Wise, satirically witty, and excellently written, Ben Jonson's 'Volpone' is a study of duplicity, selfishness, and material greed. Volpone, a Venetian crook who fakes illnesses, tricks his acquaintances into paying him money, and turns the circle of those he knows strategically against one another; is one of the best evoked protagonists of the Renaissance period. He is backed up by Mosca, his 'parasite', who spends the majority of the play aiding and abetting Volpone's cynical schemes. The play's evocation of evil is excellent - equal parts deliciously-handled comedy, and serious critique of excess. The play also interweaves a number of sub-plots, some working well with the main plot, such as Volpone's plan to coerce a local merchant into cuckolding his wife for Volpone, but others, primarily the plot of the two English statesmen, often seems a little hackneyed and improbable. On the whole, 'Volpone' is a highly enjoyable play, and one which is surprisingly still laugh-out-loud funny in places, and as relevant now, as when it was first produced, in 1606. There are one or two mis-steps along the way, and Volpone and Mosca's schemes begin to wear slightly thin towards the close of the play, but this is still an excellent piece of Renaissance comedy-drama.