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A Visit from the Goon Squad Hardcover – 8 Jun 2010


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Product details

  • Hardcover: 273 pages
  • Publisher: Knopf Publishing Group; First Edition edition (8 Jun 2010)
  • Language: English
  • ISBN-10: 0307592839
  • ISBN-13: 978-0307592835
  • Product Dimensions: 16.8 x 2.9 x 24.3 cm
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (163 customer reviews)
  • Amazon Bestsellers Rank: 1,235,662 in Books (See Top 100 in Books)

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Product Description

Review

It may be the smartest book you can get your hands on this summer. (Los Angeles Times)

Exhilirating...arresting...brilliant. Turn up the music...and curl up with The Goon Squad. (Washington Post)

A great work of fiction, a profound and glorious exploration of the fullness and complexity of the human condition. . . . An extraordinary new work of fiction.

(The New York Press)

A Visit from the Goon Squad [is] an exhilarating, big-hearted, three-headed beast of a story. . . . [A] genius as a writer. . . . We see ourselves in all of Egan's characters because their stories of heartbreak and redemption seem so real they could be our own, regardless of the soundtrack. Such is the stuff great novels are made of. (Marie-Claire)

A rich and rewarding novel. (Philadelphia Inquierer)

Clever. Edgy. Groundbreaking. . . . It features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human. (The Chicago Tribune)

"[Egan is] a boldly intellectual writer who is not afraid to apply her equally powerful intuitive skills to her ambitious projects. . . . While it's a time-trekking, tech-freakin' doozie, the characters' lives and fates claim the story first and foremost, and we are pulled right in. . . . Brilliantly structured, with storylike chapters." (Elle)

Jennifer Egan is a rare bird: an experimental writer with a deep commitment to character, whose fiction is at once intellectually stimulating and moving. . . . It's a tricky book, but in the best way. When I got to the end, I wanted to start from the top again immediately, both to revisit the characters and to understand better how the pieces fit together. Like a masterful album, this one demands a replay. (The San Francisco Chronicle)

The star-crossed marriage of lucid prose and expertly deployed postmodern switcheroos that helped shoot Egan to the top of the genre bending new school is alive and well in this graceful yet wild novel . . . powerful. (Publishers Weekly (starred review))

Egan is a writer of cunning subtlety, embedding within the risky endeavors of seductively complicated characters a curious bending of time . . . a hilarious melancholy, enrapturing, unnerving, and piercingly beautiful mosaic of a novel. (Donna Seaman Booklist (starred review))

Poetry and pathos . . . Egan conveys personality so swiftly and with such empathy. . . . Yet she is not a conventional dystopian novelist; distinctions between the virtual and the real may be breaking down in this world, but her characters have recognizable emotions and convictions, which is why their compromises and uncertainties continue to move us. . . . Another ambitious change of pace from talented and visionary Egan, who reinvents the novel for the 21st century while affirming its historic values. (Kirkus Review (starred review))

For all its postmodern flourishes, Goon Squad is as traditional as a Dickens novel. . . . Her aim is not so much to explode traditional storytelling as to explore how it responds to the pressures and opportunities of the digital age. Egan herself does not appear to be on Facebook, but A Visit From the Goon Squad will likely make her many new friends. (Newsweek)

A stunningly resourceful writer (Guardian)

Egan's a daunting stylist, and she's in blistering form for these interlocking narratives about the milieu surrounding an aging and waning music producer. Essentially, it's a story about getting mugged by the passage of time, and along the way she interrogates how rebellion ages, influence corrupts, habits turn to addictions, and lifelong friendships fluctuate. You also might know this as the novel that has a chapter written in PowerPoint. Egan: unpredictable and, here, brilliant. (Publisher's Weekly Books of the Year.)

Thriftily evokes many disparate American lives in less than 300 pages, vividly showing how the virtues of the realist tradition - historical depth and strong point of view - can be combined with a modernist aesthetic of fragmentation and dissolution. (Pankaj Mishra Guardian)

Only a writer with Egan's gift for structure could have pulled this off. (Julie Christie, Waitrose Weekend)

Brilliantly written. (The Sunday Times (Culture))

Sparkling. (Guardian)

Ingeniously structured narrative. (Financial Times)

A must-read. Irresistible. Fiction of the highest quality. (The Sunday Times)

Irresistibly alluring and clever. (The Sunday Times (Culture))

A delight. (Observer)

A blend of insight, wit and economy. (Metro)

As emotionally accurate as it is architecturally adventurous. (Independent on Sunday)

Her new book is one of her best. (The Lady)

A remarkable piece of modern literature. (The Pulse)

Entertaining and amusing as it is wise. (Sunday Express)

Spellbinding. (Lovereading)

Egan's precise, calm, underwater prose is a persistent pleasure. (Daily Telegraph)

Reading groups will be spoiled for discussion points. (newbooks)

A completely original novel. (Stylist)

Thoroughly modern tale. (Bella)

Surreal, moving and funny. (Grazia)

Clever. (Star Magazine)

Brilliantly conceived and dextrously excuted. (Buzz Magazine)

Sly, startling, exhilarating work from one of our boldest writers. (Lovereading UK)

Audacious, surprisingly affecting novel. (New Statesman)

Beautifully constructed. (Independent)

Remarkable. (The Scotsman)

Sad, funny, essential. (Sunday Herald)

Wonderful. (Waitrose Weekend)

Ambitious and edgy. (Big Issue)

Contains some of the fizziest prose of the year. (Telegraph.co.uk)

Dazzling. (Esquire)

Egan writes with a hipster's talent for laconic understatement. (Metro)

Head and shoulders above most of its peers. (independent.co.uk) --This text refers to an out of print or unavailable edition of this title.

Book Description

A brilliantly entertaining novel about memory, time, art and how humans connect at every level. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

3.4 out of 5 stars

Most Helpful Customer Reviews

123 of 132 people found the following review helpful By Helen S VINE VOICE on 24 July 2011
Format: Paperback
I'm not sure how to begin describing Jennifer Egan's A Visit from the Goon Squad to you, but I'll do my best! I'll start by saying that it's an original and imaginative novel which revolves around a large number of different characters, most of whom are involved in the music industry in some way (be it as musicians, producers, record label owners, publicists, or music lovers). The main theme of the book is time and Egan uses her characters to explore what happens to us as we age and how life doesn't always turn out the way we hoped it would.

I don't know exactly how many characters there were in this book, but it felt like hundreds! Two of the most important are Bennie Salazar, a record executive, and his assistant, Sasha. Most of the other characters are somehow connected to either Sasha or Bennie, whether directly or indirectly. We meet new people in almost every chapter and I found I needed to pay attention to every new name as even someone who seemed completely insignificant could reappear later in the book.

Each chapter is written in a distinct style and has its own unique feel. One chapter takes the form of a celebrity interview; another is presented as a PowerPoint slideshow. Some chapters have a first person narrator; others are told in the second or third person; we move from past tense to present tense, from one country to another and backwards and forwards in time. I don't think I've ever seen an author incorporate so many different styles and ideas into one novel - which could be either a good thing or a bad thing depending on your personal preferences. If you like books that are adventurous, innovative and different, then you're probably going to love A Visit from the Goon Squad.
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25 of 27 people found the following review helpful By Mrs. K. A. Wheatley TOP 500 REVIEWERVINE VOICE on 29 Dec 2011
Format: Paperback
I've just finished this book and I'm so glad I squeaked it into the last week of 2011 as it has definitely made my top ten books of the year. It is a wonderful book which kind of journeys through the world of post 9/11 America through the lives, loves, memories, failures and achievements of a bunch of characters whose lives cross and recross from chapter to chapter. It is not always clear as you are reading, which character relates to which character and you never know if they will pop up in someone else's story later on. I loved the thrill of recognition coming across someone you have already read about but finding out about their past or their future, and piecing together all the disparate lives. It is dark and sometimes funny, often sad and wistful and always totally engaging. I absolutely loved it.
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4 of 4 people found the following review helpful By R. A. Davison TOP 1000 REVIEWER on 30 April 2012
Format: Paperback Verified Purchase
Recently published in paperback in June, A Visit From The Goon Squad begged the question of me 'When is a novel, not a novel?" because it is a novel, and it isn't. It reminded me of a game of tag, or a relay race. The novel opens with a chapter focusing on Sasha, jumps from Sasha to her boss Bennie, then from Bennie to Rhea, who knew Lou through Jocelyn, then to Lou's children and then to Jocelyn and then from Jocelyn to Scotty, who also knows Bennie, to Bennie's wife Stephanie, and so on and so forth. Each character only gets a single chapter but through their connection to each other act like pieces in a jigsaw to build up a portrait of music producer Bennie and his assistant Sasha, to whom every character is somehow linked, if not to each other.

It is very well done, and I liked it. Not only does it jump from character to character, Egan treats time in a non-linear way, so, often, when it leaps to the next character, it also leaps in time, and is a bit like a bouncing ball. Rhea's chapter for example covers the time period when she and Bennie were teenagers, her best friend Jocelyn is sleeping with a man named Lou. Then we go on safari with Lou and his children, Jocelyn is in the past and he has a new girlfriend. Then we bounce again and Rhea and Jocelyn are visiting Lou on his deathbed before throwing the ball on to the next person.

Though it is set against the backdrop of the music industry and to a degree media and showbusiness, that wasn't really what interested me, it is, essentially 13 interconnected short stories, I enjoyed the way in which it became character rather than story led. Some stories are better than others, I liked Dolly's and Stephanie's section Rhea's Sasha's and Ted's.
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11 of 12 people found the following review helpful By Antenna TOP 500 REVIEWER on 14 Jan 2012
Format: Paperback
This is likely to divide opinion sharply since it rejects the convention of a clear plot, and flits back and forth in time with a variety of viewpoints and sheer number of characters which may prove confusing.

It is a series of short stories rather than a novel, focusing in turn on different members of an amorphous group who have in common only some kind of link to the music industry - they know, or know someone who knows, either Bennie the driven music manager, or Sasha, his light-fingered assistant whose kleptomania may have some deeper emotional cause.

I enjoyed the quirky incidents and offbeat humour of the first seven chapters, and the game of anticipating which character mentioned in passing would turn up as a key player in the next episode. I liked the way the author always managed to overcome my irritation at being dragged away from one group of characters, by skilfully hooking me in to the next one, only to be disappointed again at having to leave the new story with strands left unresolved, perhaps forever.

Some of the relationships are genuinely moving, such as the hard-bitten, selfish, corrupt Lou's love for his sweet, gentle son, whom he cannot help inadvertently damaging, just through being the bastard that he is. I was impressed by the study of Scotty, mentally ill but managing after a fashion, who convinces himself half the time that being a failure is as good as being a success.

My good opinion suffered a blow in Chapter 8, an over-farcical account of a disgraced PR manager trying to make ends meet by advising a genocidal dictator of some unnamed country, which was an annoyingly unconvincing mixture of Arab desert too close to lush African jungle.
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