Vincent Laforet is a Pulitzer Prize winning photojournalist who was employed by the New York Times for many years and still continues to do contract work for that paper and other publications, as well as commercial work and direction. He is as qualified as anyone to explain the ins-and-outs of photojournalism.
The book doesn't attempt to organize the skills of the photojournalist in a linear fashion. Instead each chapter deals with some aspect of the work, like marrying the story to the aesthetic or the art of lens choice. Each chapter is illustrated with the author's world-class images and his discussion of how he captured them, as well as some reminisces about his career. The photographer discusses his signature work, like aerial shots and the use of tilt-shift lenses. (I never considered that the tilt-shift lens could be used to limit depth of field as well as to increase it!) The book also includes a DVD of Laforet's images, with Quick Time movies of Laforet discussing the images and the technical aspects of capturing them.
I always considered photojournalism to be one end of a continuum with fine arts photography at the other end. The photojournalist's job was to get a photo of the event, without any other consideration, right? Wrong, at least if you are talking about Laforet. Throughout the book he emphasizes the importance of not just capturing the event and trying to tell a story with the image, but also of making it art. Even in Afghanistan Laforet was thinking of the most artful way to capture a photograph, despite fast moving situations. I expect that this kind of photography involves a razor sharp-mind that not everyone will possess. On the other hand, even though he doesn't say so, many of his tips will prove useful to other genres. Certainly the wild-bird photographer is in many ways similar to the photojournalist, positioning him or herself where the action is expected to be, and capturing the image of a fleeting subject. Even his tips for lighting can prove useful to most photographers, although they would never constitute a complete lesson on lighting.
In fact that's one of the difficulties of the book. Little that's said here constitutes a complete lesson in some aspect of photography. Instead we get tips on how to refine our work. That probably means that the book will prove most helpful to photographers who already understand the basis of their craft, although reading about Laforet's experiences can certainly be enjoyable to anyone.
I have to make a comment on the DVD. The instructions on its use are minimal. Apparently you will have to install the Quick Time Player on your computer if you don't already have it, open it, and then select each file to play. That's not much of a problem for more experienced computer users, but specific instructions ought to be provided. Then there are the individual videos. Although it's interesting to see Laforet talking, they simply repeat what's already in the book rather than supplementing it or even providing new information. Moreover the files are in alphabetical order by picture name rather than in any order that develops the ideas of the videos. As a result, the DVD adds little value.
Vincent Laforet is on everybody's list of the great photographers. His photographs are worth looking at just for themselves. He has good information to put out. Just don't expect it to be presented in a highly organized fashion.