Amazon.co.uk Review
Conforming to Philip Larkin's famously acidic sentiments about parenting, Maggie Gee's
The White Family offers a bleak, but piercingly honest, portrait of an "ordinary" British family. The novel's patriarch, Alfred White, is a curmudgeonly London park keeper who has presided over both the park and his home-life for 40 years. A fan of "the good old days", his misty-eyed sentimentality is augmented with a racism of the unthinking kind. When he's struck down with a stroke his family are forced to come to terms with a life without him. For his gentle, bookish if submissive wife, May, loneliness is the greatest fear. However, Alfred's brand of fathering has left more painful legacies for their three children. Firstborn Darren, the golden child and now a successful journalist in America, still bitterly resents his father's beatings. Daughter Shirley, whose relationships with black men led to violent conflicts with Alfred, is more forgiving but no less damaged. The youngest child Dirk has absorbed his father's worst opinions and become a shaven-headed, misogynistic fascist.
Like Graham Swift's Last Orders, Gee makes judicious use of a multi-voiced narrative. This inventive structure provides a disturbingly intimate understanding of the emotions and prejudices of the Whites, while contributions from subsidiary figures such as Darren's childhood friend, the failed novelist Thomas Lovell, help to extend the vista beyond the immediate family. With the possible exception of Dirk, whose suppressed homosexuality is overblown, her characters are richly drawn; imbued with truly human strengths and failings. Dirk's venomous racist rants, which later spill into violence, are deeply shocking, but Gee's real achievement is to examine the more subtle and insidious forms of racism (and of homophobia) in British society today. --Travis Elborough
--This text refers to the
Hardcover
edition.
Review
'Outstanding ... tender, sexy and alarming.' Jim Crace'One of the year's finest novels.' Literary Review'Compulsively readable.' The Guardian'Astonishing ... beautifully written.' Big Issue'A transcendent work.' Daily Telegraph'Intensely touching.' Financial Times
by Maggie Gee
by Maggie Gee
by Rupert Thomson
by Maggie Gee
by Alan Hollinghurst
