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There's a political allegory here, of course, but it grows naturally from these characters' hearts. Neither Lin nor Manna are especially ideological and the tumultuous events occurring around them go mostly unnoticed. They meet during a forced military march and have their first tender moment during an opera about a naval battle (While the audience shouts, "Down with Japanese Imperialism!" the couple holds hands and gaze dreamily into each other's eyes). When Lin is in Goose Village one summer, a mutual acquaintance rapes Manna; years later, the rapist appears on a TV report titled "To Get Rich is Glorious" after having made thousands in construction. Jin resists hammering ideological ironies like these home, but totalitarianism's effects on Lin are clear:
Let me tell you what really happened, the voice said. All those years you waited torpidly, like a sleepwalker, pulled and pushed about by others' opinions, by external pressure, by your illusions, by the official rules you internalized. You were misled by your own frustration and passivity, believing that what you were not allowed to have was what your heart was destined to embrace.
Ha Jin himself served in the People's Liberation Army, and in fact left his native country for the US only in 1985. That a non-native speaker can produce English of such translucence and power is truly remarkable--but really, his prose is the least of the miracles here. Improbably, Jin makes an unconsummated 18-year love affair loom as urgent as political terror or war, while history-changing events gain the immediacy of a domestic dilemma. Gracefully phrased, impeccably paced, Waiting is the kind of realist novel you thought was no longer being written. --Mary Park --This text refers to an out of print or unavailable edition of this title.
Lin Kong, a physician working eleven months of the year in Muji City while his wife works the farm in Goose Village, experiences the sensations of love for the first time when he is attracted to Manna Wu, a nurse at his army station. Having previously accepted an arranged marriage, he is the legal husband of an older woman whose only attraction has been the care she lavished on his sick and elderly parents. For eighteen years he endures the limbo of trying to obtain a divorce from his wife while obeying the army's requirements that he and Manna Wu remain physically chaste.
Ha Jin's prose is efficient and straightforward, much like the life of his characters, and one neither expects nor misses the flights of poesy so often found in novels of China written by westerners. The chief attraction of this novel is the care with which Ha Jin recreates the atmosphere of life in Communist China, showing us how ordinary people conduct their lives under conditions which we would find intolerable. His careful choice of details to illuminate the ironies of his characters' lives give power to a narrative about people who have no individual power. He succeeds admirably in bringing to life characters whose whole concept of what it means to be a person is diametrically opposed to our own, making humans out of people who live lives of structure, not of choice.
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