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Watershed
 
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Watershed

24 May 2008 | Format: MP3

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Song Title
Time
Popularity Prime  
30
1
3:10
30
2
8:50
30
3
8:50
30
4
7:41
30
5
8:00
30
6
11:25
30
7
7:00
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Product details

  • Original Release Date: 24 May 2008
  • Release Date: 24 May 2008
  • Label: Roadrunner Records
  • Copyright: 2008 The All Blacks B.V. Issued under license to Roadrunner Records from The All Blacks B.V. Roadrunner Records is a registered trademark of The All Blacks B.V.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 54:56
  • Genres:
  • ASIN: B001F18Y6A
  • Average Customer Review: 4.6 out of 5 stars 61 customer reviews
  • Amazon Bestsellers Rank: 35,357 in Albums (See Top 100 in Albums)

Customer Reviews

Top Customer Reviews

Format: Audio CD
If you are new to Opeth about half this review will be lost on you... I do have some words for you however:- Opeth are worth getting into, they are worth the effort of listening to the album a couple of times. They will pay you back 10 fold. This album is in my opinion the most "aquired taste" of their discography so it might be worth getting one of their other albums first. Maybe Blackwater Park or Deliverance but deffinatly GO FOR IT!!!

So to the album. Overall I must say that this is an excellent album. The time taken over every detail is astonishing, the production dripping with new ideas and the songs moving into new places than other albums before. This album is as I said before and aquired taste. Some tracks like heir apparent will deffinatly turn some people off but it is important to give it time. To let your mind wrap around this and break it down so you can fully understand it. Here is a track by track breakdown of the album.

Track 1 Coil: This seems to be a good opening for the album, not diving in at the monsterishly heavy end of Opeth but rather introducing the rich sound scape that is retained through-out the album. I must say that the use of a female vocalist was an inspired decision. Not typical Opeth fair but great stuff.

Track 2 Hier Apparent: A heavy complex array of crushing guitar riffs soft keyboard/acoustic guitar sections. NOT FOR THE FAINT HEARTED! I am still trying to get my ming around the first riff 1:21. I must say i was impressed with the guitar work here, it is obvious that the guys have pushed it a bit further guitar wise. How the drummer keeps the tiem is beyond me.
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Format: Audio CD
A couple of years ago, I purchased the album 'Still Life' as I was curious to see what Opeth were like after hearing positive comments about them. Being a fan of metal and prog rock, I thought there was a good chance I could get into them. However I was not blown away by it, and only really listened to the opening track 'The Moor' which is a great song. I only listened to the album a few times, and thought it was average at best.

After listening to their latest effort, my view of Opeth completely changed! This album really gripped my attention on the first listen, and ended up listening to it regularly, liking it more every time. This album focuses much more on the prog rock element; 'Hessian Peel' is an outstanding piece of prog rock with bluesy elements, which has a sound derived from the 70s. From the opening track you can tell this is going to be something different from Opeth, with its pastoral introduction of "Coil" (even has a female vocalist!). The next two tracks feature their very heavy, death growling vocals, but they also combine interesting experimental prog rock elements, really taking the listener on a ride with plenty of depth for repeated listens.

Personally my favourite song has to be 'Burden'. This song is just beautiful; it was while hearing this for the first time which demonstrated what a talent band Opeth are. Instantly likable, but still gets better with every listen. Its short piano introduction, the slow melodic verses which suddenly abrupt into dramatic harmony, and the awesome instrumental which has elements similar to Deep Purple and Pink Floyd, while still remaining unique.

It was after hearing this album I began to appreciate 'Still Life' and other albums. They are a band that get better with every listen, so if you are into bands such as Pink Floyd, Deep Purple, Porcupine Tree or even Radiohead, there are worse things to do than listening to this with an open mind!
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Format: Audio CD
Oh my god...

Like all Opeth albums it takes a few listens to get into, that's the beauty of Opeth's lasting appeal as the music doesn't get old. But this one has some extra tangents that have never been used before. I don't want to spoil them for you but there are some interesting things going on in here.

A lot of the album really goes back to their Deep Purple influences I can here s1974-1975 Purple-esque sounds coming out from every dark beautiful corner of this album. Imagine DPs Child in Time mixed with Emperor mixed with Pink Floyd.

I think it is a daring move using a lot of the things they have done in the album but as a whole album it really works. Opeth fans and well versed music fans alike will not be disappointed by this album it is both sinister and beautiful.

For want of a better term I think the direct of the band is much more Prog than it has ever been. The new line up is great and the only thing that's missing from the record as previous ones is some of Martin Lopez's drumming. Don't get me wrong I love Martin Axenrot but Lopez was a bit more of a tasteful drummer. Axenrot has a tendency to over do things where Lopez would have known less is more.

All in all a great album - Well worth the money and I'm not saying this from a `fan boy' perspective this is from a music lover!

For `open minded' fans of - Deep Purple, Emperor, Pink Floyd, Mostly Autumn, Camel, Therion, Porcupine Tree and Katatonia.
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Format: Audio CD
Well, for a start, it's better than Cavalera Conspiracy, so scratch one "best of the year/best in metal ever" sentiment off the list for that good-but-got-old-fast album. I can see myself liking Watershed for a lot longer. Already its made me giddy with glee a good few times during the impossibly sweet opener "Coil", recoil in horror at the sheer death metal force of "Heir Apparent" and brand "Hessian Peel" the new owner of my favourite riff, a twisting wretch of a thing its impossible not to air-shred to. Shredding seems a good place to begin talking about this album, as the change in guitarists from (my personal favourite Opeth member) Peter Lindgren to former Arch Enemy twiddler Fredrik Akkeson has brought a prolific sonic alteration to Opeth. Akkeson's fierce shredding (there's that word again) skills have, it seems, inspired head honcho Mike Akerfeldt to take the metal side of Opeth up a notch, with far less jazzy or bluesy fret-bothering than previous outings but plenty of blistering riffs (and harmonics!) to make up for it. While the change is apparent to any fan upon first listen, I doubt it'll cause many frowns.

Like I said, the opening "Coil", a mellow little number featuring Nathalie Lorichs (me neither) on vocals and described by Akerfeldt as "cute" (the song, not Lorichs, who happens to be his drummer's girlfriend) is as nice as Opeth has ever been. Such feelings are chucked inside a cement mixer, removed and hammered into fractionally smaller cement blobules before being urinated on by the relentlessly heavy and dare I say terrifying "Heir Apparent", which a good friend of mine described as "hunting for something to kill".
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