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Track Listings
| 1. "Concerto No. 1 in E Major, Op. 8, No. 1, RV 269 (La primavera)" | |||
| 2. "Concerto No. 2 in G minor, Op. 8, No. 2, RV 315 (L'estate)" | |||
| 3. "Concerto No. 3 in F Major, Op. 8, No. 3, RV 293 (L'autunno)" | |||
| 4. "Concerto No. 4 in F minor, Op. 8, No. 4, RV 297 (L'inverno)" | |||
| 5. "Concerto in E-flat, RV 257" | |||
| 6. "Concerto in B-flat Major, RV 376" | |||
| 7. "Concerto in D Major, RV 211" | |||
| 8. I. Allegro | |||
| 9. II. Largo | |||
| 10. III. Allegro | |||
| 11. I. Allegro non molto | |||
| 12. II. Adagio | |||
| 13. III. Presto | |||
| 14. I. Allegro | |||
| 15. II. Adagio molto | |||
| 16. III. Allegro | |||
| 17. I. Allegro non molto | |||
| 18. II. Largo | |||
| 19. III. Allegro | |||
| 20. I. Andante molto e quasi allegro | |||
See all 28 tracks on this disc
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Customer Reviews
Most Helpful Customer Reviews
37 of 37 people found the following review helpful
Format:Audio CD
Most people reading reviews of this disc are probably more interested in The Four Seasons than anything else. As the most frequently played work in the 'classical' repertoire, it has become something of a cliché. How can a new recording offer anything different? Well, Carmignola and the Venice Baroque make every effort to do so and this CD fizzes with energy. The storm in the allegro of 'Summer' really does have some clout. Carmignola's playing of the big four is virtuosic and impassioned, while the orchestra contributes massively (theirs is no mere accompaniment).The VBO always offer a multi-layered sound, recorded here in incredible detail.
But my interest lies primarily in the three world-premiere recordings also offered here. It might be imagined that these three late works are not in the same league as the concerti that precede them. This view would be completely mistaken. What is striking is that music of such quality should have been neglected for so long. (The reason why they were not published in Vivaldi's lifetime is because after 1733 he'd decided to sell manuscripts of concerti individually - at a guinea apiece, if you're interested. We're lucky most have survived.)
Although their sampling facility is exemplary, listening to the excerpts on Amazon will give only the vaguest idea of the depth and richness of sound created by Venice Baroque - the best Baroque ensemble, for my money. Music like this demands to be played on quality hi-fi equipment. The Eb concerto in particular is ravishing, life-affirming stuff. I've still no idea exactly what combination of instruments make up the sounds in the slow movement (theorbo, cello and organ is my best guess) but the result is hypnotic. RV211 and RV376 are also richly rewarding.
Altogether, this recording is essential listening. I paid full price for it in pre-Amazon days, but it has been worth every penny.
But my interest lies primarily in the three world-premiere recordings also offered here. It might be imagined that these three late works are not in the same league as the concerti that precede them. This view would be completely mistaken. What is striking is that music of such quality should have been neglected for so long. (The reason why they were not published in Vivaldi's lifetime is because after 1733 he'd decided to sell manuscripts of concerti individually - at a guinea apiece, if you're interested. We're lucky most have survived.)
Although their sampling facility is exemplary, listening to the excerpts on Amazon will give only the vaguest idea of the depth and richness of sound created by Venice Baroque - the best Baroque ensemble, for my money. Music like this demands to be played on quality hi-fi equipment. The Eb concerto in particular is ravishing, life-affirming stuff. I've still no idea exactly what combination of instruments make up the sounds in the slow movement (theorbo, cello and organ is my best guess) but the result is hypnotic. RV211 and RV376 are also richly rewarding.
Altogether, this recording is essential listening. I paid full price for it in pre-Amazon days, but it has been worth every penny.
34 of 35 people found the following review helpful
Format:Audio CD
I acquired this recording in Japan among a clutch of CDs bought as an antidote to the ever-present, dismal "J-pop". I remember thinking at the time that no recording could ever beat the elderly Christopher Hogwood/Academy of Ancient Music recording of the Four Seasons I had bonded with (and left in storage, since it was ... on vinyl).
So much for that! This is marvellous stuff! The original instruments and the impeccable conducting (Andrea Marcon, also playing the harpsichord) should satisfy even the most exacting of baroque afficionados. Carmignola, as well as demonstrating his virtuosity, has managed quite a feat - a unique interpretation that is still faithful to the period but exciting at the same time. An added treat are the 3 violin concerti after the Four Seasons. Enjoy!
So much for that! This is marvellous stuff! The original instruments and the impeccable conducting (Andrea Marcon, also playing the harpsichord) should satisfy even the most exacting of baroque afficionados. Carmignola, as well as demonstrating his virtuosity, has managed quite a feat - a unique interpretation that is still faithful to the period but exciting at the same time. An added treat are the 3 violin concerti after the Four Seasons. Enjoy!
42 of 44 people found the following review helpful
Format:Audio CD
We have all heard many performances of the Four
Seasons, but there is noone who can make the music
come alive like this soloist. He puts great
technical prowess at the service of the music, from the trilling birds at the start of Spring to the hair-raising slips and slides at the end of Winter.
Seasons, but there is noone who can make the music
come alive like this soloist. He puts great
technical prowess at the service of the music, from the trilling birds at the start of Spring to the hair-raising slips and slides at the end of Winter.
Most Recent Customer Reviews
Stunning and Alive
Really impressed. Not a great fan of the Kennedy brigade so went for this recording after reading the review. Listening to it now and it's fantastic. Highly recommended.
Published 4 months ago by T. T. Andrews
Fresh & Lively rendition
This album presents a very fresh, lively, dynamic approach to Vivaldi's work. The violinists are incredible, and the album leaves you feeling invigorated, and wanting more. Read more
Published 7 months ago by Phil
Venitian Delight
The performance of Vivaldi's "Four Seasons" on this recording was superb. I have recently travelled to Venice and went to a concert of Vivaldi's music. Read more
Published 8 months ago by Elizabeth
It's a Knock-out!
Wow! What stunning playing we have here, and I'm not just talking about The Four Seasons. The three Violin Concertos, which complete this disc, are wonderful. Read more
Published 8 months ago by John Crimp
Best I've Ever Heard
While I may not be an expert on the four seasons, I have listened to around 5 or 6 different takes upon Vivaldi's great compositions, I can honestly say that this is the best... Read more
Published 11 months ago by StevieLudo
The best so far...
I have listened to many recordings of Vivaldi's the Four Seasons. Most of them with modern instruments. This is where the recordings have been going wrong. Read more
Published 18 months ago by R. EVANS
Stunning the best
Having listened to many versions of the years of the four seasons, this is the one that is simply stunning in every way. Read more
Published on 1 Oct 2009 by C. Weir
Excellent recording with great depth.
I thought I would try listening to another recording of Vivaldi's Four Seasons, just to see if there was significant difference to the one I usually listen to. Read more
Published on 3 Aug 2009 by P. Memmott
Signor Carmignola, I bow before thee
having just been to St Martin's to see vivaldi by candlelight, I was inspired to seek out reviews of the recordings out there (in the Penguin and Gramophone) guides, and this one... Read more
Published on 27 July 2009 by CharlesA
Take your breath away (but not Carmignola's)
A sonic treat that benefits from a bit of volume on the hi-fi. I'm no classical expert, but this is a fantastic interpretation of the Four Seasons. Read more
Published on 6 Dec 2008 by F. Manson
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