I am totally captivated by the films of this contemporary French film-maker, Francois Ozon. Having seen three of his films, "See the Sea" (1997) and "Under the Sand" (2000), and Water Drops on Burning Rocks (1999), I feel that these films all delve into a space where not many people want to go. His films seem to leave a seemingly subtle yet pervasive and deep wound. I would find myself unconsciously thinking about certain images or scenes from these films months after I have seen them.
Ozon has a gentle way of dealing with the not-so-gentle notions of love, loss, longing, and the longing of a love lost.
It's the 1970s, 50 year old Leopold and 19 year old Franz are lovers who are slowing being eaten away by time. These characters are drawn so very carefully and beautifully -- their performances and Ozon's camerawork are mesmerising. There are some very stylised shots that deliver powerful dozes of yearning and desire.
Based on a play by Fassbinder, Ozon pays a notable homage to this great German film director in one beautifully shot scene, where the camera spins around the couple. I also love the art and music direction -- the shag-piled carpet and those love songs...
Perhaps not a conventionally narrative-driven piece, (the film is very episodic) but I would place it alongside Visconti's "Death in Venice", (though the camera work is not as luxuriatingly slow) and Barbet Schroeder's recent (based on Genet's book "Our Lady of the Flowers" -- I guess) "Our Lady of the Assassins", in the film's dealings with love and love's ingratitudes.