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Where the Truth Lies Paperback – 28 May 2007


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Product details

  • Paperback: 544 pages
  • Publisher: Allison & Busby; New edition edition (28 May 2007)
  • Language: English
  • ISBN-10: 0749081392
  • ISBN-13: 978-0749081393
  • Product Dimensions: 12.9 x 3.5 x 19.8 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Bestsellers Rank: 1,032,397 in Books (See Top 100 in Books)

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Product Description

Review

`A narcotically addictive thriller' -- Esquire

`Sexy and surprising' -- Candace Bushnell

`Twisted...dark...exhilarating'
-- Matthew Pearl, author of THE DANTE CLUB

About the Author

Rupert Holmes became the first person in theatrical history to receive the Tony Award for Best Book, Best Music and Best Lyrics for one musical:The Mystery of Edwin Drood, while Drood won the Tony for Best Musical. He has won Emmys for his various television series, and his words and music have appeared in Shrek, Six feet Under, Will & Grace and many more. Where the Truth Lies was Rupert's first novel.

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First Sentence
In the seventies, I had three unrelated lunches with three different men, each of whom might have done A Terrible Thing. Read the first page
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6 of 6 people found the following review helpful By dc phillips on 24 July 2007
Format: Paperback
Rupert Holmes ? It can't be the same Rupert Holmes I remember from the 1970s. The guy who sang about liking Pina Coladas and a walk in the rain? Yes, the same. Thirty years on and Holmes has moved on from lyrics to literature and, in Where The Truth Lies, he has produced one belter of a book.

The plot seems complicated but intriguing. It is set in the mid-1970s, and hinges on an event that happened back in 1959. The story is told largely in the first person from the perspective of the novel's main character, a 26 year-old woman journalist. O'Connor (the journalist) is determined to write the biography of one (or other) of a famous 1950s American double-act, Lanny Morris and Vince Collins. Morris is Jewish and was the comedy/slapstick half of the act. Collins was the duo's straight man with the fabulous singing voice, and came from Italian stock. Any resemblance between these two fictional characters and the 1950s duo Jerry Lewis & Dean Martin is entirely intentional, right down to the inclusion in the plot of a telethon.

These three principals are strong and entirely believable. All of them demonstrate character faults yet, as a testament to Holmes's writing, all still remain likeable.

I found this book fascinating, it was un-put-downable. Holmes manages to keep the tempo flowing from start to finish without ever flagging. He manages to tell the story convincingly from the perspective of a 26 year-old woman, which has to be a notable achievement from a man in (presumably) his mid-50s.

A cracking story, superbly written, utterly believable characters, a nod in the direction of some of America's finest entertainers from the 1950s, amusing throughout. If you enjoy the predictable, exaggerated, formula-driven nonsense papped out by the likes of Jeffrey Deaver or Wilbur Smith you will probably hate this.

Highly recommended.
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4 of 4 people found the following review helpful By Jonathan Posner VINE VOICE on 11 Aug 2007
Format: Paperback
Everything you may have heard about this book - whether from the Times of London or the Washington Post - is true. I will use the word 'sensational' here and solemly promise never to use it again.

There were more times than I can remember when I actually had to say to myself (aloud) "calm down, calm down". And not because of the mesmerising storyline but because of the sheer beauty and accomplishment of the writing, all the more so since the book is 'narrated' by a twenty-something female journalist.

As a bonus, not that one were really needed, Holmes has written the best sex scenes in modern fiction (I thought Jane Smiley had already done that in 'Good Faith').

But, strangely and astonishingly, it was only after some three hours had passed since finishing this modern masterpiece that I stopped dead in my tracks and the hair on my neck suddenly rose to attention. Earlier I had wondered how such a perfect evocation of grief and loss had come to be written. And there in the author's acknowledgments right at the end is the answer. A double-whammy indeed.

Drop everything else and read this now.
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3 of 3 people found the following review helpful By Mary Whipple HALL OF FAMETOP 100 REVIEWER on 20 Mar 2006
Format: Paperback
With its ironic and ambiguous title, this whodunit sets new standards for well developed, fast-paced writing, with its complex mysteries within mysteries, and a setting which comes vibrantly alive both in time and place. Set in 1970s Hollywood, "a place where dirt gets a paint job," the story focuses on showbiz stars Lanny Morris and Vince Collins, partners in a hugely successful act, and once best friends, who have not spoken in thirteen years. The Collins/Morris breakup occurred shortly after a beautiful, red-haired woman was found drowned in a bathtub in their hotel room while they were doing a telethon, and narrator O'Connor, a brash and well-endowed journalist who is planning to write a biography of Vince Collins, believes that this death is at the root of their breakup.
As the O'Connor investigates the victim, interviews Collins, meets with Morris and his attorneys (since Morris plans to write his own story), and flies from Hollywood to New York and Florida, author Holmes incorporates spot-on period detail to recreate the roiling world of high profile performers and the intensity of their high stakes lives. The uninhibited O'Connor will do just about anything to get close to her subjects, and her wryly cynical voice keeps the reader entertained with the story's shifts back and forth in time and location. Her willingness to flout convention and her refusal to become rattled by the escalating tension and threats to her safety provide humor at the same time that they show her to be smart and resourceful.
As one may guess from the title, truth and lies sometimes overlap, and surprise after surprise unfolds for the reader as O'Connor finds herself making assumptions, being proved wrong, making new assumptions based on her discoveries, and finding those wrong, too.
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2 of 2 people found the following review helpful By Leyla Sanai on 24 July 2007
Format: Paperback
This is a dizzyingly accomplished thriller. Holmes writes with a slick panache and fluidity that many crime writers can only dream of, and his prose has a scythe-sharp wit that could slash flesh. The dialogue is full of spontaneity, wisecracks and sardonic observations, much like the best of Elmore Leonard, and his characters are convincing and fully formed. His heroine is a sassy, independent, bright female journalist trying to uncover the secrets of a past murder which may have involved one or both of a pair of now estranged entertainers, Vince Collins and Lanny Morris. The garish glitz of the seventies is vividly evoked, with the insincerity and plasticity of LA stimulating involuntary shudders and guffaws.Much of the heroine's quest involves delving into the lives of Collins and Morris in their heyday of the 50s and 60s, and the evocation of showbiz in those days - the glamour, the hypocricy, the groupies - is utterly compelling. Intriguing, entertaining, and hugely beguiling, this is a must for any crime fan.
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