Most Helpful Customer Reviews
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23 of 23 people found the following review helpful:
5.0 out of 5 stars
Six years of effort, fifty minutes of pleasure, 2 Oct 2001
This was the album that convinced me that Lucinda Williams belongs in a different class to a lot of the American South's country scene. As a rough guide to the world that Car Wheels... inhabits, the range of material veers from rock to blues, acoustic to electric, but never loses the exquisite musical feel that Williams clearly possesses in spades. A good album is one which has songs you like on the first listen, and songs that you take a while to warm to, but once you do they won't leave your head. This album is a classic example - the more immediate rock tunes (I Think I Lost It, Right In Time, Joy) burn brightly and fade, while the songs that are initially slower to sparkle (All The Way To Jackson, Greenville, Metal Firecracker) eventually work their way into your head until you find yourself humming them while wandering round the supermarket. With the exception of Concrete And Barbed Wire, which is a personal no-go area, there isn't a song on this album which is out of place. Unlike some female singers who try too hard to sound sexy, Williams' vocal fragility is endearing, not cloying - and as her latest album ,Essence, shows, she can do the 'torch songs and ballads' circuit as well as anyone. But this is Lucinda Williams with a band, some simple songs, a perfect production job (why can't Steve Earle produce his own albums this well?), and a confident swagger that suggests even while she was recording this, she knew it would turn out to be a wonderful album.
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14 of 14 people found the following review helpful:
4.0 out of 5 stars
The Best Album of the American South., 20 Sep 2001
By A Customer
The American South. Home of back water hicks, swamps, latent racism and the setting for James Lee Burke novels. Well yes it is, but there is someone else who will now forever be connected with it - Luicinda Williams.CAR WHEELS ON A GRAVEL ROAD is THE Southern album to own. The landscape, sounds and smells of the Deep South inhabit and give life to this album. So when Luicinda Williams sings "Sittin in the kitchen, a house in Macon, Loretta singing on the radio, smells of coffee, eggs and bacon - car wheels on a gravel road". You know where you are. Her voice is the key. It drips with Southern sexuality. And her timing is perfect. Best Songs? CAR WHEELS ON A GRAVEL ROAD, with Buddy Millar plucking his mando guitar, is nostalgic but never sickly. Also, the up tempo METAL FIRECRACKER and the self-affirming JOY stand out. But there is not really a bum track on here. The album contains some of the most pleasing, flowing music I have heard for years. This record makes me want to go to Southern America. And while I save up the pennies, CAR WHEELS ON A GRAVEL ROAD will have to suffice.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars
The Deep South, live in your living room or car, 14 Jun 2001
Not much is known about Lucinda Williams, except that she has been a profound influence on other country-rock performers, such as Mary Chapin Carpenter, and is admired by many of her contemporaries. She really does have an almost unique voice; while it can sound quite abrasive at times, it reaches into your soul, especially during the more melancholy moments. 'Car Wheels On A Gravel Road' is a rock album, a country album, and a folk album, and is an even more enjoyable concept than you might imagine. It's a wonderful 'driving' album; I'd say it was almost essential in the car, particularly in summer. For poetry fans, look no further than the lyrics here; Williams is a storyteller too, and it brings a whole new world to life. This makes it a true folk album - by the end you'll feel like you know these characters. 'Lake Charles' takes you to, well, Lake Charles, Louisiana, Williams' home town. On 'Drunken Angel' you can picture that 'derelict in your duct tape shoes'. After hearing 'Greenville', with a wonderful harmony vocal by Emmylou Harris, you will want to go there, along with the beau Williams is trying to extricate from her memory. Amongst all the pain and anguish - and there is plenty - there is even humour; 'I think I lost it, let me know if you come across it, let me know if I let it fall along a back road somewhere' goes the chorus, proving that the human spirit will always rise again. This is a must have for any serious music fan and aficionado. One final warning; once this album is in your blood, it will NEVER leave...
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