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West


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Music

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Photos

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Biography

Formed in 2006, Ripley Johnson (guitar and vocals), Dusty Jermier (bass), Nash Whalen (organ), and Omar Ahsanuddin (drums), began with the simple drive to get their music heard. Their first 10" was available for free to anyone who wrote them an email requesting one. After a few albums, singles, and collections the band are leaders of the modern psychedelic movement.

West is their ... Read more in Amazon's Wooden Shjips Store

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Product details

  • Audio CD (29 Aug 2011)
  • Number of Discs: 1
  • Label: Thrill Jockey
  • ASIN: B004ZPGFAA
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Bestsellers Rank: 8,794 in Music (See Top 100 in Music)

1. Black Smoke Rise
2. Crossing
3. Lazy Bones
4. Home
5. Flight
6. Looking Out
7. Rising

Product Description

Product Description

Wooden Shjips stand at the forefront of modern psychedelic rock and present their first album for Thrill Jockey.

West is the first Wooden Shjips album recorded in a proper studio. Production was handled by Phil Manley (Trans Am) at his Lucky Cat Studios.West marks the first time the band recorded in a proper studio, as well as the first time with an engineer (Phil Manley). All previous recordings, either self-released, for Holy Mountain, or Mexican Summer were done more piecemeal in the band s rehearsal studio. West was recorded and mixed in six days at Lucky Cat Studios in San Francisco. It was mastered by Sonic Boom at Blanker Unisinn, Brooklyn, with additional mastering by Heba Kadry at The Lodge in New York.

BBC Review

California's Bay Area has latterly reinvigorated its late-60s heritage as Mecca for exploratory psychedelic rock, with free-jamming nutjobs such as Sun Araw and Carlton Melton once more turning on, tuning in, but most importantly dropping the kind of far-out and mind-expanding recordings no-one could rightly claim to have heard before.

San Francisco's Wooden Shjips have made more headway on this side of the Atlantic than most, with a slightly more conventional, even earthbound variant. It combines The Seeds' garage caveman thud, krautrock's locked-groove hypnosis and, most obviously to Brit ears, Spacemen 3's ethereally-voiced pulsations.

This third album was even mastered (though not produced) by former Spaceman, Sonic Boom; yet, ironically, it's their first record really to transcend that influence. West, unlike its predecessors, was beamed out from a bona-fide studio, not their dingy old rehearsal room. Thus, their familiar smoke-filled basement gloom lifts, and here finally is a psychedelic audio experience with sufficient focus and momentum to 'take you there' without dozing off on the job.

Black Smoke Rise opens at a reasonable clip, with an amps-at-11 fuzz-riff, swirly 60s organ, circling-down-the-plughole bass patterns and catchy lysergic invocations from mainman Erik 'Ripley' Johnson, before Kraftwerk synth expanses and Johnson's FX-mangled solo lead out further into the stratosphere.

In advance publicity, Johnson, a silver-bearded New Yorker-by-birth, has revealed that West is loosely themed around California's wide-open spaces, where the combo regularly camp out, to perceive their cosmic tininess. Crossing, mirroring the cover's gaping snap of Golden Gate Bridge, is a desert inner-space trip - like The Doors' Take Me to the Other Side, minus Jim Morrison's brutish ego.

However, where Wooden Shjips really start to break new turf here is on Lazy Bones, which, contrary to its title, rattles along fast on a maraca-rustlin' Bo Diddley beat - proper, urban rock'n'roll! Hell, it even clocks in at under four minutes. Later on, Looking Out is similarly hi-octane, with a harp-blowin' intro and Johnson squawking semi-audibly, like a transported Alan Vega.

Thanks to those two pile-drivers keeping the energy levels up, Johnson's lengthy slow-mo fret-fiddling in the outlying tracks feels loose and liberated, rather than slack and repetitive. Unexpectedly, these star-sailors are tripping the light, fantastically.

--Andrew Perry

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Customer Reviews

4.2 out of 5 stars
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Most Helpful Customer Reviews

5 of 5 people found the following review helpful By Red on Black TOP 50 REVIEWERVINE VOICE on 13 Sep 2011
Format: Audio CD
Ripley Johnson is a very busy lad holding down two jobs firstly with the San Francisco noise merchants Moon Duo! and also having a rare old level of fun with the psychedelic garage outfit Wooden Shjips. You may have heard them recently doing a Marc Riley 6 Session where they played versions of the stoner epics "Black Smoke Rise" and "Flight". Like an over excited form teacher your reviewer marked them down for great things. It was like a hybrid of the Secret Machines meets the Doors and a wonderful slice of space rock that Riley could happily describe without any hint of irony as "far out"!

On the evidence of "West" their first properly recorded studio album there is plenty more in the space shuttle tank. Much has been made of the bands debt to British drone rock pioneers "Loop" but frankly another hundred influences could be easily be delineated not least a sly nod towards the current uber obsession for many new bands the great German outfit Neu. What is the case is quite how good and accessible "West" is, despite the fact that the way the album is mixed leads you to question whether the drummers microphone next to his kit was turned off when it was recorded. Let us stress that this is a fuzzy guitar album par excellence but one that is so acid fired it could burn through a thick metal plate. In this sense while there are only seven tracks present at around 35 minutes it will leave you feeling musically full and sated. Starting points should be two central songs firstly the commercial "Lazy Bones" which starts off with a huge riff until a keyboard sneaks in and hey presto it's "the Cramps in orbit". This murky rock'n'roll married to huge guitar psychedelic guitar lines works perfectly as does Johnson's vocals, which portray not one jot of emotion or warmth.
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2 of 2 people found the following review helpful By Tim on 26 May 2013
Format: Audio CD Verified Purchase
needs a few listens to take you beyond the initial joy of the noise (which is great, but obviously repetitive - that's the point) to what's in the songs. I've enjoyed it more each time I listen.
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4 of 5 people found the following review helpful By Fazeshifter on 20 Oct 2011
Format: Audio CD Verified Purchase
Oh my goodness! I've been waiting a long, long time for a band like this!
I discovered Wooden Shjips by chance this year and have acquired their previous four CD album releases so I was looking forward to listening to 'West'. Having listened to it I'm pleased to say it has exceeded expectations; in fact I'd say this is their best so far. Why? More of the same but even better. How many times have you wished bands you liked had remained playing the same stuff? You know all those 'I like their early stuff' kind of bands you once liked. No fear of that with Wooden Shjips. Nothing wrong with change but when a formula works so well why change it?
If you have never heard Wooden Shjips and have a taste for hypnotic repetitive fuzz drone riffs or you like bands like Hawkwind, Loop, Spacemen 3 (Sonic Boom helped master 'West'), early Stereolab ('I like their early stuff...'), Suicide and Neu! then do yourself a big favour and get hold of 'West. Trust me, Wooden Shjips understand this kind of music like very few bands do. You don't get a band like this come along very often. A classic band of it's type.
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3 of 4 people found the following review helpful By Gannon on 16 Sep 2011
Format: Audio CD
It's been a busy year for the badger-bearded psyche overlord Ripley Johnson. Not content with melting minds via his Moon Duo missives, he's also been keeping the Wooden Shjips iron firmly in fire too, and the frazzled space-rock it's produced duly blows this year's best efforts of the former straight out of the water.

Proud enough of his adopted Bay Area to emblazon the album cover with the Golden Gate Bridge, West is then, at its heart, business as usual for this collection of power-psyche pioneers. Muscular repeats and heavy cosmic grooves dominate, which, along with a fuzzed-up guitar riff and stratospheric 60s organ help lend the catchy opener "Black Smoke Rising" an outer-rings dance-floor vibe.

Added to the usual Wooden Shjips palette however we find identifiably classic rock anchors. By way of example, "Home", outside of its vocal, brings to mind Suicide thumbing through AC/DC sheet music. In turn, the patient "Flight" houses a low-in-the-mix riff ripped from the Sabbath catalogue. Decorating each sonic storm without exception, intergalactic guitar work more than makes itself known, beaming directly into the mind's third eye.

As if it were needed, acting to prove the current confidence in the Wooden Shjips camp, West's closer, "Rising", even has the balls to run entirely in reverse, clipping Johnson's vocal unintelligibly as a result. Its drums work back-to-front. That iconic fuzzy drone maintains its pitch.

It would seem mainlined psyche this single-minded works when taken from any direction: North, South, East or West.

Advised downloads: "Black Smoke Rising" and "Lazy Bones
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I played this several times the other day and was totally captivated.
I was totally drawn into the motorik psychedelic swirl of the Wooden Shjips!. My seasoned ears can discern a veritable melting pot of influences going on within these songs:- Hawkwind ,Neu,The Doors,Spaceman 3, Crazy Horse even!. What a band!. I love 'Black Smoke Rise' which recalls Lemmy era Hawkwind in a big way for me, the other tracks are just as awesome and improve with successive plays. Forget the stress of the everyday and wallow in this album!!
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