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Waking The Dead [DVD]
 
 

Waking The Dead [DVD]

Billy Crudup , Bill Haugland , Keith Gordon    Suitable for 18 years and over   DVD
4.1 out of 5 stars  See all reviews (7 customer reviews)
Price: £3.00 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Actors: Billy Crudup, Bill Haugland, Nelson Landrieu, Ivonne Coll, Jennifer Connelly
  • Directors: Keith Gordon
  • Writers: Robert Dillon, Scott Spencer
  • Producers: Keith Gordon, Irene Litinsky, Jodie Foster, Linda Reisman, Stuart Kleinman
  • Format: PAL
  • Language English
  • Subtitles: Danish, Dutch, Finnish, Norwegian, Swedish, English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 16:9 - 1.77:1
  • Number of discs: 1
  • Classification: 18
  • Studio: Uca Catalogue
  • DVD Release Date: 4 April 2005
  • Run Time: 105 minutes
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (7 customer reviews)
  • ASIN: B000057X1E
  • Amazon Bestsellers Rank: 32,653 in Film & TV (See Top 100 in Film & TV)

Reviews

Amazon.co.uk Review

Waking the Dead, like director-writer Keith Gordon's earlier films (The Chocolate War, A Midnight Clear, Mother Night), is based on a well-regarded modern novel (by Scott Spencer) and has a great many quiet virtues: a genuine engagement with near-contemporary America, complicated characters well-played by a cast of perfectly selected not-quite-star performers and a questioning approach that sits ill with the too-easy answers of most contemporary films. The complex story opens in 1974 with the death in a car bomb explosion of Sarah Williams (Jennifer Connelly), a radical working with a faction of left-wing Catholics to rescue dissidents from Chile. This has a devastating effect on her straighter boyfriend, Fielding Pierce (Billy Crudup), who is working within the system with an eye on rising in the Democratic Party through the patronage of a senior figure (Hal Holbrook), the man who is eventually to become the President.

We flash back to 1972 and Fielding's intense relationship with Sarah, marked by romantic and political differences that feel far more real than the contrived oppositional arguments in most political movies. Then skip 10 years forward to find a sleeker, hollow-faced Fielding running for Congress, tormented not only by memories of Sarah but her actual or phantasmal appearances. Another film might play this as a paranoid mystery thriller, but this goes for psychology, and Crudup delivers an intense portrait of a man cracking up by the loss of his ideals as much as his life's love--climaxing in a terrific restaurant outburst to his needy, congratulatory family. Unreleased theatrically in the UK, this outstanding film has award-quality performances from Crudup and Connelly, both doing their best screen work to date.

On the DVD: The picture is presented in 1.85.1 anamorphic widescreen, with Dolby Digital sound. You get the usual trailer, filmographies and puff piece featurette, but also three superb extras: a commentary from Gordon that passionately and intelligently addresses the thematic material and production circumstances of the film; a package of deleted scenes that goes well beyond the usual irrelevant snippets--everything here offers additional insights into the plot and character; tracks from the composers Tomandandy which play over the menus--a rare feature that's liable to become more common. --Kim Newman

DVD Description

DVD Special Features:

Featurette
Deleted Scenes
Director's Commentary
Theatrical Trailer
Languages: English Dolby Digital 5.1, Spanish Dolby Surround
Subtitles: English, Danish, Dutch, Finnish, Norwegian, Swedish


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Customer Reviews

Most Helpful Customer Reviews
8 of 9 people found the following review helpful
By Lawrance M. Bernabo HALL OF FAME TOP 1000 REVIEWER VINE™ VOICE
Format:DVD
Things get a little too cute at the end of "Waking the Dead," and while I appreciate the idea of leaving up what "really" happened to the audience, I do not think that this was the film was the one in which to try this particular trick. After all, this movie is not a ghost story, even though the main character is haunted by the dead woman that he loved, but a film that mixes romance and politics to the point where the film's big question really matters and should have been answered more directly.

In 1982 a stunned Fielding Pierce (Billy Crudup) learns form the evening news that the woman he loves, Sarah Williams (Jennifer Connely) has been killed by a car bomb attack because of her involvement in opposing the corrupt government of Chile and U.S. involvement. We then go back to see how they first met, when he was serving in the Coast Guard, to avoid going to Vietnam, and she was the secretary for his brother, who is running some sort of counter culture magazine. He longs for a career in politics and she wants to bring down the system. Yet when Fielding says he wants to be president some day, she smiles because he clearly means it.

These two characters from Scott Spencer's novel are politically polarized and these differences only grow as the two fall in love. They take turns accompanying each other to important social functions at which the other one become an embarrassment, before Sarah goes off and gets killed for her beliefs. Ten years later Fielding is given the opportunity to run in a special election for a seat in the U.S. Congress, as the handpicked choice of the governor and his chief political hack (Hal Holbrook). This is the first step to what Fielding has wanted his entire life, only Sarah sees it as a betrayal. True, Sarah has been dead ten years at this point, but that does not stop Fielding from first hearing and then seeing her.

Is Fielding going insane, is he being haunted, or is this some sort of sick game? Good question, but do not ask me the answer because I watched the movie. It is hard to spoil a movie when you are not sure what really happened at the end, although I could hazard a guess. Ultimately, the politics clashes between Fielding and Sarah are more interesting than their romance. You have to wonder how their relationship would have ended if she had not died, because sooner or later one of them would have had to blink. One of the strengths of "Waking the Dead" is that both of them are right and you think that if only they could find a way to work together great things could happen.

"Waking the Dead" is one of those titles that has a double meaning, for it applies to Fielding as much as it does to Sarah. That sense of ambiguity pervades Keith Gordon's 2000 film and certainly explains why the ending is so open to interpretation. But for me it does not quite work in the end, although Fielding's scene in his Congressional office works much better than his dinner with his family. Still, this is an interesting film for those who like to see film that try to play with an audience's mind (and which should be avoid like the plague by those who did enjoy "Fight Club" or "Memento").

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2 of 2 people found the following review helpful
Format:DVD
Product page incorrectly states that this item is subtitled in the following languages: English, Danish, Dutch, Finnish, Norwegian, Swedish.
But it's subtititled in english only!!!
Moreover it's audio language is in English and Italian. Product page states English and Spanish!!!

This is bad because my wife is not fluent in english, unlike me.
Meaning I have to watch this movie all by myself, which is not what I intended :(

The staff at amazon UK should REALLY take some time to make sure that the product information is correct for each item. If they are short in staff, they could employ the customers to help them out.

There is also a lot of items where the full product information is lacking entirely. In such case perhaps Amazon should have a product picture of both the front and back of all the items, so we can find it ourselves.

N.B: This review is not for the movie itself, as I haven't watched it yet.
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9 of 11 people found the following review helpful
By A Customer
Format:DVD
This film was a uniquely sincere cathartic experience. It was truely a beautiful film that was deeply intelligent not really on a cerebral level but certainly on an emotional level. It was emotively provactive to such a large scale. The acting was phenomenal the direction amazing, but it was how the characters related to eachother, the great acting the beautiful dialogue but most importantly the realistic raw emotion that was reflected upon the screen. The emotion was so severe that sometimes it was almost uncomfortable to watch but ultimately fulfilling.

This is a wonderful film that should be watched as it confronts realistically large philosohical ponderings and basic human interaction and ideals.The emotion permeates from the screen to the audiance in flawless waves. A delectably fulfilling profound treat to watch.

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