|1. Dog House Boogie|
|3. I Started out with Nothin'|
|4. Diddley Bo|
|6. Happy Man|
|7. Cut my Wings|
|9. St Louis Slim|
|10. 8 - Ball|
|11. Don't Know Why She Loves me but She Do|
|12. Walkin' Man|
|13. You Can't Teach an Old Dog New Tricks|
|14. Fallen off a Rock|
|15. The Banjo Song|
|16. Never Go West|
|17. My Donny|
|18. Prospect Lane|
|19. Xmas Prison Blues|
|20. That's All|
See all 21 tracks on this disc
Whether they did or didn’t is moot (likely: not), as it’s precisely what we got. And things got even better for the man born Steven Gene Wold back in 1941: his third collection, I Started Out With Nothin’ and I Still Got Most of It Left, was a major label debut that peaked at an impressive nine on these shores, and sold well enough internationally to make world tours a viable option. 2009’s Man From Another Time broke the UK top five, and 2011’s You Can’t Teach an Old Dog New Tricks was his third UK top 10 hit in a row. Inspiration might be in short supply for Steve these days, with lyrical tropes recycled enough times to have the Scotch Tape skeleton in a fade-away panic, but perspiration – breathlessly boisterous live performances that laugh in the face of old age – has carried Seasick Steve to heights that his midlife self could never have foreseen.
Walkin’ Man is his first best-of set. At 21 tracks it’s possibly twice as long as it might be – but it certainly offers value for the first-timer, taking in cuts from each of his five LPs. A deluxe edition is backed by a DVD featuring Steve in action at London’s Brixton Academy: it’s in this environment where he really shines, his innate showmanship filling the very biggest venues the world can offer (he’s previously sold out the Royal Albert Hall, as well as lighting up stages at Glastonbury and Latitude).
But the studio recordings are certainly engaging affairs, raucous and rippling with a fevered energy that frequently threatens to explode into a brilliant, blinding frenzy – even if, sometimes, the tracks don’t really peak. Diddley Bo, the opener of Man From Another Time, is one amazing break away from glory; similarly, Cheap – the title-track of Steve’s 2004 debut – locks into a fine groove but never quite makes good on its explosive potential. Early tracks are naturally rather lower in fidelity than their bigger-budget cousins, but throughout the man at the centre is a charmer with a great story or two in him.
Twenty-one tales he doesn’t have; but few have grown tired of hearing the same old same old just yet.
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