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Product Description
This volume provides a survey of the history of architecture in Europe and North America, from ancient Greece to the present. Ian Sutton focuses both on the technological achievements of architects, and on aesthetic considerations, and stresses that architecture is both a part of history, and an art form in its own right. Arranged chronolgically, the book is divided into chapters on classical, early Christian, Romanesque, Gothic, Renaissance, Baroque, neoclassical, 19th-century revivalism, international modernism and postmodernism, with all the famous architects documented and described. A range of examples illustrate the text, and space is given to Eastern Europe, and ideologically suspect styles like Stalinist classicism.
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Most Helpful Customer Reviews
Format:Paperback
This text was on the first year History of Architecture reading list and proved useful although quite difficult to get through due to the last proportion of text. I found it more useful when using it for reference in essays and clarifying trends and styles for my work. Definately useful, but more a book to dip in to as and when.
Most Helpful Customer Reviews on Amazon.com (beta)
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6 reviews
11 of 11 people found the following review helpful
A Comparison of Three Popular Architectural Histories
13 Jun 2005
Format:Paperback
As an architectural novice who recently decided to learn more about it, I checked three books out of the library: The Story of Western Architecture, by Risebero; Western Architecture, by Sutton, and The Story of Architecture, by Glancey. This is a brief comparison of the three.
Sutton: An attractive book with lots of coverage (I think more comprehensive than Risebero and certainly more than Glancey) and photos. The photos are black & white and unfortunately small due to the relatively small format of the (paperback edition) book. The text has a somewhat academic tone and concentrates on the buildings rather than the social theories expounded in Risebero's book.
Risebero: An impressive book with many detailed line drawings but no photographs. The line drawings obviously lack the details and total impact of photos but they also allow the author to emphasize and isolate features of interest; photos can frequently confuse the eye with an excess of detail. Also includes sketches that illustrate building principles, e.g., what "pendentives" are, ways to intersect arches, etc. Risebero provides socio-cultural material that attempts to explain the reasons behind historical trends, movements, etc. I suspect this material is controversial among architectural historians, as such attempts usually are, but I lack the background to judge whether it exhibits strong biases, political agendas, etc.
Glancey: A large-format book with beautiful color photographs. The only book of the three to include non-Western architecture, such as Africa, Asia, etc. The text is large-font and more simplistic in tone and content than the above two.
Conclusions: Sutton was somewhat dry, lacking the feeling of continuity created by a narrative line. In contrast, Risebero's social commentary made for a better "story" (hence the title, I guess), but I did have the sense of social ideas being imposed upon me without having the background to evaluate them. Glancey's book was quite short and simple - perhaps almost more of a young-adult sort of book. If I were to pick a winner, it would be Risebero, for excellent line drawings and a storytelling feel that kept my interest. The only real lack was some nice big color photos (a la Glancey), but you can't have everything.
Sutton: An attractive book with lots of coverage (I think more comprehensive than Risebero and certainly more than Glancey) and photos. The photos are black & white and unfortunately small due to the relatively small format of the (paperback edition) book. The text has a somewhat academic tone and concentrates on the buildings rather than the social theories expounded in Risebero's book.
Risebero: An impressive book with many detailed line drawings but no photographs. The line drawings obviously lack the details and total impact of photos but they also allow the author to emphasize and isolate features of interest; photos can frequently confuse the eye with an excess of detail. Also includes sketches that illustrate building principles, e.g., what "pendentives" are, ways to intersect arches, etc. Risebero provides socio-cultural material that attempts to explain the reasons behind historical trends, movements, etc. I suspect this material is controversial among architectural historians, as such attempts usually are, but I lack the background to judge whether it exhibits strong biases, political agendas, etc.
Glancey: A large-format book with beautiful color photographs. The only book of the three to include non-Western architecture, such as Africa, Asia, etc. The text is large-font and more simplistic in tone and content than the above two.
Conclusions: Sutton was somewhat dry, lacking the feeling of continuity created by a narrative line. In contrast, Risebero's social commentary made for a better "story" (hence the title, I guess), but I did have the sense of social ideas being imposed upon me without having the background to evaluate them. Glancey's book was quite short and simple - perhaps almost more of a young-adult sort of book. If I were to pick a winner, it would be Risebero, for excellent line drawings and a storytelling feel that kept my interest. The only real lack was some nice big color photos (a la Glancey), but you can't have everything.
6 of 6 people found the following review helpful
Easy to understand and a pleasure to read
21 Dec 2003
Format:Paperback
It's always best to have this subject explained by a single author, as opposed to several, each expounding on his or her specialized area, overwhelming the reader. On the other hand, if it's presented too briefly, it becomes an impossible-to-remember chronology of unrelated buildings. This book, though, presents it in just the right depth, using an effortless and light writing style. Greek temples, the author points out, show "no hint of a way to get in".
Thus begins a story that, to paraphrase him, is complicated and impossible to simplify. Fortunately he explains it well: Romanesque is, in a way, the first Renaissance, as Charlemagne tries to associate his empire with Imperial Rome. The actual Renaissance is a transitional point because, for the first time, architecture is based on scholarship; this continues until the 19th century, as new archeological discoveries (early Doric columns had no bases) add to the repertoire.
And he claims that a totally unknown Modern architect is on a par with Wright, showing he's confident enough in the subject to think for himself.
5 of 6 people found the following review helpful
Architecture of the Ages
8 July 2000
Format:Paperback
Western Architecture has many wonderful examples of old churches, catedrals and government buildings dating all the way back to the Roman Empire. Although this books has many great pictures, it spends very little time on domestic architecture and dosen't deal with many modern buildings.
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