"A good story cannot be devised it has to be distilled." Raymond Chandler
Raymond Chandler was a master at taking a plot and distilling it into a taut, splendid story. Chandler, along with Dashiell Hammett, pretty much invented the "hard-boiled detective". So, when a writer, in this instance Philip Kerr, comes along who is repeatedly compared to Raymond Chandler comes along, I can't resist seeing for myself. I'm happy I picked up Berlin Noir and, even if Kerr is not quite Chandler, his stories are so well written that he need not be embarrassed by the comparison.
Berlin Noir consists of three Kerr novels, "March Violets", "The Pale Criminal", and "German Requiem". They each feature Kerr's exquisitely drawn detective Bernie Gunther. If you've read Hammett, Cain, or Chandler, Gunther is instantly recognizable. He's a tough ex-cop now working as a private eye. He's bitter and cynical and sees the corruption all around him. He also has an eye for the ladies as well as a taste for booze. But for all his flaws he lives up to a certain code; he knows the world isn't black and white but he has his own moral compass and lives by it - for the most part.
What distinguishes Gunther from Sam Spade or Philip Marlowe is location. Gunther is a German, and instead of Los Angeles, he makes his base in Berlin. The three stories are set in 1936 (March Violets"), 1938 ("Pale Criminal"), and 1947 (the aptly named "German Requiem") against the backdrop of the rise and fall of Hitler's Nazi Germany. He left the Berlin police once the force became nothing more than a tool of the new regime. The time and setting are perfect for a genre in which shades of grey dominate the palette. Gunther is tasked with solving crimes while navigating the Byzantine-maze of inter-party rivalries, many of which are deadly.
I was fascinated by Gunther and the world Kerry paints for him. I usually take a break in between books that are part of a series but I couldn't do that with the three stories in Berlin Noir. They are all well-crafted and suspenseful. Although Kerr is clearing paying homage to his genre the stories are original and not generic. In other words Kerr is not the literary equivalent of an Elvis-impersonator. He has written these stories within the confines of a genre but has not sacrificed his own voice. The plots are complex but not so complex that they cannot be followed. With each story the personality of Gunther becomes a bit clearer so that by the time the reader is finished with them, Gunther is really a fully-formed and very believable character.
Kerr has just published a new Bernie Gunther novel entitled "The One from the Other". I am about one third of the way through it. It is an excellent sequel made all the more enjoyable by having read "Berlin Noir". Highly recommended. L. Fleisig