- Paperback: 192 pages
- Publisher: University of California Press (1 July 1992)
- Language English
- ISBN-10: 0520000927
- ISBN-13: 978-0520000926
- Product Dimensions: 20.8 x 13.8 x 1.3 cm
- Average Customer Review: 4.0 out of 5 stars See all reviews (4 customer reviews)
- Amazon Bestsellers Rank: 295,240 in Books (See Top 100 in Books)
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"Although Andre Bazin died shortly before the onset of what we now regard as the modern cinema, our understanding of this cinema wouldn't be the same without him. He's also one of the most scrupulous humanists and polemicists we've had, on a par with George Orwell, and these essays map out the busy highways we're all still navigating." - Jonathan Rosenbaum, film critic for the Chicago Reader"
--This text refers to an alternate
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edition.
Product Description
Andre Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinema, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protege of Francois Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."
--This text refers to an alternate
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edition.
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33 of 36 people found the following review helpful
Format:Paperback
André Bazin was one of the most important writers on film. His views have been influential worldwide. The term Bazinian realism has become one of the major theoretical categories in film studies. The impact of Bazin's work on English-language film studies has been generated, to a large degree, by this two-volume collection of essays. A number of major debates that have been going round for years now (decades actually) in English language works center on issues arising from these essays; e.g. the relation between objects and their photographs. However it must be stressed that these English language essays are re-workings by their "translator" rather than faithful renderings of the originals. Hugh Gray, the translator, not only chose some of the essays from the original French editions but also treated them with great liberty. Sentences and footnotes are missing, others are combined without reason; expressions are made more "flowery"; and meanings are changed. I cannot tell whether the translator was not up to the task of doing this job properly or he decided to mistreat his subject to such a degree consciously. In any case it is a great pity that Bazin's work is available in English only in this unfortunate form.
Format:Paperback
The item was exactly as expected and the sending was even faster than programmed, though it'd have take a long time.
Perfect deal.
Perfect deal.
Format:Paperback
Lots of material out there to get you going when it comes to motion pictures, but it is always great to go back to the basics. Bazin's books are invaluable and should not be missing on the reading list of anyone who is serious about cinema.
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