The movie's most outstanding point is its capture of emotions. The storyline is simple, but well put: Camille, living a life prescribed for a parish priest's daughter, teaches mythology at a christian college and has a long standing affair with Martin, a colleague. They both are very much under the thumb of the chaplain, who offers them his post but under the condition of their marriage. The change in Camille's life comes through the death of her dog ( a surprise there in store later), because Petra, a woman she meets in the launderette, sees her crying and comforts her. Not by coincidence, they are destined to meet again, and though Camille is at first disgusted by Petra's advances, she soon finds that she is drawn irresistibly towards her, a temptation that proves too strong to resist. The way they fall in love is somehow utterly romantic, no matter what your sexual preference. ( And, as read in a movie guide, "The women are stunners")What is more important here, though, is the falling in love of two beings and two ways of life. The film is underlined by a superb musical score, and the scenes in the circus (Petra's working place) not only lend a touch of magic to the whole thing, they are also really worth seeing. The mood the film conveys is well done, too: always a touch of sadness mingled with mystery.