience: powerful, prescient, perceptive. Writing in a prose that is both majestic and muscular, his unerringly accurate vision penetrates deep into the soul of America and consistently leaves readers with a fresh perspective on the world. Since the publication of his first novel, in 1971, he has been acknowledged across the globe as one of the greatest writers of his generation.

Jack Gladney is the creator and chairman of Hitler studies at the College-on-the-Hill. This is the story of his absurd life; a life that is going well enough, until a chemical spill from a rail car releases an ‘Airborne Toxic Event’ and Jack is forced to confront his biggest fear – his own mortality.

White Noise is an effortless combination of social satire and metaphysical dilemma in which DeLillo exposes our rampant consumerism, media saturation and novelty intellectualism. It captures the particular strangeness of life lived when the fear of death cannot be denied, repressed or obscured and ponders the role of the family in a time when the very meaning of our existence is under threat.

--This text refers to an alternate Paperback edition.

About the Author

Don DeLillo published his first short story when he was twenty-three years old. He has since written twelve novels, including White Noise (1985) which won the National Book Award. It was followed by Libra (1988), his novel about the assassination of President Kennedy, and by Mao II, which won the PEN/Faulkner Award for Fiction. In 1997, he published the bestselling Underworld, and in 1999 he was awarded the Jerusalem Prize, given to a writer whose work expresses the theme of the freedom of the individual in society; he was the first American author to receive it. He is also a member of the American Academy of Arts and Letters. --This text refers to an out of print or unavailable edition of this title.

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The station wagons arrived at noon, a long shining line that coursed through the west campus. Read the first page
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Customer Reviews

3.4 out of 5 stars

Most Helpful Customer Reviews

11 of 12 people found the following review helpful By Jennifer Cameron-Smith on 7 Oct 2011
Format: Paperback
Jack Gladney teaches at the College-on-the-Hill. He and his wife Babette live, with four of their children from previous marriage (Heinrich, Steffie, Denise, and Wilder) in the quiet college town of Blacksmith. Jack and Babette are both afraid of death and it is this fear that is central to the novel. Whose fear is the greater? "Sounds like a boring life." "I hope it lasts forever," she said.

Jack and Babette's fear of death, the world in which they live and participate is conveyed satirically through a series of events (some of more direct consequence than others) which are peppered with laugh out loud moments. There's a subtlety in the observation and the writing that makes this novel work.

`The family is the cradle of the world's misinformation.'

Jack serves as the department chair of Hitler studies, a discipline that he invented in 1968, despite the fact that he does not understand German. Hitler's importance as an historical figure gives Jack a degree of importance by association: `Some people are larger than life. Hitler is larger than death. You thought he would protect you.' His colleague, Murray Jay Siskind, has come to Blacksmith to immerse himself in what he calls `American magic and dread.' Murray is a lecturer in living icons who is trying to establish a discipline in Elvis studies. Murray finds deep significance in things that are ordinary - especially the supermarket: `This place recharges us spiritually, it prepares us, it's a gateway or pathway. Look how bright. It's full of psychic data.'

The major events in the novel concern an airborne toxic event and its consequences, and Jack Gladney's search for a mysterious psychopharmaceutical drug called Dylar once he discovers that Babette is participating in an experimental study (of sorts).
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45 of 51 people found the following review helpful By A Customer on 17 April 1999
Format: Paperback
Reading this book staggered me: the phrasing is so spot on, the themes so unusual yet compelling, the dialogue so full of witty, off-the-wall observation that I was left marvelling at the author's magical ability to put words together in unusual yet telling combinations and searching bookshops for more of his books. But having read three others from different periods of his career (the vastly overrated 'Underworld', the execrable 'Ratner's Star' and the mixed 'Great Jones Street') I am left in little doubt that this is his chef d'oeuvre. By some fortunate inspiration, DeLillo discovered his perfect theme for this book: fear of death. He takes this theme and looks at it from all possible angles; yet this is not at all a morbid book. It is instead the funniest black comedy around: the exchange between Jack and his wife when preparing to have sex made me explode with laughter. I found the latter so hilarious that I even shared it with one of my advanced English as a foreign language classes, whose eyes were standing on stalks by the end! Last but certainly not least, DeLillo's understanding of the impact of popular culture on our minds and lives is remarkable: he forced me to make connections about the insidious influence of technology and the media that I would certainly never otherwise have made, and continue to bear in mind every time I read a newspaper or switch on my computer. If you only ever read one contemporary novel, read this one: this is the book that encapsulates our time, not 'Underworld'.
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4 of 5 people found the following review helpful By BookWorm TOP 500 REVIEWER on 25 Aug 2013
Format: Paperback
`White Noise' is a rather apt title for this book, which could cruelly be described as 300 pages of static. Various things are described, but it doesn't actually get anywhere different from where it started. The actual writing style isn't bad, and there are often passages that are particularly perceptive or enjoyable for their humour. There are numerous set pieces that work well. But it doesn't really come together to form a cohesive whole.

I can tell this book is deep and meaningful and full of pointed comment on the human condition, and the American condition in particular. Which is great if you like that sort of thing. For me, I felt it sacrificed entertainment for intellectualism a bit too much. It is narrated in the first person by an academic living in small town America with his wife and an assortment of children. The bulk of the book describes small incidents in their lives, with a vague theme about fear of death which got tedious very fast. The middle of the book is devoted to an episode where the family is forced to evacuate due to a nearby chemical spill. The third part resumes much as the first left off, only with more angsting about life and death.

If you wanted to sit and analyse the book and its meanings, you would find plenty to discuss. It would be a reasonable book club choice. And it's not tortuous to read. But if you want to really enjoy a story, get wrapped up in it and find it hard to put down, `White Noise' will disappoint. It's not that sort of book. As I say, it's not a bad read as such, I didn't hate it, but I could quite happily put it down and forget all about it until my desire to read something else made me pick it up again in order to finish.
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