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I can, however, see what the lecturer meant. The book is fiction but the author makes no secret of the fact that it's also propaganda. I can forgive this because (a) the author makes no secret of the fact, and (b) it's largely propaganda in a worthy cause: sexual and social equality. Also, Chernyshevsky is no fool. He doesn't waste his time with blather of the "women are people too" kind, but offers genuine analysis of why society is the way it is. Given when he's writing, I'm impressed. There's a little too much utopian sentiment at the end, but less than you would think... Note this: the central character stages his own death in order to allow his best friend to legally marry his wife when he discovers she's more in love with the friend than with him; he gets the consent of both parties first and the three remain friends. People of the late twentieth century who found themselves in nineteenth-century Russia they might easily behave just the same way. It must have seemed bizaare at the time: but actually, Chernyshevsky knew what he was talking about.
Think of some of the extended essays of George Orwell, or of the more plotless novels of H.G. Wells. Chernyshevsky is at any rate closer to the mark than the latter; although not, of course, as rich in ideas as the former.
Chernyshevsky admits at a number of points in the work that he wasn't born to be a novelist, and it shows--especially annoying were his inability to stay in the same verb tense and his periodic silly asides to "the sapient reader." Still, I was pleasantly surprised at how gripping I found the work; I was ever anxious to find out what was going to happen to the characters next (partly because their rather unorthodox views on marriage and other matters, especially given the time period, were bound to keep me guessing), and that made the fairly long novel go by a bit more enjoyably than I expected. Some of Chernyshevsky's views, and especially his prophecies for the future, seem a bit naive nowadays (though in my edition, translated in 1886, the translators gleefully note that Chernyshevsky predicted the invention of the electric light), but given when he was writing (1863), it's easier to see how he might fall into some of the traps that he did, and in fact the novel offers a very interesting look at Russian socialist thought in its relatively early years. All in all, though the novel's not great, it's better than it's generally given credit for, and if you're interested in the history of leftist thought or Russian literature, it's a worthwhile read.
The radicals of his day were not wrong to seek fundamental change in the oppressive and autocratic system under which they lived. They were not alone in being enthralled by the ideas of Robert Owen, and their goal of seeking earthly salvation through reason and the reform of institutions does not make them clowns and fools. Their moral critique of Russian society was valid; their solutions turned out not to be. Not being omniscient, they did not foresee the ways that the flaws in their ideas would be seized upon, utilized, and magnified by men who were power-mad and malevolent, and what Russia's future would thereby turn out to be. They were far from alone in that, also. To flog idealists like Chernyshevksy with the horrors that were perpetrated by others a half-century or more later, is very easy to do. It is also unfair, mean-spirited, and foolish.
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