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Product Description
Review
Musical Marmite ahoy. Ben Folds is either a pop genius whose ironic, witty, peaens to modern hypocrisy and self-deprecation mixed with the odd lovelorn ballad are the most underrated thing on the planet. Or he's a uber-nerd who 's determined to show that his resentment at all those piano lessons as a child could be channelled into slightly snide, cleverly-constructed songs full of revenge. All this is a way of saying that Way To Normal will dispel neither view; whichever you subscribe to.
Folds has had a busy year, even reforming the Five for a gig and working on Amanda Palmer's album, and Way To Normal is obviously the result of a lot of hard work. Yet for all the Beatle-eque harmonising and West Coast richness there's an uncomfortable edge. While the signature 88s are firing on all cylinders the relentless plink-plonk can get tiring. Especially by the cod clasicism of Effington, wherein our boy pokes 'fun' at small town life. One senses that perhaps a fuller band sound would make the tales of human failure more palatable.
Still, for fans of the Folds geek-with-a-snappy-comeback formula will be well-pleased by Way To Normal. It shows him to be in a creative maelstrom, albeit one that may need to move its focus elsewhere than the obvious failings of the society he chooses to live in. Like XTC, Folds has a fully-functioning grasp of classic late 60s pop dynamics as well as pop history in general (yes, we get the reference to Elton John in the autobiographical opening track, Hiroshima (B B B Benny Hit His Head)).
When he does the ballad thing he's on perfectly safe ground. Both Cologne and Kylie Calling From Conneticut are beautiful and genuinely affecting. But they highlight the album's key weakness. While most of this material is undeniably smart it's not overly lovable. Perhaps now that Ben's worked out his obvious frustrations at modern life he can start making more constructive statements. The appallingly-titled The Bitch Went Nuts informs us that "she called me C***". Well maybe you deserved it Ben, if this is your emotional response to rejection. Or maybe it's all meant to be ironic? Whatever; it's not that funny.
This is undeniably intelligent adult pop with a surprisingly angry heart. --Dennis O'Dell
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Customer Reviews
Most Helpful Customer Reviews
13 of 14 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
Before I start this review, I just want to say that I have been a huge fan of Ben's music since the release of the debut Ben Folds Five album back in 1995 and consider 2001's 'Rockin' The Suburbs' album to be one of my all time favourites, so I write from the perspective of a long-time admirer of the man and his work. However, with the exception of the 'Fear Of Pop' project, I think that - sadly - in 'Way To Normal' Ben has probably made his worst studio album to date.
The album starts off brightly. 'Hiroshima', a musical pastiche of Elton John's 'Bennie & The Jets', is a nice piece of inoffensive pop and 'Dr. Yang' is full of energy and pounding piano keys, although, production-wise, it could have been slightly less crashy and noisy. 'The Frown Song' is a decent enough track as well, but none of the opening three could be described as classics. The bouncy, melodic 'You Don't Know Me' (featuring Regina Spektor) is easily one of the album's highlights and one of the most obviously divorce-influenced tracks. 'Before Cologne' and 'Cologne' are very pretty pieces of music, although some of the lyrics in the latter really don't work - the news story part grates badly.
'Errant Dog' is an enjoyable track and reminds me very much of early Ben Folds Five - there's nothing particularly deep about it, but it still manages to be one of my favourite cuts here. 'Free Coffee' would be a good track if it wasn't for the really horrible metallic sound of the piano (achieved by putting empty Altoid tins on the piano strings), but still makes a good lyrical point. I think the next track will be either something you love or hate and does nothing to assist relations between men and women. Called 'B*tch Went Nuts', it is one of the most enjoyable tracks on the album as far as the music goes, but the lyrics are borderline offensive and could even be viewed as misogynistic. Of course, some will say that I should have a sense of humour about it and I have tried. I really have. Unfortunately, I don't think that Ben is joking. For humour to work, a lot is about the delivery, context and intent and, considering Ben's recent divorce, this song is difficult to love or find side-splittingly funny.
The rest of the album 'Brainwascht', 'Effington' and 'Kylie From Connecticut' are all fairly unremarkable and are about as good as each other. In fact, 'Effington' is a good example of Ben's humour on this album - it is a joke that quickly wears thin. I believe that a younger artist could probably have got away with some of the material on this album, but to hear such lame humour and juvenile cussing from a man Ben's age... well, it just doesn't sound that funny or entertaining. He is a man of huge musical talent, but so much of this album simply backfires and I think, quite honestly, that he simply needs to grow up a bit. He sounds best when he is exploring his more sensitive, positive side and very little of that is demonstrated on 'Way To Normal'.
Still, there is enough on this album for the Folds fan to be entertained, but this, for me, is most certainly his weakest studio album to date. I still love the guy, will keep the faith and continue to buy the music, but I'm definitely hoping for an improvement next time round.
The album starts off brightly. 'Hiroshima', a musical pastiche of Elton John's 'Bennie & The Jets', is a nice piece of inoffensive pop and 'Dr. Yang' is full of energy and pounding piano keys, although, production-wise, it could have been slightly less crashy and noisy. 'The Frown Song' is a decent enough track as well, but none of the opening three could be described as classics. The bouncy, melodic 'You Don't Know Me' (featuring Regina Spektor) is easily one of the album's highlights and one of the most obviously divorce-influenced tracks. 'Before Cologne' and 'Cologne' are very pretty pieces of music, although some of the lyrics in the latter really don't work - the news story part grates badly.
'Errant Dog' is an enjoyable track and reminds me very much of early Ben Folds Five - there's nothing particularly deep about it, but it still manages to be one of my favourite cuts here. 'Free Coffee' would be a good track if it wasn't for the really horrible metallic sound of the piano (achieved by putting empty Altoid tins on the piano strings), but still makes a good lyrical point. I think the next track will be either something you love or hate and does nothing to assist relations between men and women. Called 'B*tch Went Nuts', it is one of the most enjoyable tracks on the album as far as the music goes, but the lyrics are borderline offensive and could even be viewed as misogynistic. Of course, some will say that I should have a sense of humour about it and I have tried. I really have. Unfortunately, I don't think that Ben is joking. For humour to work, a lot is about the delivery, context and intent and, considering Ben's recent divorce, this song is difficult to love or find side-splittingly funny.
The rest of the album 'Brainwascht', 'Effington' and 'Kylie From Connecticut' are all fairly unremarkable and are about as good as each other. In fact, 'Effington' is a good example of Ben's humour on this album - it is a joke that quickly wears thin. I believe that a younger artist could probably have got away with some of the material on this album, but to hear such lame humour and juvenile cussing from a man Ben's age... well, it just doesn't sound that funny or entertaining. He is a man of huge musical talent, but so much of this album simply backfires and I think, quite honestly, that he simply needs to grow up a bit. He sounds best when he is exploring his more sensitive, positive side and very little of that is demonstrated on 'Way To Normal'.
Still, there is enough on this album for the Folds fan to be entertained, but this, for me, is most certainly his weakest studio album to date. I still love the guy, will keep the faith and continue to buy the music, but I'm definitely hoping for an improvement next time round.
3 of 3 people found the following review helpful
Format:Audio CD
I read all the reviews for this album and they are really polarised so wasn't sure what I'd make of it. I own most of his earlier work and have seen him live and consider myself a fan of pretty much all of it. "Way to Normal" is good and its growing on me but its not amazing and feels a bit like an album of B sides and unreleased material. However that said there are some great tracks on here, Cologne is superb and there is a little bit of anarchy on "Dr Yang" and "Bitch went Nuts" that is unlike the more sober tone of "Silverman". If you're a fan buy it and you will, as ever with Folds, find much to love, if you want to start your Folds collection I think "..Suburbs" or "..Messner" are more consistently better. Would love to give it three and half stars!
3 of 3 people found the following review helpful
Format:Audio CD
Ben Folds is virtually a nobody in the UK, yet he is supremely talented and writes lyrics that few others would even attempt. Yes, there is a lot of swearing on this album, and some of it seems gratuitous, but the tunes and the musicianship are excellent. Hiroshima, You Dont Know Me, Cologne, Kylie and Effington are as good as anything he has ever done IMO.
As a whole the album is not as good as Songs For Silverman, but for less than a Tenner this is great fun - but don't play it when the children are around !
BTW, he produced 5 great songs for the Over The Hedge childrens' film soundtrack - that's worth getting too.
As a whole the album is not as good as Songs For Silverman, but for less than a Tenner this is great fun - but don't play it when the children are around !
BTW, he produced 5 great songs for the Over The Hedge childrens' film soundtrack - that's worth getting too.
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Most Recent Customer Reviews
Randy Newman does it better...
...and without the gratuitous swearing, too.
Okay, that's the headline point. Like much of the content on this album, it acts to turn your head and shock you. Read more
Okay, that's the headline point. Like much of the content on this album, it acts to turn your head and shock you. Read more
Published 14 months ago by Steven Poore
Best solo album to date
Rockin' the Suburbs had genius highlights, but wasn't the complete package. Songs for Silverman had genius highlights, but wasn't the complete package. Read more
Published on 18 Jan 2010 by KNine
Don't be put off ...
I very nearly didn't buy this as other reviewers' comments were so mixed. it's been in my car now for a month & I think it's great. Lots of energy and strong songs. Read more
Published on 11 Oct 2009 by Mr. J. Patmore
Angry old man
After the more stately, restrained vibe of Songs for Silverman, (which often sounded like prime 70s Elton John) Folds 'proper' follow-up is a more manic, mischievous beast. Read more
Published on 25 Mar 2009 by J. Jenkins
Harking back to the good old days!
I have been a big fan of Ben Folds since hearing uncle walter back in 1995, so i feel well placed to comment on this latest effort. Read more
Published on 25 Oct 2008 by R. Moorcock
Folds back to his constant best.
This album has everything I love about Folds' music - it's witty, sarcastic and acerbic, but when you least expect it - after tracks matching that description such as Hiroshima,... Read more
Published on 5 Oct 2008 by Paul Reynolds
Ben Fold's strongest solo album, best album of 2008?
I was apprehensive at first, the production seemed flat and bland, and only a couple of tracks hit the spot. Read more
Published on 5 Oct 2008 by Mr. Stuart Wood
The Divorce Album
This album is the sound of Folds both marking time and getting a few things off his chest. Yes, there are a few good songs on it (Folds is a very talented musician), but it also... Read more
Published on 3 Oct 2008 by Scale Wheecher
Mmmmmh..........not as good as previous work
I have listened to all of Ben Folds previous work, and was extremely anxious to get a copy of his latest album. Read more
Published on 3 Oct 2008 by Ian Thomson
Back on Track
I'm a massive Folds' fan but walking in store to buy the cd I was praying that Ben was going to furnish us with something substantially different to Songs for Silverman, which... Read more
Published on 1 Oct 2008 by M. J. Retout
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