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What is to be Done? [Paperback]

N.G. Chernyshevskii , Michael R. Katz
3.5 out of 5 stars  See all reviews (2 customer reviews)
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Product details

  • Paperback: 488 pages
  • Publisher: Cornell University Press; New edition edition (8 Jan 1989)
  • Language: English
  • ISBN-10: 0801495474
  • ISBN-13: 978-0801495472
  • Product Dimensions: 15.5 x 2.8 x 24 cm
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 236,433 in Books (See Top 100 in Books)

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13 of 14 people found the following review helpful
4.0 out of 5 stars Yes, it�s propaganda. However ... 2 April 1999
By A Customer
Format:Paperback
The teacher of a Russian/English literature course I once took assigned us only a single chapter of Chernyshevsky, because he could not in good conscience make us read what he described as "a rather tiresome book". Mainly because I had not yet discovered how to remove lecturers' photocopies from the library, I got hold of a copy of the book and I read it in two days. Chernyshevsky is not at all hard going. I later discovered that one person in twenty ended up reading and liking the book. I hope it's not just the most counter-suggestible person among the twenty.

I can, however, see what the lecturer meant. The book is fiction but the author makes no secret of the fact that it's also propaganda. I can forgive this because (a) the author makes no secret of the fact, and (b) it's largely propaganda in a worthy cause: sexual and social equality. Also, Chernyshevsky is no fool. He doesn't waste his time with blather of the "women are people too" kind, but offers genuine analysis of why society is the way it is. Given when he's writing, I'm impressed. There's a little too much utopian sentiment at the end, but less than you would think... Note this: the central character stages his own death in order to allow his best friend to legally marry his wife when he discovers she's more in love with the friend than with him; he gets the consent of both parties first and the three remain friends. People of the late twentieth century who found themselves in nineteenth-century Russia they might easily behave just the same way. It must have seemed bizaare at the time: but actually, Chernyshevsky knew what he was talking about.

Think of some of the extended essays of George Orwell, or of the more plotless novels of H.G. Wells. Chernyshevsky is at any rate closer to the mark than the latter; although not, of course, as rich in ideas as the former.

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3 of 5 people found the following review helpful
3.0 out of 5 stars Historically interesting, but not a great read 4 Feb 2006
Format:Paperback
Chernyshevsky’s ‘WITBD’ is considered one of the first socialist novels in modern Russian writing, and caused a huge stir when it was first published. It follows the story of Vera Pavolvna, a young girl from a poor family who is anxious to escape her domestic situation. Her mother is a violent alcoholic for whom the only chance of a better life lies in getting Vera married off to a rich suitor. Vera has other ideas and plans to marry for love and work for a living. She meets Lopukhov and, united by their socialist ideals, they enter into a sexless marriage and set up tailoring business in which the workers are viewed as equal partners in the enterprise. When Vera falls for Lopukhov’s friend Storeshnikov, he does the decent thing and steps aside (in spectacular fashion) to allow true love to blossom.
‘WITBD’ was hugely influential in its time, being discussed by characters in Dostoevsky novels and cited by figures such as Lenin as an important influence. However, I don’t think that it has aged especially well. The characters are interesting, but very much of their day. The book is very sexist, not just as regards the attitude towards women within the story, which was purposeful, but also in the attitude of the author towards women. Although they are supposed to be emancipated and headstrong (Vera in particular) they all seem to need a man to tell them who they should be marrying and why, while they giggle and cry and declare themselves to be silly. Perhaps Chernyshevsky’s view of women was progressive for 1860s Russia, but I was reading it now, not them, and it did detract from the book. Also, the view of socialism expounded in the book seems a bit dated. Chernyshevsky was, admittedly, writing before any sort of socialist government had existed anywhere in the world, so he was only guessing at what was possible. Vera and Lopukhov’s tailor shop is an interesting stab at guessing what a private business run on Marxist ideals would look like, but the extension of the socialist ideals into their private relationships does, I think, look a little silly now. Lopukhov’s utter lack of jealousy or hard-feeling towards Storeshnikov may be admirable, but felt a little unlikely, as did the sexlessness of Vera and Lopukhov’s marriage. Also detracting from the book, for me, were Chernyshevsky’s asides to the readers, something that I can’t stand anyway, but seemed especially condescending here.
I did enjoy reading ‘WITBD’, but perhaps for its historical context and influence rather than the actual story. I found a lot of it to be a bit of a slog. If I wasn’t already interested in Russian literature and history I suspect that I would have found the whole thing to be a bit of a waste of time. If you have dipped your toe into Dostoevsky, Tolstoy, Turgenev et al., then I would recommend ‘WITBD’, if you are feeling brave, but it is not a book, I think, just to be picked up casually and enjoyed.
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Amazon.com: 3.1 out of 5 stars  13 reviews
35 of 40 people found the following review helpful
4.0 out of 5 stars Not artistically great, but strangely compelling 1 Sep 2000
By "mikeu3" - Published on Amazon.com
Format:Paperback
"What is to be done?" is the novel in which noted leftist critic Nikolai Chernyshevsky outlined his vision of a future of economic cooperation and women's rights. Though it is remembered more for its political message than its literary merit, a few words about its plot seem in order. We meet the main character, Vera Pavlovna, as she is about to be betrothed to a man who, though there's nothing especially terrible about him, she does not at all love. She meets the enlightened Dmitri Lopukhov and they fall in love, so, much to her parents' chagrin, they run off together and get married. After a few years of marriage, the odd behavior of Dmitri's close friend Alexander Kirsanov reveals to Dmitri that Alexander loves Vera, and Dmitri correctly suspects that the feeling is mutual, and that although Vera cares for Dmitri very much and appreciates all he has done for her, her passion for him was a youthful indiscretion. Ever sympathetic to his wife's interests, Dmitri contrives to get out of the lovers' way, and Vera and Alexander are happily married for pretty much all of the second half of the novel. Meanwhile, Vera has founded a highly successful sewing union, and Chernyshevsky uses this to preach the value of worker ownership of businesses and also to illustrate women's potential for industry outside the home.

Chernyshevsky admits at a number of points in the work that he wasn't born to be a novelist, and it shows--especially annoying were his inability to stay in the same verb tense and his periodic silly asides to "the sapient reader." Still, I was pleasantly surprised at how gripping I found the work; I was ever anxious to find out what was going to happen to the characters next (partly because their rather unorthodox views on marriage and other matters, especially given the time period, were bound to keep me guessing), and that made the fairly long novel go by a bit more enjoyably than I expected. Some of Chernyshevsky's views, and especially his prophecies for the future, seem a bit naive nowadays (though in my edition, translated in 1886, the translators gleefully note that Chernyshevsky predicted the invention of the electric light), but given when he was writing (1863), it's easier to see how he might fall into some of the traps that he did, and in fact the novel offers a very interesting look at Russian socialist thought in its relatively early years. All in all, though the novel's not great, it's better than it's generally given credit for, and if you're interested in the history of leftist thought or Russian literature, it's a worthwhile read.

16 of 17 people found the following review helpful
3.0 out of 5 stars Cannot be ignored 1 Aug 2008
By Sunjay Chandiramani - Published on Amazon.com
Format:Paperback
Any serious student/lover of nineteenth century Russian literature must be aware that despite the dearth of artistic merit "What is to be Done?" possesses, it nevertheless is absolutely vital for a greater understanding of the ideas of the period. Without proper knowledge of Chernyshevsky's work, it is almost impossible to fully appreciate the nuances of other, more artistically gifted writers, of the time, such as Dostoevsky, Tolstoy, Turgenev and Goncharov. As such, while the reviews here criticising the style of the novel are well valid, they nevertheless must admit its overwhelming influence on the other writers of the period, and that alone must make the serious reader "plough" through the pages of this book.
22 of 27 people found the following review helpful
4.0 out of 5 stars Historically important book 29 May 2004
By meadowreader - Published on Amazon.com
Format:Paperback
This has been called "the worst novel ever written", but it's far from that. Older translations might be partly responsible for that reputation; this new translation is very readable. An excellent introduction is provided, as well as helpful footnotes throughout. The book is blatantly didactic, art in the service of ideas, and you have to be awfully good to make literature that way -- Chernychevsky freely admits that he's not that good. But his plot is actually pretty clever, and the book goes rather quickly. If you want to understand what Dostoevsky's Underground Man was railing about, read this first. The didactic sections are interesting for what they say about the hopes of the 1860s radicals, hopes that we can easily recognize today as fantasies. (Vera's 4th dream is particularly poignant.) Hindsight is a wonderful thing for feeling superior and dealing out the 'told-you-so's'. But the naive faith and doomed optimism of the author is extremely touching. Only 35, he wrote this book from prison, and he could have had no confidence that it would ever see the light of day; yet there is no hint of despair anywhere in it. He was subsequently destroyed by Siberia, and nothing turned out the way he had hoped.

The radicals of his day were not wrong to seek fundamental change in the oppressive and autocratic system under which they lived. They were not alone in being enthralled by the ideas of Robert Owen, and their goal of seeking earthly salvation through reason and the reform of institutions does not make them clowns and fools. Their moral critique of Russian society was valid; their solutions turned out not to be. Not being omniscient, they did not foresee the ways that the flaws in their ideas would be seized upon, utilized, and magnified by men who were power-mad and malevolent, and what Russia's future would thereby turn out to be. They were far from alone in that, also. To flog idealists like Chernyshevksy with the horrors that were perpetrated by others a half-century or more later, is very easy to do. It is also unfair, mean-spirited, and foolish.

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