After the enjoyable experience that was the last Cusack / Ackroyd film, 'Grosse Pointe Blank', I was really looking forward to 'War Inc'. Touted as the spiritual successor to that under-rated classic, 'War Inc' had all the wonderful ingredients - a brooding John Cusack, a strangely arousing psychotic Joan Cusack, an off-kilter Dan Ackroyd and, in place of Minnie Driver, two wonderfully hot leads in Hilary Duff and Marisa Tomei; as well as a similar plot-line (brooding hitman takes on one last job, and finds love and a reason to change his life). So, what went wrong?
Well, partly it's my fault. 'Grosse Pointe Blank' was something so wonderfully special, something that managed to pull off the double-whammey of being instantly entertaining and slyly satirical in the same breath, with performances that (Minnie Driver's slightly dodgy American accent aside) really brought the characters, even the minor ones, to life - in essence, you cared that Martin Blank changed his life and got the girl in the same way that you really wanted the smug Federal Agents to get their comeuppence. Therefore, whilst I had been hopeful that the Cusack / Cusack / Ackroyd trinity could weave their magic again, it was always doubtful that they could manage it quite as succesfully. Yet I didn't think that things would work out this badly.
For a start, 'War Inc' doesn't really work as a satire, since the satire is so thinly veiled. We know that 'Turaqistan' is meant to be Iraq, that 'Tamarline' is Haliburton, and that Ackroyd's character is based on Dick Cheney - therefore there's no fun to be had from making the connections; whilst the (not unreasonable) point that much American conflict also involves profiteering is constantly rammed down the viewer's throat every 10 seconds as a tank rumbles past with a McDonalds or Financial Times banner pinned to it. Then there's the slapstick, for example the introduction Hauser has to the Viceroy, or the scene where the American soldier delivers dry cleaning. Martin Blank didn't have to resort to it in 'Grosse Pointe Blank', and it's just irriating here. But not quite as irritating as the lampooning of Middle Easterners; in many ways, it's the same as Borat's lampooning of Kazakhstanis, only that whilst half the fun of Borat was in the ways both nations were portrayed as stupid, here it's only the natives that are portrayed as stupid when compared to Westerners.
However, and it's a big(ish) 'however', the film does have some strong points - it's just that, strangely for a comedy, these are the bits that aren't meant to be funny: the American assault on a village that Hauser is attempting to rescue Natalie from is particularly poignant, whilst Cusack's strongest performance comes when talking about his family. If it wasn't for these moments, the film would be a total loss; but even then, unfortunately, these moments are few and far between.
Overall, it's easy to see why this film barely recouped a portion of its budget, and it's a shame, given the usual quality of its cast: particularly Hilary Duff, who banishes Lizzie Maguire forever with her foul-mouthed sexpot character. 'War Inc' is by no means an unwatchable film, it's just that it's no 'Grosse Pointe Blank'. And that may be the most disappointing thing of all.