Mr Shapiro works for the Institute for the Study of Drug Dependence in London and writes biogs of musicians, including Clapton, Hendrix and the great Alexis Korner. Beginning with a brief discussion of Western drug-taking before drugs were made illegal in America by the Harrison Act of 1914, this seminal study of the realtionship between music(ians) and drugs really gets into its stride with the twin rise of jazz and marijuana in the 1920s. Each development in pop music has brought with it a new fashion in drugs; these trends are catalogued and related to sociological factors such as race, class and society's attitude toward musicians. The 1987 original begins to look dated; I'm looking forward to the new edition...