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Bergman was greatly influenced by Kurosawa, the Japanese director of The Seven Samurai, when he made The Virgin Spring, as evinced in its ominous use of dark and shade and lengthy sequences without dialogue. However, this is more than pastiche. Although the Christian ending with which Bergman feels obliged to conclude the film doesn't quite sit well in a movie in which God is as palpably absent as in any Bergman movie, the slow, remorseless pace of the murder and subsequent retribution bring to mind Kieslowki's A Short Film About Killing in their sense of the futility of vengeance.
On the DVD: The Virgin Spring arrives on disc in a restoration that vividly enhances the sense of light and shade which is integral to the movie. Notes from critic Phillip Strick provide background to the movie, including the legend on which the film was based, as well as observing that Bergman was later so embarrassed by the film's debt to Kurosawa that he disowned it, only to be told by Kurosawa himself not to be so silly. --David Stubbs
I had heard of this, as Wes Craven's infamous Last House on the Left (still banned as far as I'm aware in this country)- which was a slasher/horror remake of this. The story is based on medieval legend, though Little Red Riding Hood will spring to mind.
The story is as good as any Shakespeare in terms of theme and morality- the denoument demonstrates the true nature of man- the pagan sense of revenge and the violence beneath the so-called civilised.
Max Von Sydow and Birgitta Valberg are great here, though it is Sven Nykvist's photography that stays with you after seeing the film. The Virgin Spring is a dark classic that is a treasure and a joy to watch on DVD- hardly something you can level at Dude, Where's My Car or Purely Belter.
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