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Viva Hate [Original recording remastered, Special Edition]

Morrissey Audio CD
3.3 out of 5 stars  See all reviews (10 customer reviews)
Price: £5.47 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Biography

Steven Patrick Morrissey (born 22 May 1959), known primarily as Morrissey, is an English singer-songwriter. He rose to prominence in the 1980s as the lyricist and vocalist of the alternative rock band The Smiths. The band was highly successful in the UK but broke up in 1987, and Morrissey began a solo career, making the top ten of the UK Singles Chart in the United Kingdom on ten occasions. ... Read more in Amazon's Morrissey Store

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Product details

  • Audio CD (2 April 2012)
  • Number of Discs: 1
  • Format: Original recording remastered, Special Edition
  • Label: EMI Catalogue
  • ASIN: B0079043MU
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Bestsellers Rank: 32,242 in Music (See Top 100 in Music)

1. Alsatian Cousin
2. Little Man, What Now?
3. Everyday Is Like Sunday
4. Bengali In Platforms
5. Angel Angel Down We Go Together
6. Late Night, Maudlin Street
7. Suedehead
8. Break Up The Family
9. Treat Me Like A Human Being*
10. I Don't Mind If You Forget Me
11. Dial A Cliche
12. Margaret On The Guillotine

Product Description

BBC Review

It’s said that those who forget history are doomed to repeat it. But what if you want to rewrite history? Not for the first time (see 2009’s Maladjusted and Southpaw Grammar reissues) Morrissey has got out the red pencil. For this version of his first solo album, released in March 1988 just six months after The Smiths split, he replaces The Ordinary Boys with the demo of Treat Me Like a Human Being, a track first aired as a B side to the Glamorous Glue seven-inch released to promote a Very Best of… compilation in 2011. As Morrissey’s old friend Lady Bracknell might have said as she opened a crate of ale, to tinker with imperfect Moz albums is arguably forgivable, but to tamper with what is arguably still his freshest, most innovative album is a crime; less painting a vulgar picture than desecrating it.

At least Morrissey has restored Viva Hate’s original cover, which disappeared when the album was first reissued in 1997. And there’s no doubt Treat Me Like a Human Being’s gaunt for-whom-the-bell-tolls movement and mood could have been a contender – so why wasn’t it worked up then?

For all that, Viva Hate answered those critics declaring there’d be no Morrissey without Marr. At times it’s even tempting to ask, Johnny who? Guitarist Vini Reilly, of The Durutti Column/Manchester indie mafia fame, was an inspired replacement chosen by vilified producer/songwriter Stephen Street, whose simplistic chords and judicious use of – shock horror! – programmed drums were an inspired platform for a singer responding to being abandoned not by past loves but his emotionally shattered band partner and best friend of the present day. The fresh urgency of a solo album – for both Morrissey and Street – is all over Viva Hate. The iconic singles Suedehead and Everyday Is Like Sunday, the dreamy venom of Margaret on the Guillotine, the uncanny rock gallop of I Don’t Mind If You Forget Me and the uncanny shuddering dynamic of the lengthy Late Night, Maudlin Street all escaped the pastiche tendencies of Strangeways, Here We Come.

True, The Ordinary Boys isn’t the album’s pinnacle, but it has a sublime Moz vocal and a mood that epitomises Viva Hate’s bereft and nostalgia-soaked resignation. If we’re to play the replacement game, surely Bengali in Platforms would be the first to go, but that would be a much more controversial choice. Weirdly, Treat Me Like a Human Being sounds like a postscript from Smiths days, with a hint of the lonely gait of This Night Has Opened My Eyes. A subconscious act of longing for the past, then? Vive la différence, Moz might think. But, really, there’s only one Viva Hate, and this isn’t it.

--Martin Aston

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CD Description

Morrissey’s debut album Viva Hate was originally released in March 1988 just six months after the release of the final Smiths' album Strangeways, Here We Come. Keeping the core jangling guitar sound of his previous band, Morrissey’s first record provided the ultimate platform for his by-then legendary lyrical abilities, resulting in a set of what would become classic Morrissey tracks: ‘Suedehead’, ‘Everyday Is Like Sunday’, ‘Little Man, What Now?’ and ‘Margaret on a Guillotine’ to name a few. Viva Hate has now been remastered for the first time (supervised by the original producer Steven Street) and comes with brand new artwork, an introduction by Chrissie Hynde and now includes the rare track ‘Treat Me Like a Human Being’.

Customer Reviews

Most Helpful Customer Reviews
28 of 29 people found the following review helpful
By Mr. M. A. Reed TOP 1000 REVIEWER VINE™ VOICE
Format:Audio CD
24 years after it came out, Morrissey's spectacular but flawed debut gets a sad and unhappy reworking.

Originally, EMI wanted to release a deluxe, unsurpassable 3 disc set of this : the album as is, remastered. The six b-sides, 10 circulating demos, and extra, unreleased material on the other. And, on a DVD, finally, Morrissey's first ever solo live performance, and his last with Andy Rourke, Mike Joyce, and Craig Gannon. (Also perhaps, notable for being the first time a band performed a show where the singer was being sued by every other member of the band, individually, at the same time).

Morrissey had a better idea. Re-release the album. Change the covers. Delete one song, and replace it with a poor, unfinished demo. And slice off the beginning and end of "Late Night. Maudlin Street", just for effect.

And frankly, it stinks.

Why does an artist feel the need to revise and butcher his existing work? Why would he? What possible motive is there? You can't airbrush out history. You cannot pretend these songs do not exist. And when you replace the beautiful, and immaculately constructed "The Ordinary Boys", with the forgotten for 20 years, and forgettable, "Treat Me Like A Human Being", I wonder, does this make this record better? Of course not.

From the off, "Viva Hate" is a flawed record. The song selection omits some of the better songs and relegates them to b-sides : "Hairdresser on Fire", "Sister I'm A Poet", "Will Never Marry", "Disappointed", easily the equal of anything on the album itself, all absent. In their place, the moribund, and dirgelike "Bengali In Platforms", the tired and delicate "Dial-A-Cliche", or the frankly histronic "Angel, Angel, Down We Go Together". In it's original form, "Viva Hate" was a strong record, albeit with an uneven running order and a sense of inert depression : it could've been a much stronger, better record, more muscular and lively, with a different running order. But not exactly by taking "The Ordinary Boys" off and replacing with not-even-good-enough-to-be-a-b-side of "Treat me Like A Human Being" is baffling.

In no way is this anything other than a mutilated re-presentation of the album, with material missing and songs removed, and substandard, unfinished material in its place. A wasted opportunity. A squandered moment where Morrissey could have given the world what it wanted, which was a full and bountiful selection from Morrissey's astoundingly impressive debut indian summer. Instead, he gave us a castrated and unsatisfactory record that actually devalues the original record and makes "Viva Hate" less than it was originally was.
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4 of 4 people found the following review helpful
1.0 out of 5 stars Butchered by your OWN hands! 13 Aug 2012
Format:Audio CD
What a disappointment to have such a classic debut album to be butchered by the artist himself! Whether it was done to prevent former associates from getting paid, that's not event the question. If only Moz had allowed EMI's original idea of a 3 Disc release to be so. One can't keep bitching about not charting high on such releases when one is the main reason such things don't happen by putting one's fans off with such mediocre release! It's quite sad, to say the least. I do hope EMI gets to release its original concept down the road. And for heaven's sake Morrissey, stop butchering your own albums!
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8 of 9 people found the following review helpful
2.0 out of 5 stars Why meddle with a masterpiece? 15 April 2012
Format:Audio CD
I idolise him and adore this sublime debut album, but... why, oh why, Morrissey?

Why hack at the original? Why have cotton when you can have silk? Why have Value Brown Sauce when you can have HP?

I was on the verge of ordering this but then I discovered the act of senseless butchery in removing The Ordinary Boys and replacing it with, well, crap. Stephen Street is perfectly entitled to complain - it's simply an act of senseless spite.

Wrong and unforgiveable. Morrissey, have you lost your mind?
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Most Recent Customer Reviews
2.0 out of 5 stars REISSUE, REPACKAGE, REPACKAGE...!! Morrissey, you could have said NO!
Why try to fix something that aint broken? Viva Hate (the original version) is an excellent album. Why no 'Ordinary Boys'? I personally really like that song. Read more
Published 9 months ago by S. Jones
4.0 out of 5 stars Review of the 2012 remaster
'Viva Hate' is Morrissey's début solo album. Remarkably, it was released only six months after The Smiths' final L.P., Strangeways, Here We Come. Read more
Published 13 months ago by Alan the Kaz
4.0 out of 5 stars Great start to Morrissey's solo career
This was Morrissey's first solo album, released in the aftermath of the Smiths' split. In these pre-internet days of 1988 I was somewhat taken aback that he had regrouped so... Read more
Published on 24 April 2010 by klaher
4.0 out of 5 stars Ninteen eighty-hate.
Viva Hate was Morrissey's debut solo album, The Smiths split in the autumn of 1987 and this excellent first offering from Mozzer followed 6 months later. Read more
Published on 15 April 2010 by L. M. Stanley
5.0 out of 5 stars Viva Hate = 1988
I've read some of the reviews on Amazon and it's safe to say that most Smiths fans seem divided regarding Viva Hate. You either love it or you don't. Read more
Published on 8 Feb 2003 by Dl Fairey
5.0 out of 5 stars Probably Morrissey's best solo work.
Morrissey's first, and arguably(Vauxhaul and I also being of a very high quality) his best album since the break-up of The Smiths. Read more
Published on 9 Nov 2000
5.0 out of 5 stars Overlooked but Essential
This was Morrissey's first post-Smiths album, and a strange, complex and intriguing piece it is too. Read more
Published on 7 Nov 2000 by naomi.colvin@theseed.net
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