- Hardcover: 776 pages
- Publisher: Routledge; 2 edition (19 Dec 2002)
- Language English
- ISBN-10: 0415252210
- ISBN-13: 978-0415252218
- Product Dimensions: 24.6 x 18.1 x 4.9 cm
- Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: 3,556,600 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Review
'This is a first rate collection covering the range and the depth of critical visual studies today. An essential guide for anyone concerned with the power of the image and the image of power.' - McKenzie Wark, Eugene Lang College, USA
'This 3rd edition of Nicholas Mirzoeff’s The Visual Culture Reader is unrecognizable from the collection’s first edition published way back in the last millennium. Its content, character, and urgency are invigorating and galvanizing. If the Reader’s first edition gave shape to Visual Culture Studies as an interdisciplinary field of inquiry, this 3rd edition will, I believe, mould visual culture itself.' - Marquard Smith, Founder and Editor-in-Chief, Journal of Visual Culture & Director of Institute for Modern and Contemporary Culture, University of Westminster, UK
'With this volume, Mirzoeff has assembled an invaluable resource for scholars and practitioners of visual culture across disciplinary and geographic boundaries. Combining foundational texts and cutting-edge contemporary scholarship, the Third Edition of the VCR charts the emergence of critical visuality studies and brings the field into the twenty-first century.' - A. Joan Saab, University of Rochester, USA
--This text refers to an alternate Hardcover edition.Review
'This is a first rate collection covering the range and the depth of critical visual studies today. An essential guide for anyone concerned with the power of the image and the image of power.' - McKenzie Wark, Eugene Lang College, USA
'This 3rd edition of Nicholas Mirzoeff’s The Visual Culture Reader is unrecognizable from the collection’s first edition published way back in the last millennium. Its content, character, and urgency are invigorating and galvanizing. If the Reader’s first edition gave shape to Visual Culture Studies as an interdisciplinary field of inquiry, this 3rd edition will, I believe, mould visual culture itself.' - Marquard Smith, Founder and Editor-in-Chief, Journal of Visual Culture & Director of Institute for Modern and Contemporary Culture, University of Westminster, UK
'With this volume, Mirzoeff has assembled an invaluable resource for scholars and practitioners of visual culture across disciplinary and geographic boundaries. Combining foundational texts and cutting-edge contemporary scholarship, the Third Edition of the VCR charts the emergence of critical visuality studies and brings the field into the twenty-first century.' - A. Joan Saab, University of Rochester, USA
--This text refers to the Paperback edition.
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First Sentence
DURING THE FIRST DAYS of the NATO attack on Serbia in April 1999, I was watching a CNN live report from Belgrade. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
DURING THE FIRST DAYS of the NATO attack on Serbia in April 1999, I was watching a CNN live report from Belgrade. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews
Most Helpful Customer Reviews
4 of 6 people found the following review helpful
Format:Paperback
This is the more advanced text for undergraduate courses, which means there are no pictures or fun bits but its full of in-depth academic essays on various topics like identity and gender. It requires concentration to read and its heavy going but you need to read it to get the higher marks on essays.
Most Helpful Customer Reviews on Amazon.com (beta)
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2 reviews
7 of 8 people found the following review helpful
Good if a bit Dated and Trite Reader
20 Feb 2009
Format:Paperback
"The Visual Culture Reader" is a good introduction to some of the issues touched on visual and cultural studies, highlighting the most common areas of scholar work developed in the last decades, which is part of the framing of visual culture as a body of study. The volume is an updated second edition from 2002 after an original edition from 98. While the update is cogent with the date of its publication, some items have not aged terribly well, in particular those regarding digital theorization, new media and changes in communication experienced since the publication. Nevertheless, this is a relatively small part of the book and the rest of the selection, while very diverse in quality and breadth, still offer a solid outlook into some aspects of visual culture theory.
However the volume feels less authoritative, or comprehensive in its scope than what it might aim to project, at least not so much in the selected material itself but the gaps in areas, such as contemporary art, urban development, or social equity to name but a few, as they relate to visual culture that do not seem adequately covered. Likewise, the topics selected are ,while somewhat logical, a bit trite and predictable as some of the most recurring topics observed in this area of research. And with some exceptions often rather than sensing that one is faced by a selection of essential samplings of currents of research and thought withing the different topics, one feels to be reading random - if often interesting - research and analysis in those areas but not the pivotal texts that a reader might be expected to offer.
But in a way the breadth and nature of this selection, also becomes an asset in actually illustrating recurring patterns, musings, and doubts around the systematic and difficult framing of visual culture.
The interplay of "visual culture" alongside or vs. "cultural studies" is not very well resolved in the reader, and while the explorations offered are not discardable for an introduction in the topic, for a far broader perspective, the older and generalistic readers on cultural studies, such as the one edited by Simon During, seem more relevant and less aged. It is not so much that we need a different " Visual Culture Reader" but that this one 7 years after its publication does need an update.
However the volume feels less authoritative, or comprehensive in its scope than what it might aim to project, at least not so much in the selected material itself but the gaps in areas, such as contemporary art, urban development, or social equity to name but a few, as they relate to visual culture that do not seem adequately covered. Likewise, the topics selected are ,while somewhat logical, a bit trite and predictable as some of the most recurring topics observed in this area of research. And with some exceptions often rather than sensing that one is faced by a selection of essential samplings of currents of research and thought withing the different topics, one feels to be reading random - if often interesting - research and analysis in those areas but not the pivotal texts that a reader might be expected to offer.
But in a way the breadth and nature of this selection, also becomes an asset in actually illustrating recurring patterns, musings, and doubts around the systematic and difficult framing of visual culture.
The interplay of "visual culture" alongside or vs. "cultural studies" is not very well resolved in the reader, and while the explorations offered are not discardable for an introduction in the topic, for a far broader perspective, the older and generalistic readers on cultural studies, such as the one edited by Simon During, seem more relevant and less aged. It is not so much that we need a different " Visual Culture Reader" but that this one 7 years after its publication does need an update.
9 of 65 people found the following review helpful
nice collection of important texts!
29 Aug 1999
Format:Paperback
indeed a very nice collection of important text into the visual culture around us
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