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| Disc 1: | |||||
| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Overture: Euryanthe | 9:08 | £0.89 | ||
| Play | 2. Overture: Oberon | 8:35 | £0.89 | ||
| Play | 3. Overture: Der Freischütz | 10:03 | Album Only | ||
| Play | 4. Overture: The Ruler of the Spirits | 5:37 | £0.89 | ||
| Play | 5. Invitation to the Dance - orch. Berlioz | 9:36 | £0.89 | ||
| Play | 6. Overture: Abu Hassan | 3:36 | £0.89 | ||
| Play | 7. Overture: Peter Schmoll | 8:39 | £0.89 | ||
| Disc 2: | |||||
| Song Title | Time | Price | |||
| Play | 1. Symphony No. 1 in C major: I. Allegro con fuoco | 7:22 | £0.89 | ||
| Play | 2. Symphony No. 1 in C major: II. Andante | 6:06 | £0.89 | ||
| Play | 3. Symphony No. 1 in C major: III. Scherzo: Presto | 3:59 | £0.89 | ||
| Play | 4. Symphony No. 1 in C major: IV. Finale: Presto | 7:01 | £0.89 | ||
| Play | 5. Horn Concertino in E major | 12:34 | Album Only | ||
| Play | 6. Symphony No. 2 in C major: I. Allegro | 9:49 | £0.89 | ||
| Play | 7. Symphony No. 2 in C major: II. Adagio ma non troppo | 4:42 | £0.89 | ||
| Play | 8. Symphony No. 2 in C major: III. Menuetto: Allegro | 1:26 | £0.89 | ||
| Play | 9. Symphony No. 2 in C major: IV. Finale: Scherzo presto | 2:33 | £0.89 | ||
Product details
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If you can handle that, these are terrifically exciting readings of most of Weber's orchestral output played with tremendous verve on period instruments. Expect some rough edges, as period instrument playing was not as infallible when these were recorded as it is now, but in terms of pure joie de vivre these performances take a lot of beating.
Although the two symphonies are hardly mainstream repertoire, the one real curiosity in the set is the Concertino for horn, which is so difficult that you will almost never see it programmed in live concerts. The soloist, Anthony Halstead, pulls off feats of virtuosity that have to be heard to be believed. What makes his performance even more remarkable is that it was taped in spare time at the end of the sessions for the overtures and symphonies with barely any re-takes. Truth to tell, you probably have to be a fully signed-up horn anorak to appreciate every nuance, but this is a one-off performance that is never likely to be repeated. Buy it and be amazed at what can be done on a horn with no valves!
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