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When God Spoke English: The Making of the King James Bible
 
 
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When God Spoke English: The Making of the King James Bible [Paperback]

Adam Nicolson
4.1 out of 5 stars  See all reviews (7 customer reviews)
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Product details

  • Paperback: 288 pages
  • Publisher: HarperPress (3 Feb 2011)
  • Language English
  • ISBN-10: 0007431007
  • ISBN-13: 978-0007431007
  • Product Dimensions: 19.3 x 12.7 x 2.3 cm
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 116,238 in Books (See Top 100 in Books)

Product Description

Review

'This scrupulously elegant account of the creation of what four centuries of history has confirmed is the finest English-language work of all time, is entirely true to its subject: Adam Nicolson's lapidary prose is masterly, his measured account both as readable as the curious demand and as dignified as the story deserves.' Simon Winchester

'Vivid, exhilarating, consistently intelligent, you can almost taste the air breathed by these Jacobean heroes, who gave English its most famous book. History at its best.' Simon Jenkins

'Unobtrusively learned, rich in curious and purposeful detail, an ideal balance between fervent enthusiasm and elegantly witty detachment….a brilliantly entertaining, passionate, funny and instructive telling of an important and gripping story….Adam Nicolson has written a thrilling and constantly absorbing book.' The Spectator

'A marvellous book: there are few more stylish or sensitive introductions than this to the personalities, the sights and the smells, as well as the words of Jacobean England.' Sunday Telegraph

Product Description

A fascinating, lively account of the making of the King James Bible.

James VI of Scotland – now James I of England – came into his new kingdom in 1603. Trained almost from birth to manage rival political factions, he was determined not only to hold his throne, but to avoid the strife caused by religious groups that was bedevilling most European countries. He would hold his God-appointed position and unify his kingdom. Out of these circumstances, and involving the very people who were engaged in the bitterest controversies, a book of extraordinary grace and lasting literary appeal was created: the King James Bible.

47 scholars from Cambridge, Oxford and London translated the Bible, drawing from many previous versions, and created what many believe to be the greatest prose work ever written in English – the product of a culture in a peculiarly conflicted era. This was the England of Shakespeare, Marlowe, Jonson and Bacon; but also of extremist Puritans, the Gunpowder plot, the Plague, of slum dwellings and crushing religious confines. Quite how this astonishing translation emerges is the central question of this book.

Far more than Shakespeare, this Bible helped to create and shape the language. It is the origin of many of our most familiar phrases, and the foundations of the English-speaking world. It was a generous and deliberate decision to make the Bible available to the common man: not an immediate commercial success, but which later became a bestseller, and has remained one ever since.

Adam Nicolson gives a fascinating and dramatic account of the early years of the first Stewart ruler, and the scholars who laboured for seven years to create the world's greatest book; immersing us in a world of ingratiating bishops, a fascinating monarch and London at a time unlike any other.


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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews

Most Helpful Customer Reviews
15 of 15 people found the following review helpful
An excellent study of the background, personalities and principles behind the KJV demonstrating why it was so popular and remains for many the ONLY proper translation in English of the Hebrew and Greek text. Full of gems that delight the reader. Easy to read which is also a plus. Well researched which is crucial to for those who want real information and not mere conjecture.
It should be noted that it has appeared with three different titles at various times.
1. Power and Glory. Jacobean England and the making of the King James Bible.
2. God's Secretaries. The making of the King James Bible
3. When God spoke English. The making of the king James Bible
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46 of 48 people found the following review helpful
By Ralph Blumenau TOP 500 REVIEWER
Previously entitled 'Power and Glory', this is a beautifully told and dazzlingly interpreted story of what went into the writing of King James' Bible. It begins with a superb account of James' succession and of the England to which he succeeded; and we have a really rounded portrayal of the King himself, bringing out his considerable virtues as well as his failings. Nicolson gives a spirited description of the proceedings of the Hampton Court Conference of 1604, out of which the idea of a new translation of the Bible emerged. The Puritans were unhappy with the Bishops' Bible of 1568 and asked for a new translation which should be `the one only translation of ye byble to be authenticall and read in ye churche.' James apparently also found the Bishops' Bible poorly translated (in what respect is not made clear by James; Nicolson calls it `cloth-eared', `pompous' and `obscure'), but he liked the idea that only one translation should be allowed once it had been approved by the Privy Council and by the King himself, because that would exclude the use made by Puritans in their churches of the Geneva Bible which had been produced by the exiled Calvinists in the 1550s. This had frequently translated `king' as `tyrant' and included marginal notations that were clearly anti-royalist. The new Authorized Version should be purged of all such subversion. Bishop Bancroft was put in overall charge, and fulfilled the wishes of the King when he issued the sixteen rules he gave to the six groups or `companies' of Translators, two based in Westminster, two in Oxford and two in Cambridge, each made up of nine scholars: there were to be no tendentious marginalia (yet explanatory annotations there were, as to the apparently erotic passages of Song of Songs); `ecclesia' was to be translated as `church' and not as `congregation', `presbyteros' as `priest' and not as `elder', etc.

On the other hand, James wanted the Bible to an eirenic book which he hoped would be acceptable to all but the extreme Puritans or `separatists'. To that end, moderate Puritans like John Reynolds and Laurence Chaderton, from among those to whom he had listened, albeit with irritation, at the Hampton Court Conference, were to be included among the Translators, alongside intolerant Anglicans like Richard Bancroft and Launcelot Andrewes. The new Bible was not intended to be a revolutionary translation: it drew on and paid tribute to the earlier translations which it aimed to improve. It was originally printed in heavy antique Gothic type instead of in modern Roman type.

One instruction was that the scholars in each company were each to make his own translations and then meet with his colleagues to work out the best of them; and at the end the work of each company was to be submitted to all the others (with the Privy Council and then the King giving the final approval.)

On pp.152 to 154 there is a superb example of how just one sentence (Luke 1:57) was proposed, shaped and reshaped into what we have today. This comes from the, alas, only working manuscript that has survived. But we have the analysis of other verses: on pp.192 to 194 the first two verses of Genesis, for example. And each time Nicolson comments acidly and aptly on the philistinism of modern versions, which lack all resonance and majesty. He gives us a few other such gems of his sensitivities to sound, metaphor and meaning: I could wish for a whole book of them!

The personalities of some of the Translators are richly described. Some of these men were unpleasant, some were corrupt pluralists, some ambitious courtiers; others sweet-natured or unworldly: there is a gem of a description of one John Bois, whose notes on the final meetings of the heads of the companies have been preserved (and Nicolson notes that the various versions were READ OUT there: here one final test was: did they SOUND right?)

The subtitle of 'Power and Glory' was `Jacobean England and the Making of the King James Bible', so it deals with much material that is either marginally or actually not at all connected with the King James' Bible. We read of the heedless extravagance of the James' court; the orgiastic festivities at court when King Christian IV of Denmark was on a visit and both kings were revoltingly drunk; details of tortures inflicted on separatists and on Catholics who were innocent of the Gunpowder Plot; the story of the departure for the Low Countries, successful on the second attempt, of those who would be called the Pilgrim Fathers.

Nicolson takes the richly encrusted decoration of Cecil's Hatfield House, illuminated by the light from its huge windows as characteristic of the new Bible: the light of truth, so stressed by Puritans, playing over the gorgeous texture of the text.

Nicolson's own text is worthy of its theme: it too combines elegant simplicity with richness of meaning, and the last three pages are just wonderful.
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5 of 6 people found the following review helpful
Before they can be meaningfully engaged with many great and famous works require from the reader a little mental limbering up, a dismantling of preconceptions, a brushing-away of prejudices. In short: a bit of background study in anticipation of a venture into their sometimes familiar, sometimes disorientating and mystifying world.

This wonderful book gives us, even those of us who grew up in a strongly Prostestant environment, just such a handle on the King James Bible, that ubiquitous but daunting presence which influences even secular thinking still in who knows how many ways. The rich context Nicolson supplies is full of vivid detail and his beautiful prose and sensitive observations had me convinced from the first that here was a writer whose judgement I could trust. I've seldom been so absorbed by a book or was so sad to finish it.

And the best of it is that he teaches us to think just a little bit like a Jacobean. I now feel mentally equipped to reach once more for my deceptively compact India paper KJB.
Thank you Mr Nicolson!
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