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Where Did Our Love Go?: The Rise and Fall of the Motown Sound
 
 
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Where Did Our Love Go?: The Rise and Fall of the Motown Sound [Paperback]

Nelson George
4.5 out of 5 stars  See all reviews (4 customer reviews)
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Frequently Bought Together

Where Did Our Love Go?: The Rise and Fall of the Motown Sound + Motown: Music, Money, Sex, and Power + Tamla Motown: The Stories Behind The UK Singles
Price For All Three: £27.76

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Product details

  • Paperback: 320 pages
  • Publisher: Omnibus Press (14 July 2003)
  • Language English
  • ISBN-10: 0711995117
  • ISBN-13: 978-0711995116
  • Product Dimensions: 19.6 x 12.8 x 2.8 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 94,740 in Books (See Top 100 in Books)

Product Description

Review

'...the most revealing and exciting account of a premier label in pop music history.' NME '...George's insightful research makes this an expertly told tale for the rest of us' --Q Magazine

Product Description

The acclaimed best selling story of Tamla Motown records - the most successful independent record label in the world. Now acknowledged by critics in both the US and Europe as the definitive account of the rise and fall of the Motown Sound. It covers the careers of all the great Motown artists - The Supremes, Marin Gaye, The Temptations, Stevie Wonder, Smokey Robinson & The Miracles, The Four Top, THe Jackson Five and many more. It tells the story behind all their hits and how the company was run on factory like principles by Berry Gordy who as a result became the richest black American in history. it paints a portrait of gullible artists signing away their rights and, eventually, falling out with Gordy over monetary matters and that many of the back room boys at Motown - the writers and the musicians who played on the records - got a pittance for their efforts.

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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Most Helpful Customer Reviews
6 of 6 people found the following review helpful
By Mr. A. Craddock VINE™ VOICE
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I felt lucky during 2009 to have finally made it To Detroit and a visit to West Grand Boulevard home of Hitsville and a wonderful tour at the original studios. The guide does a wonderful job and he really interacts with the crowd. You get the feel for the atmosphere so much you almost sense the presence Of Smokey Robinson, The Temptations & The Four Tops or Marvin Gaye. I definitely recommend a visit to West Grand Boulevard to notice that nothing has changed in the 50 years since Berry Gordy bought Hitsville.[ Except the artists have now gone] The next best thing to Going to see the Museum is reading this book by Nelson George. There are other books but this one was written around 1985 and was very balanced and fair. Also, George clearly had done his homework in researching all the facts.My only criticisms with all the books I have read on motown is the lack of information on The Isley Brothers. I was a long time fan of them and it was odd how after they left Motown it was as if they had never ever recorded there. I saw them live in 1994 and they didn`t perform one Motown song.And so, to re-cap, great book , great museum in Detroit and brilliant Motown music. You could read the book on the Aeroplane to Detroit.
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Nelson George tells it how it was in the early days of motown and his investigating really shows its own in this book. There are things about motown the early days, that are not general knowlage but its thanks to books like this we are getting to find out.If you are truly a fan of motown then this is one book that I would recommend.
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Nelson George goes back to the start of Motown and does a thorough description of the growth of perhaps the finest collection of Artists, Writers, Producers and Musicians in one building popular music has ever seen. His retrospective view combined with research shows how the label(s) developed. It appears that he has dismissed the period after 1971, but this book is essentially about the history up to 1972. The sound changed after 1972 and despite the 1970s success it was not the same sound, hence the sub-title.

As a book about the history of popular music it stands comparison with the best.
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