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58 of 61 people found the following review helpful:
5.0 out of 5 stars
Elizabethan drama, literally, 21 Dec 2005
This is a very interesting programme, produced in Britain and originally shown on the BBC and the PBS series, Masterpiece Theatre. This miniseries was directed by Coky Giedroyc, a veteran of television productions in Britain, including another royal-themed miniseries, 'William and Mary', in 2003. Giedroyc brings an interesting modern twist to the series - rather than filming things in majestic, sweeping camera pans with classical music as a background, and rather than having the dialogue (and acting) be in a stilted, falsely formal style, Giedroyc incorporates modern music with medieval and Celtic flavouring to it (both of which have experienced a renaissance of sorts in the past decade), and the situations are decidedly modern without being out of place in their own times. This presents the life of Elizabeth from her young adulthood under Queen Mary, as a supposed participant in intrigues against the Catholic Queen, through to her death after serving decades on the throne of England as the Virgin Queen, the queen who never married. In fact, the miniseries plays a tantalising game with Elizabeth's virginity, showing her desires (as well as those around her) without ever giving up the game of 'was she or wasn't she?' Anne-Marie Duff plays the part of Elizabeth, and does a remarkably able job for such a complex figure. Duff won the Irish Television award and was nominated for the BAFTA award for best actress in a television drama in another series, 'Shameless', last year. Duff is joined by Tom Hardy, who plays the role of Robert Dudley, the favourite of Queen Elizabeth. Dudley is also an extraordinarily complex role, as he played several sides in the political struggles during Elizabeth's early reign, and was part of a family well experienced in regal intrigue - Robert Dudley's family had tried to manage the reign of Elizabeth's brother Edward, engineer the accession of Lady Jane Grey (placing Guildford Dudley on the throne with her), and is sometimes referred to as 'the uncrowned kings of England'. In fact, perhaps the most stunning single scene in this miniseries is after Elizabeth has elevated Robert Dudley to the earldom of Leicester, and during her illness, he sits upon the throne as the protector of the realm. Hardy is well suited to this role, and plays it with skill. The sets are appropriate to their time period, neither too ornate nor too medieval; the costumes also have a touch of modernity to them, but are still primarily of the period. The situations presented give good insight into the overall pattern of Elizabeth's reign and some of the principal concerns during that time period, although to compress such a long reign into such a short time frame as a four-hour miniseries by necessity means that the history has had to be selectively chosen. Elizabeth faced problems from without and within, many of which were far more complex and pressing than her marriage issue. In the end, Elizabeth made the right decision for the time, if not for the future. This is a great production for television, and holds up well against other major productions featuring the Virgin Queen Elizabeth of a few years ago.
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12 of 14 people found the following review helpful:
5.0 out of 5 stars
Excellent, 5 Aug 2006
When I'd finished watching this mini-series on DVD I found myself wanting to go back to previous productions about the life of Elizabeth in order to see just how good Anne-Marie Duff is in this by comparing her performance to that of others, just to make sure I've got it right.
I think I have. Make no mistake, she is very good indeed in this.
Dare I say she does even slightly better than Cate Blanchett who gave an impressive performance as Elizabeth in the eponymous film? Of Dame Judi Dench more later. (Glenda Jackson's interpretation is more of a hazy memory for me. I haven't seen the series for decades and I know there has been a film with Helen Mirren but I haven't seen that yet so I admit there are two on my list to catch up on.)
Queen Elizabeth I was, as the modern phrase has it, "highly strung" and the screech of anger or laughter is never far from the surface in Anne-Marie Duff's interpretation. Elizabeth's wilfulness and indecisiveness are also portrayed with great accomplishment.
For me, one moment in the film(s) stands out against many. Elizabeth's speech at Tilbury (this speech was never made at the time but composed retrospectively for her in Stuart times but it is so typically what she would have said that it is embodies Elizabeth) is delivered with tremendous emotion and power. (Olivier and Henry V?) The kind of majestic command AND presence here reminds you of Dame Judi Dench's performance as Elizabeth and Judi Dench won that deserved Oscar for her eight minutes in `Shakespeare in Love'. Anne-Marie Duff's interpretation is of that standard.
Clearly, a great deal of care (and expense) went into the design of this production and the four parts work very well because of it. The interiors are sumptuous so the big picture looks marvellous as does the "small picture" which shows, for example exquisite details such as the authentic-looking antique spectacles worn by Walsingham's code breaker.
The music from "Medieval Babes" (great name) adds a lot and makes itself noticed for all the right reasons. It promoted a "the music's good" comment from my friend (not known for hyperbole). I hope they sell lots of CDs on the strength of the series.
What about the other players? No one is less than good and some are outstanding indeed - Tom Hardy plays the Earl of Leicester with great panache but this series revolves around its leader just as the world did in Elizabeth's own lifetime.
You might enjoy the series even more if you know something of Tudor history because I can imagine the parade of faces and names might prove tricky but you can enjoy it very well without.
I don't think I've given 5 stars before (I'll have to check up) but here goes.
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14 of 18 people found the following review helpful:
3.0 out of 5 stars
Decent production but it doesn't live up to other portrayals of this queen. , 29 Aug 2007
'The Virgin Queen' starring Anne-Marie Duff as Elizabeth I is a four-episode BBC drama that covers (roughly) the years 1554-1603. As such, it allows us to see Elizabeth prior to her reign when she is dragged into accusations of treason and fears for her life and then to her accession, the problems she faces as queen including even more plotting, her infatuation with her favourite, Robert Dudley, Earl of Leicester and later the transfer of her affections to his hot headed step-son, the Earl of Essex.
On the surface the production delivers what is usually expected in dramas on Elizabeth I. We witness her closeness to Dudley and the troubles between the two, the execution of Mary Queen of Scots, the defeat of the first Spanish Armada, the rise and fall of the Earl of Essex. However in some of these aspects the production does well while in others it evidently fails. For example Duff is given the fantastic scene where Elizabeth addresses her troops at Tilbury with her infamous speech. The production includes fantastic details like showing us more about Dudley's first wife, Amy. It also includes Dudley's next marriage to Lettice Knollys. However the whole Mary Queen of Scots affair is covered shabbily. We gain mention of her once and then later we discover that she is somehow under Elizabeth's protection and that she is conspiring against her, with no mention of how she came into this condition or more about the Babington plot. Furthermore the rise of Essex is dealt with poorly, particularly in comparison to the other drama 'Elizabeth I' starring Helen Mirren. The production also does not pay sufficient attention to the subject of religion which is a large mistake considering how vital the issue was in the sixteenth century.
Duff attempts her best at playing Elizabeth and while she is not terrible, she has the misfortune of joining a daunting list of actresses who have played the queen and who have been able to play her more convincingly. Duff is good at playing a young Elizabeth in the 1550+60s but by the third episode they have failed to make her appear much older. It is only until we get to the fourth episode does the prosthetics and make-up come out to de-age her.
Surprisingly one of the best performances is by a relatively unknown actor, Tom Hardy, as Robert Dudley. He is able to portray the loyal, handsome and long-suffering favourite very well and it is interesting to see his Dudley's relationships with his long-suffering wife, his new ambitious mistresses turned wife and, throughout, his queen.
One of the best things about the production is the wonderfully catchy music sung by the `Mediaeval Baebes'. It certainly is a new approach to Elizabeth I; usually music in productions on this monarch or even this period attempts to be slightly sombre or the authentic court music. This soundtrack is fantastic; the costumes are good, although not outstanding.
Overall it is a decent production of the reign of Elizabeth I but it is constantly overshadowed. Duff's performance is overshadowed by previous actresses' portrayal of Elizabeth. Not all the cast is great or used well and therefore is a poor comparison in this respects to its predecessor, the other BBC drama on Elizabeth: 'Elizabeth R'. But the little details in this are excellent; it makes you wish that they worked harder on the main plots and casted some characters better. If so this could have been a great piece rather than a decent one.
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