Throughout our high school years, sadly when we are at our weakest analytically, we inquired as to why we had to read books like the Handmaid's Tale or the yawning Tess of the D'Urbervilles. Ralston Saul finally answers the question. His argument, that the printing press and the novel are the driving forces behind much of the postive social change and negative propaganda, reteaches the much needed lesson, that even in the age of the perceived electronic media domination, the printed word, wrapped by a hardboard or paper cover, still contains the eloquent voice and raw power to evoke the most devastating and critical analyses of our societies. With his printed word, Ralston Saul has shown us that the true definition of the freedom of speech is not the ability to say what we want, but to question those people and institutions in power. Voltaire's Bastards does just that; it questions the rhetoric and consequences of corporatism, management schools, military dogma, false capitalism, vaucuous and inconsistent ideology, contempt of public eduction, and, in the end, our own (and his own I'm sure) participation in any or all of these areas. Too bad, I am unable, now in my role as a high school teacher, to convince so few of my students of the sheer rebelliousness of reading a novel or book such as Voltaire's Bastards. Hopefully, they will when they are ready.