If you are being guided by the front of the DVD cover for this film, then ignore the bottom half, because apart from a couple of pretty tame scenes there is very little action in it, except of the romantic sort highlighted in the top half. This film is all about relationships and character development, at which it succeeds pretty well. It follows the life and loves of a young cinema usher, played quite brilliantly by Audrey Dana, during the upheaval of the German occupation of France during World War Two. Dana certainly has a few loves and is unusually liberated even for a French woman, given that more innocent era. Yes I know, some had fun even then! She happily jumps into bed with two men, and then decides, like you do, to toss a coin for which one to marry. An unusual marriage arrangement to say the least! Her decision to have an affair with a German officer turns out to be an unwise one. The film carries many strands which can be confusing at times, but which do come neatly together by the end. It was ten years in production, and the director Claude Lelouch has clearly put much time and energy into this very personal project.
There is much to admire in the film beside the delightfully exuberant Dana. The musical score is simply superb, with some richly evocative French music of the period. Like the Italian director Giuseppe Tornatore, LeLouch was also clearly besotted by the cinema of the period, which is never far away in the film. There is a memorable scene where the German officer plays La Marseillaise, on what to use a technical term, looked an engorged mouth organ in the Nazi headquarters, and another surreal one where the cast members do a song and dance routine near the end. Lelouche has been accused of self indulgence by some critics and they do have a point. At the start of the film we are informed that the director has made 43 films, and at the end we are shown clips from what seemed to be all of them. It is as if the director is trying to vindicate his lifes work to anyone willing to watch, also indicating to us that this may be his last film. John Wayne's last film "The Shootist" also showed a number of clips from his past films as homage to his screen legend. Other directors have already made semi autobiographical films. Tornatore's own recent "Baaria", about his Sicilian childhood was an expensive piece of bland reminiscing. That director's love of cinema was showcased in his sentimental "Cinema Paradiso", with an unforgettable sequence of famous screen kisses. A sequence that happens to be an all time favourite of mine! Frederico Fellini's thoughtful "Amarcord" was a more mature work. This film falls somewhere in between these two films. At times it is too clever for its own good, but as a character study it kept me involved and got better as it progressed. 3.7 stars rounded up to a generous 4.