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Violent Femmes (Deluxe Edition)
 
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Violent Femmes (Deluxe Edition) [Extra tracks] [Original recording reissued] [Original recording remastered]

~ Violent Femmes
4.8 out of 5 stars  See all reviews (5 customer reviews)
Price: £10.98 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Audio CD (8 Jul 2002)
  • Number of Discs: 2
  • Format: Extra tracks, Original recording reissued, Original recording remastered
  • Label: Rhino
  • ASIN: B000066RM6
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon.co.uk Sales Rank: 10,711 in Music (See Bestsellers in Music)

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Disc: 1
1. Blister In The Sun
2. Kiss Off
3. Please Do Not Go
4. Add It Up
5. Confessions
6. Prove My Love
7. Promise
8. To The Kill
9. Gone Daddy Gone
10. Good Feeling
See all 21 tracks on this disc
Disc: 2
1. Special
2. Country Death Song
3. To The Kill
4. Never Tell
5. Break Song
6. Her Television
7. How Do You Say Goodbye
8. Theme And Variations
9. Prove My Love
10. Gone Daddy Gone
See all 15 tracks on this disc

Product Description

CD Description

An undisputed classic of the American rock underground, theViolent Femmes' 1982 self-titled debut still shines with its original luster. Quirky, catchy, innovative, and explosive, the Femmes made what was probably the first acoustic punk-folk-rockabilly-New Wave document for the dispossessed. The formula is as ingenious as it is simple--a trio playing guitar, bass, and drums runs through songs of adolescent angst, vulnerability, and social/sexual frustration.
In additionto their distinctive, minimal sound--guitarist Gordon Gano's rhythmic chord progressions filled out by Brian Ritchie's fluid bass and Victor De Lorenzo's aggressive brushwork on the drums--it is Gano's singing and superb songwriting that earmarks VIOLENT FEMMES. For the most part, Gano sounds like a psychotic, self-pitying, hormonally crazed teenager as he whines, stutters, and yowls his way through these remarkablesongs. This two-disc deluxe edition includes rarities and live tracks, in addition to the paranoid "Kiss Off", the slinky "Gone Daddy Gone", and the lusty "Add It Up". And, of course, anyone who was a teenager in the '80s knows the glorious "Blister in the Sun", a seemingly permanent staple of dance venues across the United States.

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Customer Reviews

5 Reviews
5 star:
 (4)
4 star:
 (1)
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Average Customer Review
4.8 out of 5 stars (5 customer reviews)
 
 
 
 
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29 of 29 people found the following review helpful:
5.0 out of 5 stars A dream come true for Violent Femmes fans, 4 Sep 2003
By Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews
(TOP 10 REVIEWER)    (REAL NAME)   
The Violent Femmes' 1983 self-titled debut is one of the most groundbreaking, important, influential, and enjoyable albums ever released, a musical testament that speaks to all dispossessed souls then, now, and probably forever. Teenagers were particularly drawn to this music in the band's early years, at least those who were fortunate enough to learn of these extraordinary three guys from Milwaukee. I will always associate my angst-filled teen years with groups such as the Violent Femmes, The Cure, and The Smiths because these guys seemed to relate to my own anxieties and frustrations in a way no one around me possibly could. This quirky, uniquely acoustic music has always spoken to those who feel set apart from those around them, who ask questions that no one else asks, and wonder why no one understands them. Over twenty years later, this album is still influencing those of us who grew up with Gordon Gano, Brian Ritchie, and Victor Delorenzo, but even more incredibly it continues to have a real impact on the next generation of young people searching for meaning in a confusing world.

The original album featured ten songs, every single one of which rates as an anthem in my book. No college party would ever have been complete without the blasting out of such tracks as Blister in the Sun, Kiss Off, or Add it Up. The true heart of the group revealed itself on songs such as Promise, Prove My Love, and Gone Daddy Gone, while Please Do Not Go took me places I had never been before. Confessions is a bravely honest song set amidst a musical backdrop of sometimes pure cacophony. Then there was Good Feeling, a beautiful, almost happy song that sounded like nothing else on the album. Two songs Gordon Gano recorded over in London, Ugly and fan favorite Gimme the Car, were soon added onto the end of the album, but the group always intended for Good Feelings to close out the album.

What a joy to discover that I and all Violent Femmes fans would be celebrating the album's twentieth birthday with the release of a very special deluxe edition. The inclusion of nine demo versions of some of the group's most classic songs is a cause for celebration in and of itself (although I should point out that one of these, Waiting For the Bus, can be found on VF's Add it Up compilation album). But the fun doesn't stop there, as you get a full CD of unreleased live performances from the guys in their earliest days (one track, Special, was issued as a flexi-disc in Alternative Press magazine, but I can't imagine many fans have that little keepsake in their VF collections). Many of the live tracks included here date back to the group's very first year of existence (1981), and the majority of them pre-date the actual recording of the debut album in July 1982. I saw these guys perform live in 1989, and they were awesome, but the truly special live recordings released here for the first time possess a feeling and atmosphere actually surpassing what I experienced first-hand. The first four live tracks, featuring a lot of interaction between the musicians and the audience, were recorded in Milwaukee in September 1981; it sounds like the guys are just playing for a group of friends, with a lot of laughter and fun spread throughout the performance. One audience member, for example, calls out "That's some sad stuff" during Country Death Song, and Gano playfully asks "Can I start now?" over the audience's voices at the beginning of Never Tell. This song, I must say, is worth the price of the album all by itself; it resonates with the type of somber power than defined and distinguished The Violent Femmes at their grittiest best. In the midst of its serious nature, though, Gano uses his voice to supply the saxophone riffs for his absent sax player, bringing the house down with laughter. The next four tracks are taken from a performance in Milwaukee in December 1981, and these are followed by five songs taken from a live gig in New York in January 1983. Never Tell, Her Television, How Do You Say Goodbye, and In Style stand out as four noteworthy songs heard here for the first time. The final two tracks come from a 1982 appearance by VF on Michael Feldman's radio program. The newly-discovered musical trio shows just how funny each of them can be during a four-minute interview before delighting the crowd with a rousing rendition of Kiss Off.

I would be remiss not to mention another cool bonus of this deluxe edition. You get a book containing a number of vintage photos, a story of the group's amazing journey from performing on the Milwaukee streets to recording their first album on borrowed funds to hitting the jackpot of success at Slash Records in 1983. There are also comments about each of the album's original ten songs by Gordon, Brian, and Victor. This deluxe edition of VF's self-titled debut reinforces and cements the group's originality, lasting influence, and musical genius, and there are so many extras included in this two-disc set that I cannot conceive of a Violent Femmes fan who has not already updated his/her musical library to include it long before now.

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8 of 8 people found the following review helpful:
5.0 out of 5 stars an acoustic punk rock Masterpiece, 21 Jan 2003
I bought this on a whim recently having only ever really been aware of one song, (blister in the sun, from the Grosse Point Blank soundtrack) and what can I say, this is an amazing example of how diverse punk really can be. Standout tracks for me are ‘please do not go’ and the stunning ‘add it up’ (“why can’t I get just one screw” screams singer Gordon Gano). The fact this LP came out in 1983 but sounds like it could have been recorded last week makes me think of other great seminal bands, in particular the pixies. But I think that despite it being regarded as a punk record I would recommend this to anyone who likes music with passion, good tunes and that isn’t manufactured pop crap. Any fans of the excellent Bright Eyes should also check this out, Connor Oburst obviously picked up a few singing tips from these guys. As for the reissue you get some demo versions of album tracks and UK only singles. Plus a second CD full of some very good live recordings and an interview from some American radio station. Packaged with some pretty good liner notes on the origin of the band and the recording of this LP all in all I’d say this is a very worthy addition to anybody’s record collection. BUY THIS NOW.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars This LP Changed my Life, 24 Jul 2003
By A Customer
I bought this LP in 1983 at the age of 16. For about a year after it never left my turntable. I love it to this day. The record displays an energy and passion far beyond anything of the period, and it is impossible to listen to this album and not be affected in some way - even now, 20 years on.
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