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When We Were Orphans [Paperback]

Kazuo Ishiguro
3.2 out of 5 stars  See all reviews (101 customer reviews)

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Book Description

5 Mar 2001

England, 1930s. Christopher Banks has become the country's most celebrated detective, his cases the talk of London society. Yet one unsolved crime has always haunted him; the mysterious disappearance of his parents, in Old Shanghai, when he was a small boy. Now, as the world lurches towards total war, Banks realises the time has come for him to return to the city of his childhood and at last solve the mystery - that only by his doing so will civilisation be saved from the approaching catastrophe.

Moving between London and Shanghai of the inter-war years, When We Were Orphans is a story of memory, intrigue and the need to return; of a childhood vision of the world surviving deep into adulthood, indelibly shaping and distorting a person's life.



Product details

  • Paperback: 320 pages
  • Publisher: Faber and Faber; New edition edition (5 Mar 2001)
  • Language: English
  • ISBN-10: 057120516X
  • ISBN-13: 978-0571205165
  • Product Dimensions: 19 x 12.6 x 2.6 cm
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (101 customer reviews)
  • Amazon Bestsellers Rank: 463,855 in Books (See Top 100 in Books)

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Amazon Review

"... I've worked hard over the years to check the spread of crime and evil wherever it has manifested itself."
Christopher Banks, the protagonist of Kazuo Ishiguro's fifth novel, When We Were Orphans, has dedicated his life to detective work but behind his successes lies one unsolved mystery: the disappearance of his parents when he was a small boy living in the International Settlement in Shanghai. Moving between England and China in the inter-war period, the book, encompassing the turbulence and political anxieties of the time and the crumbling certainties of a Britain deeply involved in the opium trade in the East, centres on Banks's idealistic need to make sense of the world through the small victories of detection and his need to understand finally what happened to his mother and father.

This new novel, however, is the deliberate antithesis of the classic English detective story--the hermetic country-house worlds of Agatha Christie, the classic "locked room" puzzles in which order and sanity is restored at the story's end. Ishiguro mimics the functional style and clipped speech patterns of the genre, ironising its reliance on melodrama and stereotype, while developing a narrative of subtlety, great emotional depth, and political and cultural acuity: what we get is a negative image of classic detective fiction, in which the solved crimes are mentioned in passing and the real mystery is played out in the psychology of the detective himself. The act of detection, Ishiguro suggests, is one we all perform on our own past, struggling to marshal clues and evidence whilst trying to construct the story of ourselves; the one mystery Banks seems unable to solve is his own.

If Ishiguro's concerns as a writer remain broadly the same as in previous novels such as his Booker Prize-winning The Remains of the Day--the complexities, instability and elusiveness of memory, dramatised through a first-person narrator--this new book shows how flexible and powerful the form has become for him. Banks' quest is both deeply personal and resonantly emblematic of us all:

...for those like us, our fate is to face the world as orphans, chasing through long years the shadows of vanished parents. There is nothing for it but to try and see through our missions to the end, as best we can, for until we do so, we will be permitted no calm.

When We Were Orphans is an astonishing book, rich and profound on many levels, and one that will live clearly in the memory of all who read it. --Burhan Tufail

Review

'You seldom read a novel that so convinces you it is extending the possibilities of fiction.' --Sunday Times

'Ishiguro is the best and most original writer of his generation, and ''When We Were Orphans'' could be by no other writer. It haunts the mind. It moves to tears.' --Mail on Sunday

'His fullest achievement yet.' --New York Times Review of Books --This text refers to an alternate Paperback edition.

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First Sentence
IT WAS THE SUMMER of 1923, the summer I came down from Cambridge, when despite my aunt's wishes that I return to Shropshire, I decided my future lay in the capital and took up a small flat at Number 14b Bedford Gardens in Kensington. Read the first page
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Customer Reviews

Most Helpful Customer Reviews
37 of 39 people found the following review helpful
3.0 out of 5 stars Haunting, but frustrating. 9 Oct 2003
By Mary Whipple HALL OF FAME TOP 100 REVIEWER
Format:Paperback
Although I usually like Ishiguro, I found this book disappointing, lacking coherence, its purpose muddy. The first half of the book is suspenseful, tautly constructed, and realistically presented, as we learn of Christopher Banks's history and of the ironies of his parents' disappearance. Once he arrives in Shanghai, however, the book splits into two seemingly disconnected halves-the first half realistic, the second half absurd. In the first half, Banks has been revealed as intelligent and sensitive, but in the second half he suddenly and cruelly abandons his own adopted, orphaned daughter, leaving her in England while he searches for his missing parents. He believes (strangely) that somehow if he can find his parents, he'll be able to avert World War II. His search for them is expedited more by an inordinate number of extraordinary coincidences than by the detective work for which he is supposedly world-renowned. The plot stumbles, and the suspense is compromised.

Since Ishiguro has dealt in past novels with the idea of imperfect memory and/or with characters whose deluded visions of themselves are presented ironically to the reader as facts, one cannot help wondering, while reading the second half, whether Banks really is a great detective, whether he really is doing all the absurd things he presents to us as real events in Shanghai, and whether the author is deliberately showing him in a surreal, rather than real, world. If this is the author's intention, it is by no means clear--there are too few clues in the first half to cause the reader to actively question the view of reality presented there. In addition, it is not accompanied in the second half by any heightened sense of introspection or by any change from the realistic tone and style of the first half. Neither Banks nor the reader learns anything significant on any level other than that of plot.

Ultimately, I found myself haunted by the drama of Banks's search and by his need to resolve the mysteries in his life but frustrated--and annoyed--by his ultimate lack of change and by the unresolved mysteries with which the author leaves us. The author made me feel like a pawn, the victim of literary trickery. Mary Whipple

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7 of 7 people found the following review helpful
2.0 out of 5 stars Didn't ring true 15 July 2011
Format:Paperback
This story just never really became believable to me. I never identified with any of the characters. I found the revelations about the character's mother towards the end unnecessarily tragic and melodramatic and as a result unbelievable. The fact that the main character hears these revelations and then is "too busy" to go back to China/ Hong kong for 20 years was totally unbeievable as well. Why can't any of the characters learn to talk to each other in his books, fine for 1 book, but as a theme it gets tedious.
"sorry love but I may have a lead on my parents, let me know where you are going, I love you and want to be with you" would have saved alot of angst.
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4 of 4 people found the following review helpful
3.0 out of 5 stars Enjoyable but unconvincing 4 Jan 2010
Format:Paperback
What I found so fascinating about this novel was the increasing sense that the narrator was lying, or perhaps fantasising. Short scenes early on reveal that the way he sees himself is at odds with others' views of him. As the plot develops, this increasing distrust of the narrator is a very interesting sensation. However, this sensation is never quite resolved. We never know quite understand how much of his description of his life was a delusion, particularly as the plot becomes more and more ludicrous. Whilst clearly the unreliability of the narrator is the point of the book - raising questions not only about memory and self-delusion but subverting the reader's need to have everything explained - nevertheless it is leaves an unsatisfying and frustrating sensation. The plot gets wrapped up, but the narrator's personality doesn't. We never really get to know him, and I found it frustrating never really to find out who he is.
But then isn't that just like life?
Having just finished it I will read it again. It is beautifully well written and very enjoyable, though I concur with those who feel it is not Ishiguro's best work.
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Most Recent Customer Reviews
3.0 out of 5 stars Average book from an above average author
Overall the book was not to my taste. Maybe others would it enjoy it but I found it boring. It was disappointed because the author has tremendous clout.
Published 2 months ago by Louise
3.0 out of 5 stars ponderous
an interesting reflection on time and its impact on character. Well written and an interesting historical background. An enjoyable read.
Published 5 months ago by s
4.0 out of 5 stars Poignant And Absorbing
This 2000 work by master storyteller Kazuo Ishiguro is another beautifully written tale, once again evoking a number of this novelist's trademark themes of memory, unrequited love,... Read more
Published 6 months ago by Keith M
5.0 out of 5 stars How childhood trauma shapes our view of life (and may detach us from...
I chose to read this novel based partly on the settings (China, London) and partly because I recognized the author's name as author of The Remains of the Day, which was adapted... Read more
Published 7 months ago by Thoughtful reader
5.0 out of 5 stars Superb Study of Loss
When we were orphans is the story of Christopher Banks. Christopher's early years were spent with his parents in the International Settlement in Shanghai. Read more
Published 7 months ago by Calypso
3.0 out of 5 stars Not the straightforward story I was looking for...
This was my first foray into the world of Ishiguro and it has left me feeling a little bit perplexed.

The novel begins in England in 1923. Read more
Published 8 months ago by Alison McVey
5.0 out of 5 stars If you've lost someone as child, read this book
I didn't buy this from Amazon and overall don't indulge in writing very long reviews which this is going to be, but just came across this book listed here with three stars only... Read more
Published 11 months ago by Rose of Lancaster
5.0 out of 5 stars Thoroughly Enjoyed.
I actually brought and read this book for a course I take and Uni, not as a pleasure read. That said, I really enjoyed reading it in preparation for my class, I found the novel... Read more
Published 17 months ago by Monday
1.0 out of 5 stars Slow Boat to China
I'm a sucker for novels set in pre-war Shanghai when China was in the middle of a long-running war involving Communists, Nationalists, warlords, Japanese invaders and European... Read more
Published 19 months ago by John Fitzpatrick
2.0 out of 5 stars Implausible
The book develops well over the first half. The story of Christopher's young life, becoming an orphan and the a detective, is engaging. Read more
Published 19 months ago by Michael H. Jones
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