The debate that I've heard often about this album is whether the slick production values take away from the Mountain Goats feel. If you're unfamiliar with John Darnielle's previous albums, one of the big draws was that he recorded directly to a boom box. I don't believe that this retro recording style was what really made his work great. The man is simply a great songwriter, in the vain of such great Americana-ists as Tom Waits and Leonard Cohen. To that end, "We Shall All Be Healed" definitely stands tall and proud with his other works. A few legends surround the method by which Darnielle develops the stories for his albums. However he does it, the albums come together as cohesive observations of different walks of life across the country, and this album is no exception. The story here is occassionally unclear to me, as it sometimes seems to switch narrators, but the songs are beautiful and emotional. By the end of it, you'll care deeply for these charaters, thanks to both the lyrical precision and the haunting melodies.