"Wheel of the Infinite" lacks the tension and pace of Well's earlier "Death of the Necromancer," as well as some of the latter work's tighter plotting. On the plus side, the world created here is in some ways far more authentic, without the obvious borrowings that plagued the previous book. Though the setting is obviously an alternate world that bears a loose resemblance to imaginings of ancient Southeast Asia, Wells has re-contextualized the land and culture to where they exist not simply as a dull and derivative reflection, but have a vibrancy and life all their own.
Unfortunately the same can not entirely be said for either her characters or the magical elements upon which so much of the story depends. As with an earlier reviewer (See US reviews), I agree that many of the characters remain attenuated, both in their own development and their relationship with each other. Questions arise that remain unanswered and many of the secondary characters seem to play walk-on roles that are never fully resolved, especially in the case of Raith and Rastim's participation near the end of the book. In the case of the latter, towards the conclusion Wells seems to be reaching for a fuller expression of Rastim's personality that comes too late and remains too abbreviated to become fully convincing. Revelations are dropped regarding various characters--Raith and the Adversary in particular--that beg expansion yet are never taken further. And, the magical elements which form so much of the narrative and are supposed to provide both suspense and an explanation for the events around which the plot is suspended really often accomplish neither, remaining only partially illumined, towards the end often more muddled than clear, with a conclusion that left me somewhat unsatisfied and seemed to require that I simply accept events as they took place, regardless of a lack of basis or substantiation. While there was much that intrigued me about the sorcerous cosmology of Well's world, its often ad hoc presentation kept me at a distance and never fully dispelled my disbelief.
Though I have had problems with both books that I've read by this author, there is little question of her potential talent, or her ability to imaginatively and vividly create worlds, as well as suspense, as was evidenced in "Death of the Necromancer." I will continue to read her work as I expect with time her stories will only further improve, and I admire her attempts to rework her fantasy from an often inventive and fresh approach. Nonetheless, this book offers only a mild diversion, and I would recommend, if interested, that you wait for the mass-market version before purchase.