When Calls the Heart (Canadian West) [Paperback]

I have read most of Janette Oke's books, and this series is my favorite by far. The story takes place in a different setting from most Christian historical fiction (i.e., not the prairie), and with the first-person narration Elizabeth's voice shines through. If you are tired of finding the same plot in many books, try this series; the books do stand out. They are also laugh-out-loud funny in places.

I absolutely loved this novel.

I am a Christian, and I enjoy Janette Oke's books dearly. They are so wonderfully written--such wonderfully story lines, great details, great plots, and great faith in God.

I have read many of her novels, but I must say this one was my favorite. Something about this wonderful story made me just couldn't put it down! I found myself wanted to read it until I finished.

The story is wonderful, with Elizabeth's heart for teaching and her courage to moving to the west, and I love that is a love story at the same time. And her faith in God is so wonderful as well...

It's so neat cause when I read Janette's books, I don't just read a great story, but I learn something at the same time---great principles to apply to life - every time

If you want to read a great story (with no worries if younger readers want to read it) I truly recommend this story!

I loved it!!!!!!!! And you will too.

When Oke Engages My Heart, by Sara Larsen

Anyone that likes a quiet, sweet story about the experiences, joys, and sorrows of life from the perspective of a woman will love "When Calls the Heart" by Janette Oke. Oke effectively engages us and connects us to her protagonist by using strong characterization, sensory details, diction, and appeals to emotion.
On the first page of the novel, Elizabeth thinks to herself. "And how are you this delightful spring morning? I asked myself. Why, I am just fine, thank you, I silently answered, and then almost blushed as I quickly looked around for fear that someone might be able to read my thoughts." This is one of the first glimpses we get into the life of our protagonist. By developing the thoughts of her character and letting us into her brain, Oke has quickly helped us understand the personality of her character, and thus we become involved with the character on a more personal level. By connecting us to her character, Oke can then communicate messages, emotions, or ideas to us through her protagonist.
The powerful sensory details used by Oke when Elizabeth is spending her first night out in the Wilderness allow us to almost see what our protagonist sees and smell what our protagonist smells, thus inviting our sympathy and involvement. "...the tall grass had recently been cut but had been left to lie, browning where it fell. It smelled musty and insects buzzed busily about it...the riotous colors flamed out over the sky in shades that I had no words to describe..." (73) We get a glimpse into the newness of Elizabeth's experience by reading these sentences and can vividly picture the scene before her. Because of Oke's use of imagery, we feel as though we are experiencing Elizabeth's world because we have a detailed description of what her world is like, which is essential because then Oke is able to get us to feel what she wants us to feel.
Oke lets us know the terror that Elizabeth feels when she hears a sound that she's never heard before, and we become further engaged in the story because we can almost hear these sounds for ourselves and feel the heat on our faces because of the details used. "A wolf pack!...They had smelled new blood and were moving in for the kill...the sharp stubble of the grass and weeds bit into the palms of my hands, but I crawled on. Another howl pierced the night...the flames were robust now...I continued to feed the fire and huddle over it, coughing and crying into the woodsmoke." (74) We can imagine what is happening, almost feel the thorns in our own hands, and we also feel the same fear that Elizabeth does. Oke entices us, by using such imagery, to experience this with Elizabeth, to take an active part in the story and connect with her protagonist.
On the fourth page of the novel, Oke's carefully-chosen words effectively illustrate her characters when Elizabeth is describing her family; we are invited to see these characters as she sees them, thus aligning our point of view with our protagonist's. She uses words like "flighty one," "adventure-seeker," "the romantic," "silliness," "dainty," "pretty," "plenty of male attention," and "never enough" to describe her sister Julie. By using four rather short sentences with well-chosen words, Oke develops a single character, letting us get personally involved with her description. It is easy to paint in our minds an accurate, though unique, picture of Julie. But again, we see these characters through the eyes of Elizabeth, and Oke can then get her message across to us by using her characters--characters that we now view in the way she wants us to view them.
Oke superbly uses diction to get us involved in Elizabeth's dilemma with the school stove, and just by reading these words we understand how she feels about herself and how she feels about her friend, Wynn Delaney. When Wynn Delaney walks in, we read words like "gasp," "choke," "embarrassment," "self-conscious," and "predicament," causing us to feel Elizabeth's humiliation. Words we read about Wynn Delaney include "benefactor," "save," "purposefully," and "friendship," (133) making it clear that Elizabeth was appreciative of Wynn's help. Oke strategically uses these words to cause us to subconsciously feel the same way that Elizabeth does; thus we see the following events from Elizabeth's point of view, which is Oke's objective, because then we become attached to our protagonist and sympathize with her feelings when things go wrong for her.
Oke gets us emotionally involved when Elizabeth is about to return home and leave behind the world she has come to love. She pauses when she hears her name. "A hand was placed on my shoulder, and through the mist in my eyes I saw a red-coated chest and I looked up into the face of Wynn Delaney. His eyes looked troubled as they gazed deeply into mine." (219) By this point in the story we have a firm understanding of Elizabeth's confusion about her relationship to Wynn, and we also know how reluctant she is to return home because we, too, have come to love this wilderness through Elizabeth's experiences. Oke now effectively touches our emotions, but is only able to do so because throughout the story we have come to know, experience, and love her characters, which she has effectively done through characterization, sensory details, and diction. Now that Oke has fully and completely engaged us with the story and with her protagonist, she gives us one last gift of connecting with our emotions. We leave the book feeling our hearts touched in some way.
Oke does an excellent job of connecting us to her protagonist and engaging each of her readers, no matter what background they have. If you want to be left with a happy feeling and you enjoy these kinds of books, you will love "When Calls the Heart."