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It's 1859 and throughout Europe tremendous upheavals have taken place. Hester Latterly is nurse to the sick son of a German Baron and his family, who have moved to London from one of the many small principalities between Prussia and Bavaria - and the Baroness tells Hester about her kingdom's famous royal family...
Handsome Prince Friedrich was one of just two heirs to the crown, considered the perfect match by every woman of the land. But during an affair with Countess Zorah Rostova, he meets the alluring and sophisticated Gisela - with whom he falls deeply in love. He can have Gisela or the crown, but not both. He chooses Gisela, marries her in Venice and, after many years, tragically dies in England.
Now, Countess Zorah, having accused the widowed Princess of murdering Friedrich, is being sued in the biggest slander trial of the century - and the only way that she can defend herself is to prove that Gisela is indeed guilty. But in doing so she must sully the greatest love story that the country has ever known, and that is enough to put her lawyer's career in jeopardy, too. That lawyer is Oliver Rathbone, who calls on Investigator William Monk to help...
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My first impression of "Weighed" was "What?" There was just nothing really grabbing at my attention about slander. True, Friedrich *may* have been murdered, but it didn't have the immediacy of the others.
But of course, I was reading through it sort of quickly to get caught up, and this *was* after I had finished the entire Pitt series and was a bit annoyed with how it got sort of bogged down after about eight books...
So I picked up "Weighed in the Balance" again a few months ago, and really read it. I was surprised at how different it seemed now that I considered it, and after I had read the later books too.
Granted, slander just doesn't grab you by the throat and demand your attention. I had the same initial problem with "Breach of Promise."
This re-reading also took place after my European history class had covered Germany in the nineteenth century, so I also had more historical perspective this time and could understand the German principalities and their concerns better.
This book is more subtle and slower-moving than some. But I still think it's a good entry into the Monk series. All along, I kept thinking "Gisela couldn't have done it--Zorah's toast!" But the reasoning for it made sense--it was well developed.
It was surprising and great to see emotionally corseted Oliver Rathbone take a risk and take up Zorah's cause. Though if you read, he sounds a little attracted to her...hmm! His development as more than the dry, skillful barrister was great to read. I never saw Oliver as really having passions and emotions before this--granted, there's been some gentle and sort of half-hearted courting of Hester, but after this book, it was possible he might actually get the girl in the end. At least, it evened the odds more!
Monk also gets some development here--glimpses into his past. He also is romantically disillusioned yet again by Evelyn von Seidlitz. After Imogene, Hermione, Drusilla, and now Evelyn, it's possible he's actually gotten a romantic *clue*! Throughout the books, Perry keeps him slowly learning about himself and romance, and what he really is and what he wants. Even if some of us feel like giving him a good smack for being such an emotional duffer sometimes! ;-)
The idea of the Cinderella couple gone wrong is interesting--most wouldn't dare to touch on something so exalted as royalty. Even in writing fiction today, besmirching those who were once considered "chosen by God" to rule is somewhat taboo.
I reiterate that I still don't find it quite as gripping as some of her other Monk novels, but this one is more subtle and dark. It covers the lengths one may go to in order to save their good name and image in an era where honor and reputation were practically deified. It's got probably some of the *biggest* bits of character development in the series, "Sins of the Wolf" probably having the most *significant*. Not her best Monk novel, but still superb and not to be consigned to the shelves at all!
The book develops from the perspectives of Ms. Rostova's barrister, Sir Oliver Rathbone, private investigator, William Monk, and his friend, nurse Hester Latterly. The countess is threatened with financial ruin, and Sir Oliver's career is on the line. Ultimately, the defense takes the tack of trying to prove that a murder has taken place. That search goes into unexpected areas.
The handling of the trial is masterly, and will please those who stick with the story that long. Much of the rest of the book is slow-going with little happening either in the way of character development or plot advancement. It often seems like filler.
If the book had focused on just the trial, this could have been a five star novella. If reduced to that area, there still would have been a few problems. The author never adequately explains why Sir Oliver and the countess faced financial ruin if the suit was lost. Barristers lose suits all of the time. Unless a plaintiff can prove substantial economic damages and malice, slander is not going to cost the defendent very much beyond the defense. Also, if this suit was so risky, it is not obvious why Sir Oliver took the case.
The trial has a great strength of doing some marvelous character development with the princess through the testimony that she and others provide. This was a virtuoso accomplishment because the princess is kept well hidden until then by her public image of being one-half of one of Europe's most romantic couples.
The book has some interesting things to say about what happens after you get your wish. I suggest that if you do read the book that you consider the potential downsides of what you wish for, as well.
Find the truth!
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