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Wagner: Parsifal (Goodall, Orchestra of the Royal Opera House) [Box set]

Covent Garden Royal Opera House Orchestra , Orchestra of the Royal Opera House , Donald McIntyre^Norman Bailey , Richard Wagner , Reginald Goodall , et al. Audio CD
4.5 out of 5 stars  See all reviews (4 customer reviews)

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Product details

  • Conductor: Reginald Goodall
  • Composer: Richard Wagner
  • Audio CD (29 Sep 2008)
  • Number of Discs: 4
  • Format: Box set
  • Label: Medici Arts
  • ASIN: B00186FWGC
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 233,641 in Music (See Top 100 in Music)

1. Parsifal - Richard Wagner

Product Description

Jon Vickers (Parsifal), Norman Bailey (Amfortas), Amy Shuard (Kundry), Donald McIntyre (Klingsor), Louis Hendrikx (Gurnemanz), Michael Langdon (Titurel)... - The Royal Opera Chorus - Orchestre du Royal Opera House - Reginald Goodall, direction

Customer Reviews

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Most Helpful Customer Reviews
24 of 25 people found the following review helpful
5.0 out of 5 stars A Royal Opera Revelation 13 Oct 2008
By Jim Brooks VINE™ VOICE
I suspect that if a performance or an artist is universally liked and admired, then something must be lacking. This Parsifal will undoubtedly divide opinion, but that is in some ways its glory. Cards on the table - for me it's a magnificent performance which vividly communicates the work's physical and mystical qualities.

The sound quality is excellent; rich, full-bodied and detailed, very much a Royal Opera House acoustic, capturing the voices superbly, inevitably including the occasional discrete murmur from the prompter which I didn't find particularly distracting.

As for the singers, least satisfactory is Louis Henrikx as Gurnemanz, unfortunately the lynchpin of the first and third acts. Gottlob Frick sang the first night, followed by Franz Crass and Peter Meven. Presumably Hendrikx sang the last two. Perhaps he didn't have the luxury of sufficient rehearsal time with Goodall, whose generally broad tempi seem to take the Belgian bass well out of his comfort zone. The voice lacks both richness and a true centre, but does have a vibrato that I find neither noble nor endearing. Norman Bailey's is an outstanding Amfortas, his anguish and guilt intensely expressed but always within the framework of the music, Michael Langdon voices an already other-worldly Titurel most beautifully and Donald Macintyre is an extraordinary Klingsor. No ranting opera villain, he finds an uncanny balance of malevolence, bitterness and, through the sheer beauty of his singing, a certain vulnerability.

Amy Shuard was the possessor of a magnificent voice which she didn't always deploy to its best effect, but here under Goodall'guidance she is an outstanding and subtle Kundry, not only thrilling but surprisingly voluptuous.
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7 of 7 people found the following review helpful
5.0 out of 5 stars A MEMORABLE NIGHT AT THE ROYAL OPERA 10 Jun 2009
By Klingsor Tristan TOP 1000 REVIEWER VINE™ VOICE
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The two performances of Parsifal that have stuck most conspicuously in my memory over the years happened within just a few months of each other. Deeply memorable as they both were, it would be hard to imagine two more disparate performances.

The first was in August, 1970, at the Bayreuth Festival, conducted by Pierre Boulez. This was the famous Wieland Wagner production from 1951, by then getting a little ossified 5 years after his death, but still the highly moving benchmark of the New Bayreuth style. Boulez' conducting, too, was settled in after some 5 years but was, in its way, just as revolutionary - far brisker tempi than anything heard in those hallowed halls for many a year, clarified textures even in the context of the Bayreuth `sound' and all Boulez' familiar acuity in elucidating shape and structure. A most memorable account of the work, available on disc for some years now.

The second memorable performance happened the following May at Covent Garden and was conducted by Reginald Goodall. It, too, is now available on disc, thanks to the Royal Opera House Heritage Series. In stark contrast to Boulez (running time 3hrs 39mins), Goodall's has to be the slowest Parsifal on record at 4hrs 43mins (compared to other famous slow-coaches - Knappertsbusch gloriously at Bayreuth in 1951 at 4hrs 32mins and Levine interminably at Bayreuth in 1985 at 4hrs 38mins). Goodall, of course, was often in the famous subterranean pit at Bayreuth during Kna's Parsifal performances in the 50's and patently learned much from the older man's long commitment to and intimacy with the score.
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3 of 3 people found the following review helpful
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This famous, previously-unreleased recording of Parsifal has very strong elements. Reginald Goodall has the measure of the work, a clear idea as to what the work is about. His speeds are very "measured" - "slow" would imply tedious - but they are sustained well. The Parsifal is the great Vickers, in fine voice and certainly committed, as always with this giant of the Wagner repertoire. Norman Bailey sings well, as does Donald MacIntyre, both well worth hearing. The orchestra is, frankly, scratchy at times, strings especially, but the brass and wind elevate their contribution. Goodall cannot have been easy to keep together with for a strings section live in the pit. Louis Hendrikx is tremulous at times and lacking in tone. He sings musically, but is not in the front rank. Amy Shuard is acceptable, but not great to listen to, I felt.
The chorus part company with Goodall in Act 3, clearly wanting to get a move on, but Goodall has established a rock-like pace and his speed should have prevailed. The rhythm is lost several times in the chorus in Act 3 Scene 2, which is a pity.
The recorded sound is reasonable, but certainly not good for the date, 1971. Compare it with Solti's sound on Decca to see what I mean.
The booklet is very fine.
Most buyers, like me, will buy this set for Vickers and Goodall, I suspect, but most will also want another recording as well.
I have Solti, Karajan, Knappertsbusch (62), Boulez, Levine (Bayreuth) and the Met, Levine dvd. I am hugely lucky in this, as every one of these has treasures and it makes me listen to this great work more frequently as a result.
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