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Product details
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Track Listings
| 1. Sad Song |
| 2. Line-Up |
| 3. Wait Till You See Her |
| 4. Trio |
| 5. I've Overlooked Before |
| 6. Anniversary Waltz |
| 7. Out Of Towner |
| 8. Chic Of Araby |
Product Description
The Guardian, (John Fordham), October 2, 2009
(4 stars) A free-flowing, time-shifting, four-way conversation...Abercrombie's long-lined, melodic invention curl irresistibly over Baron's snappy rim shots and crisp snare-fills.
Jazzwise, (Selwyn Harris), October 2009
(4 stars) It's the kind of non-attention seeking jazz that has rewards aplenty for those prepared to snuggle up close enough.
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Customer Reviews
Most Helpful Customer Reviews
7 of 8 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
John Abercrombie is as understated musically as he is in person (his introverted, almost awkward persona in London's Queen Elizabeth Hall on Wednesday 18 November was at odds with the relaxed, warm presence of John Surman and Jack de Johnette). "Wait Till You See Her" continues the arc of "chamber music" albums Abercrombie has made with drummer Joey Baron and violinist Mark Feldman comprising "Cat and Mouse" "Class Trip" and "The Third Quartet" (with Thomas Morgan here replacing Marc Johnson on double bass).
"Wait Till You See Here" is arguably the most chamber-like with Feldman's violin his most exquisite yet and in particularly mournful mood on the Hart and Rogers' title track. Elsewhere "Trio" swings but, for me, the highlight is the closing "Chic of Araby", which opens with a moody bass line before Abercrombie begins his controlled playing which is full of suspense against a magnificent echo of drums which calls to mind the orchestral sound of Elvin Jones from the height of his Classic Quartet days. If this hints a change of focus for future releases then I, for one, can't wait but meanwhile, this is another class offering from the quiet man of jazz.
"Wait Till You See Here" is arguably the most chamber-like with Feldman's violin his most exquisite yet and in particularly mournful mood on the Hart and Rogers' title track. Elsewhere "Trio" swings but, for me, the highlight is the closing "Chic of Araby", which opens with a moody bass line before Abercrombie begins his controlled playing which is full of suspense against a magnificent echo of drums which calls to mind the orchestral sound of Elvin Jones from the height of his Classic Quartet days. If this hints a change of focus for future releases then I, for one, can't wait but meanwhile, this is another class offering from the quiet man of jazz.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
4 reviews
11 of 12 people found the following review helpful
Another Great Record
20 Sep 2009
Amazon Verified Purchase
John Abercrombie and crew deliver another fine album. This is the same lineup from Third Quartet, Cat N' Mouse, and Class Trip and such, with the exception of Thomas Morgan on bass. Joey Baron and Mark Feldman give outstanding performances as usual. Every song but the title track is an Abercrombie composition, with Wait Till You See her being an old Rogers and Hart tune. This is a more somber outing than the last few albums by this group, but it's still wonderful. Any fan of John Abercrombie should pick this up. I saw this band in 2007 while they were on the Class Trip tour, and while they are amazing live, the studio records are outstanding as well.
7 of 9 people found the following review helpful
Melancholic chamber jazz and team interplay
14 Oct 2009
Format:Audio CD
This deflates expectations with a really slow opener and gradually improves, but its very much a team outing. I look back on John Abercrombies outings like Night and November when the saxophonist in each case was propelled to shine by (a) being a great player and (b) by JA's selflessness and great group interplay, and you get the same this time but for the violinist Marc Feldman. I personally hear more Abercrombie guitar on two recent albums - Brewsters Rooster by John Surman, and the really excellent Tales by Robert Balzar, and a bit more speed and passion frankly. This seems a little bit sad and slow in comparison but I will probably get into it as the great thing about Abercrombie records is that they always get better with every listen
1 of 1 people found the following review helpful
Gentle But Intense
1 Mar 2010
Format:Audio CD
The music on Wait Till You See Her is gentle but intense. Guitarist Abercrombie's group this time around comprises Mark Feldman on violin, Thomas Morgan on bass, and Joey Baron on drums. The music sounds cooperative, with nobody trying to steal the spotlight.
That is not to say there is no energy in this outing; rather, the energy that is here is of the slow, simmering variety. This is music of a definite mood, and to really enjoy listening to this CD, you have to be in a certain mood, or else the music will just seem to lack energy and inspiration. This group communicates by insinuation, not declaration, meaning that at times, the music can seem to simply meander. Still, if you are in the right (mellow but not passive) mood, chances are that this music will warm you with its slow, even heat and gentle light.
Abercrombie noodles creatively, Feldman weaves spell after spell, while Morgan strums and plucks with tasteful restraint. This is the most subtly I have ever heard Joey Baron play -- he was apparently in just the right mood for this music, complementing his fellow musicians with a deft touch. Although at times I find myself wishing for a bit more energy and contrast in this recording, I must conclude by pointing out that there is much here to admire and enjoy.
That is not to say there is no energy in this outing; rather, the energy that is here is of the slow, simmering variety. This is music of a definite mood, and to really enjoy listening to this CD, you have to be in a certain mood, or else the music will just seem to lack energy and inspiration. This group communicates by insinuation, not declaration, meaning that at times, the music can seem to simply meander. Still, if you are in the right (mellow but not passive) mood, chances are that this music will warm you with its slow, even heat and gentle light.
Abercrombie noodles creatively, Feldman weaves spell after spell, while Morgan strums and plucks with tasteful restraint. This is the most subtly I have ever heard Joey Baron play -- he was apparently in just the right mood for this music, complementing his fellow musicians with a deft touch. Although at times I find myself wishing for a bit more energy and contrast in this recording, I must conclude by pointing out that there is much here to admire and enjoy.
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