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Review This album still contains the lush harmonies, sophisticated arrangements and witty observations that have put Rufus' star in the ascendant. Folk, sacred medieval music,show tunes, waltzes and jazzy shuffles are mixed together with a Nilsson-like ease, while his voice balances delicately between louche, 'I'm so wasted', laissez-faire and chanson intensity. He emotes effortlessly with a camp detachment that is still fiercely brave in its gay subtext. ''Gay Messiah'' is a fine example of his tongue-in-cheek ability to mix the sacred and profane, heralding a Republican-baiting prophet '...reborn from 1970s porn, wearing tube socks with style, and such an innocent smile'.
What he is best at though is chronicling the heart's excesses. Wainwright presents this album as the culmination of his youthful experiences. It's a flowering of his talent into a more mature tool - confident with subjects as diverse as the restraints of growing up in Montreal (''Hometown Waltz''), ribald double-entendre (''Old Whore's Diet''), sibling rivalry (''Little Sister'') or a moving tribute to fellow celebrity offspring, Jeff Buckley (''Memphis Skyline'').
The latter candidly details a friendship with Buckley which initially started with professional jealousy. The truth is that of all the second generation wannabes, apart from the sadly-departed Buckley, Rufus is the one who needs absolutely no such lazy contextualisation. Want Two - wrapped in a melodic package so rich and varied as to make one giddy- will make sure that his name stands alone. Welcome to the world of Rufus the First... --Chris Jones
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Rufus writes complicated emotional music with many layers and drawing on his own intense personal experiences. It takes time and effort on the part of the listener to engage. He draws on a very wide range of influences and styles and makes each his own. He makes no compromises
Be warned, he will steal your soul.
It is a decidedly darker offering than 'Want One': the lavish orchestration and fantastic zest for life has been traded for less immediate gems that creep in on you quietly and then hammer around your head for weeks afterwards. 'Gay Messiah', 'The Art Teacher' and 'Waiting For A Dream' are examples of this man's unique songwriting ability - his lyrics are sharp, intelligent and affecting. 'Memphis Skyline' never fails to touch me and once you've seen him perform 'Agnus Dei' live: you will be both haunted and mesmerised by his presence and his voice.
I heartily recommend this album to anyone who prefers their music to be unique, thoughtful and intelligent.
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