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Nicholas Roeg's direction and camerawork are simply beautiful. He films wildlife in close-up, sometimes grainy images, and inserts surreal flashback sequences and comparisons between the Aboriginal and Western worlds. The film shows how prim, English Jenny Agutter becomes gradually more dishevelled and natural as she adapts, and the crucial turning point is when she swims naked in a pool. Her relationship with the Aborigine, which has to overcome poignant difficulties such as the language barrier and culture clash, is touchingly shown.
The acting is superb, making the story believable and moving. I was captivated from start to finish. The score, by John Barry, is perfect and atmospheric. The scenery, and Roeg's intense use of it and the animals found there, is spellbinding. All in all, the film is just so incredibly beautiful and moving that I felt I had to write a review. It is a genuine must-see.
It is the combination of sumptous cinematography of a beautiful and frightening landscape, a fantastic score by John Barry (probably his best ever) and Roeg's portrayal of the touching, complicated and ultimately tragic relationship that builds between the protagonists, that makes this work so effective. Jenny Agutter, in a role infinately more faceted and mature than in 'The Railway Children' (which this incidently predates by a number of months) has most of the infrequent dialogue and carries the story along superbly, but it's the final scene, a memory, a flashback to something that may or may not have happened, that stays with you long, long after the final credits have rolled.
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