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White Chalk
 
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White Chalk [Enhanced]

~ PJ Harvey
4.2 out of 5 stars See all reviews (61 customer reviews)
Price: £4.98 & eligible for Free UK delivery on orders over £5 with Super Saver Delivery. See details and conditions
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Customers buy this with A Woman A Man Walked By ~ PJ Harvey

White Chalk + A Woman A Man Walked By
Price For Both: £13.96

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Product details

  • Audio CD (24 Sep 2007)
  • Number of Discs: 1
  • Format: Enhanced
  • Label: Universal / Island
  • ASIN: B000VLIX6Q
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.2 out of 5 stars See all reviews (61 customer reviews)
  • Amazon.co.uk Sales Rank: 1,949 in Music (See Bestsellers in Music)

Track Listings

1. The Devil
2. Dear Darkness
3. Grow Grow Grow
4. When Under Ether
5. White Chalk
6. Broken Harp
7. Silence
8. To Talk To You
9. The Piano
10. Before Departure
11. The Mountain
12. Splash Page Live Link

Product Description

Amazon.co.uk Review
The Polly Jean Harvey you hear on White Chalk is not the wild harpy you heard gnashing and wailing on "Sheela-Na-Gig", or the urbane punk stateswoman of 2000’s Stories From the City, Stories From the Sea. No, this is another evolution in her singular career--one that sees electric guitar banished to the cobwebbed attic, tight cat-suit covered over by Victorian gown, and Polly’s yearning vocals sounding strangely removed, like they’re being broadcast from another, distant age. Piano is the primary instrument here, augmented by occasional, dusty sounding guitar or other, more esoteric stringed instruments--a sparse, limited musical canvas that places the emphasis on song and lyrics. And while initially, they seem foreboding and slow to open up, repeated spins reveal this to be a set of ghostly power and eerily timelessness. "Dear Darkness" is spacious and supremely measured, Harvey singing of words "tightening around the throat of the one I love", while the harp-accompanied "Grow Grow Grow" is impossibly highly-strung, its pain buttoned-up in constricting corsets and tight bows. Only on the closing "The Mountain" does she approach the cathartic anger of her previous work. But then, White Chalk is something else entirely--an icy English gothic that’s powerful in its choked restraint. --Louis Pattison

CD Description
Seventh album from Yeovil's premier cult indie heroine follows 2004's 'Uh Huh Her' and marks a startling change of direction. Based almost entirely around stark, minimal, repetitive piano and organ figures and featuring almost no guitars or percussion at all, the album stands at the intersection between contemporary classical and Victorian American vaudeville. Sounding like it was recorded a hundred years ago, it proves once again that Polly Jean Harvey is an artist totally out there on her own.

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Customer Reviews

61 Reviews
5 star:
 (39)
4 star:
 (9)
3 star:
 (4)
2 star:
 (5)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (61 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
39 of 49 people found the following review helpful:
5.0 out of 5 stars Will the real P.J. Harvey please stand up..........again, 25 Sep 2007
By G. Thomas (Canterbury UK) - See all my reviews
(REAL NAME)   
Finally, four albums later, I'm enthralled by the wonderous P.J. Harvey once more.
I thought her special brand of genius had been dulled but White Chalk is a return to total form and an utter joy.
Dry, Rid Of Me and Four-Track demos were three of my all time favourites but I haven't truly connected with anything of PJ's since then.
I'm not suggesting the last 4 albums were bad but, for me, they had lost the "edge" I really loved in her music.
Suddenly.....wallop....here is White Chalk. I first heard "When Under Ether" and "The Piano" on the radio without knowing who it was and fell in love with them almost immediately. Totally different and very much "out-there", this is quite a departure and all the better for it.
My joy is rekindled.

This album is exceptional.

I'm so very pleased :)
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19 of 24 people found the following review helpful:
5.0 out of 5 stars A Voice in the Dark, 28 Mar 2008
By The Wolf (uk) - See all my reviews
(TOP 500 REVIEWER)   
"A voice comes to one in the dark.
Imagine."

Samuel Beckett (Company 1980).

....and here we have the voice of Polly Harvey. Stripped Bare.

Like the old woman in the rocking chair in Beckett's 'Rockaby';
alone listening to the cracked sound of her own voice.
Memory. Longing. Loss. Hope. Futility.

This is indeed a dark place but a place without artifice. The intimacy
at times almost unbearable.

These 11 songs are an extraordinary addition to Ms Harvey's canon.
Compressed, fleeting evocations; almost suffocating at times in their intensity.

The mood of the album is sustained throughout without respite.

Simple piano/guitar accompaniment, supported by uncluttered additional
instrumentation and vocals. The production unintrusive.

'Dear Darkness', 'When Under the Ether', 'Silence', 'The Piano',
and the superlative 'The Mountain' just some of the highpoints
in a work of claustrophobic genius.

A highpoint in the career of this hugely talented woman.

A small masterpiece indeed.


"And how better in the end labour lost and silence.
And you as you always were.

Alone".


Samuel Beckett (Company 1980).
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12 of 15 people found the following review helpful:
5.0 out of 5 stars Ethereal in the truest sense, 9 Oct 2007
By C. O'Brien (Scotland, UK) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
Most of the reviews of this album - both amateur and pro - have tended to focus on the effect rather than the content of these songs. It's true that the shift to piano and away from guitar is a departure, and her switch to a more ethereal vocal style may come as a surprise.

Yet ethereal is precisely what this album is. "When Under Ether" seems to recall an abortion endured semi-conscious while a child's life slips away into nothingness; in other songs she yearns for the companionship of the dead or or begs something unseen for forgiveness. She has "blood on her hands": the white chalk of her native Dorset hills sticks to her shoes. She laments her loss and pain like a banshee or a tragic Hardy heroine.

The haunting subject matter may be oblique to some, though the strange and swirling melodies and almost choral purity of her voice may bewitch those who have not encountered Harvey's music before. As an exploration of a particular kind of female agony, this set of songs is almost without parallel.
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Most Recent Customer Reviews

5.0 out of 5 stars Beautifull!
I find it difficult to understand how anybody who knows enough about the artist to buy this album to conclude anything other than the fact it's a true masterpiece. Read more
Published 2 months ago by ADIHEAD

4.0 out of 5 stars Harrowing
Even for a PJ Harvey fan such as myself, this is a very difficult album to listen to. This album is a collection of often funereal songs, all of which just feature Polly and a... Read more
Published 4 months ago by Peter Lee

5.0 out of 5 stars Wonderous
never heard her before-though she was yet another thrash punk with altitude girl-and then she dons a Sunday Church goin' dress.(or Wedding)? Read more
Published 4 months ago

5.0 out of 5 stars Mesmerising
PJ has tapped into something very special on this album. It's haunting, ghostly, and emotional. I've never heard anything quite like it and it's a testament to the sheer talent... Read more
Published 6 months ago by D. Miller

5.0 out of 5 stars Hauntingly beautiful
As other reviewers have said, this is a melancholy affair from start to finish (although that description cetainly doesn't do it justice). Read more
Published 6 months ago by Ian Yates

1.0 out of 5 stars An unfulfilled promise ...
You'd be forgiven, PJ fan or not, if you paused the CD during the first track (or many of the following tracks) to go and make a cup of coffee. Read more
Published 9 months ago by Fingers McGraw

4.0 out of 5 stars "Austere" and "archetypal"
The electric guitar is traditionally recognized as an extension of the phallus, but the idea of Polly Jean Harvey recording entirely without one sounds like an act of neutering... Read more
Published 12 months ago by Ms. I. M. Kalka

5.0 out of 5 stars Greater than the sum of its parts
With White Chalk, PJ Harvey has eschewed her trademark dirty guitar / sleazy bass / strident chest vocals combination, and discovered a high soprano range and an instrument called... Read more
Published 13 months ago by M. C. Cresswell

5.0 out of 5 stars A mature, arresting album; a tagine of loss and memory in a wistful couli.
White Chalk is a great album and one that is especially welcome if it marks a shift towards a more experiemental and yet mature PJ Harvey, someone who has the confidence to move... Read more
Published 15 months ago by Emil 22

2.0 out of 5 stars Eh?!
I've loved PJH for years and was really surprised when I heard this album having heard reviews that this was her best album yet. I wouldn't recommend this at all. Read more
Published 15 months ago by A. Sneade

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