This series is not a comprehensive account of the Second World War - it was not meant to be. It is unabashedly Americentric - and a "Peoples History" of WWII. It does not chronicle every detail of American involvement in places like North Africa( for that, read Rick Atkinson's Pulitzer winner An Army at Dawn - 5 stars). There are no generals or politicians. It fails to chronicle the struggles of my in-laws during the Blitz or much of the suffering felt around the globe during this terrible period of our history. It is not the BBC's The World at War. Why remake The World at War? I was fortunate enough to attend the premier in Waterbury Connecticut, where Mr. Burns addressed all of these issues. The War tries to convey how this momentous period defined the lives in four American towns that could really be Anytown, USA. It tries to explain why my grandfather has never really been able to speak about his experiences and his refrain of, "I don't need to see the movie, I starred in the original." It also explains much about my grandmother and the world my parents grew up in. Some of the hundreds of veterans at the screening were watching with their families for the first time what they had spent half a century trying to forget and had never been able to talk about. The emotion in the Palace Theater by the end of the screening was almost overwhelming. Most of the men who fought this war are dead, and the rest soon will be. The documentary tries to capture what remains of their stories before it is too late. I doubt most of the men fighting over there were as overly concerned with a complete picture and full understanding of the war as they were staying alive and hoping to return home. Few documentaries have explored in great depth the homefront beyond the newsreels of Rosie the Riveter. This documentary is the story of everyday people that live in my neighborhood and yours, who perhaps didn't see "the complete picture," but this was the war through their eyes. We can show The World at War ad nausium to school children today, but if it has no emotional attachment, garners no empathy, they gain nothing. For this reason, I feel that Ken Burn's The War is a critical part of preserving local American history and well as the tragedy of WWII. My only real disappointment was that of the 2400 people in attendance for the premier in Waterbury, only a handful were under 25-30.