Amazon.co.uk review
To say there has been a lot of anticipation for Coldplays fourth album,
Viva La Vida, is an understatement. Having enlisted legendary leftfield producer Brian Eno, borrowed their album title from a painting by renowned Mexican artist Frida Kahlo and made tantalising remarks about sonic reinvention, the world has been curious (to say the least) to hear what the new Coldplay might sound like.
Viva La Vida definitely makes some departures from the bands usual formula, which happens to be one of the most commercially successful rock-pop blueprints of recent years. The plangent chords, emotive melodies, stadium-rock rhythms and universal lyrical concerns remain, but Martin and co. have gone out on several limbs here, incorporating instrumental tracks ("Life In Technicolour"), using subtle North African and Latin elements ("Yes", "Strawberry Swing"), and overhauling previously strict verse-chorus-verse structures in favour of slightly more avant arrangements. The old Coldplay still shine through (see tracks like "Violet Hill" and the title song) but even their classic sound feels more muscular and confident. The bands new flourishes, cosmetic and self-conscious as they may be, are enough to make
Viva La Vida a welcome break from the old routine--
Danny McKenna
CD Description
'Viva La Vida Or Death And All His Friends' saw Coldplay emerge from the success of 2005's 'X&Y' with the same hunger that has earned them global appeal since their 2000 debut 'Parachutes'. Lead single 'Violet Hill' contains their trademark piano hooks, along with an uncharacteristically heavy guitar edge. Chris Martin continues to shine as a songwriter andmusician here, while his bandmates provide a sound backing with experimental flourishes.