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Most Helpful Customer Reviews
28 of 28 people found the following review helpful:
5.0 out of 5 stars
MUCH MORE THAN A LIST OF MOTIVES,
By
This review is from: Wagner: An Introduction to Der Ring des Nibelungen (Audio CD)
This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.
It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End. On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels. This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.
28 of 30 people found the following review helpful:
5.0 out of 5 stars
The perfect complement to the Ring,
By A Customer
This review is from: Wagner: An Introduction to Der Ring des Nibelungen (Audio CD)
This recording is a lecture demonstration of motivic development in Wagner's great work "The Ring of the Nibelungs." The composer Deryck Cooke presents a number of lectures demonstrating the main motives and their derivatives, tying in the dramatic and psychological associations. This may sound deadly dull, but it is quite entertaining. The excerpts are from the great Decca/Solti/Vienna recording. Special sections were also arranged to better highlight some of the motives by leaving out foreground elements. The format repeats the main motives whenever necessary to remind us what they sound like before playing some distant cousin.I was ready for the project of listening to be quite taxing, but was surprised to find it to be a pleasure. It is a "must have" for any Ring enthusiast.
21 of 23 people found the following review helpful:
5.0 out of 5 stars
Excellent exposition of the motifs and their links,
By Robert in Cambridge "rmluk" (England) - See all my reviews
This review is from: Wagner: An Introduction to Der Ring des Nibelungen (Audio CD)
This is an illustrated talk about the Ring's musical motifs using illustrations mostly from the Solti DECCA recording, but with some special recordings. I found it fascinating. Although I already had a good basic understanding of the Ring and its structure, I was anazed at the musical relationships _between_ so many of the motifs. Cooke also gives to 'worked examples' of orchestral extracts built from many motifs. The book contains the annotated music for all the 193 musical examples used in the talk.
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