Most Helpful Customer Reviews
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18 of 21 people found the following review helpful:
5.0 out of 5 stars
A Perfect Introduction to a Unique Author, 29 Oct 2002
I can't remember how I came across Vineland originally. It certainly wasn't what I was expecting. I was vaguely aware of Thomas Pynchon's reputation as a recluse, and I suppose I just thought it was about time I discovered what all the fuss what about, expecting an anti-climactic disappointment.But what an amazing discovery, which since that date has been my favourite book and undoubtedly the one I would select if one day banished to some remote place with a single volume limit. Not only did this book make me laugh in a way I never have before or since, behind the bizarre descriptions of life past and present in the United States lies a serious message. I am not sure it is possible to fully understand Americans without reading this book. I could not more strongly recommend it.
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15 of 18 people found the following review helpful:
5.0 out of 5 stars
My favourite Pynchon?, 12 Oct 2000
By A Customer
Vineland was my introduction to Pynchon ten years ago, and I think it's aged very well. On its own, it's a brilliant book, a dissection of America's rebellion years of the Sixties and the clampdown decade of the Eighties. Packed full of amazing language, rock n roll, conspiracies, riots, lunatics, ghosts, ninjas, TV, video, drugs, pizza, chainsaws, cops...Vineland is pure Pynchon. It's always played down because of its comparison to Gravity's Rainbow, but this is the more human, funny and accessible book, and a lot more tightly controlled. Read it for yourself.
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3 of 4 people found the following review helpful:
5.0 out of 5 stars
John Updike Channels George Carlin, 20 Dec 2007
Don't read VINELAND expecting a linear narrative about people who, oh, manage the office. Instead, be ready to follow cartoon characters, often scarred by the turmoil of the Sixties, whose stories are part nightmare, part larky fantasy, and part political commentary. Then, be ready as their stories lead to other characters whose experiences double back or leap forward, forming a loose web of complex digressions that are fascinating, troubling, and, shall we say, silly, hm?
In addition, don't expect consistency. Read VINELAND and see one character die but rejoin the action. See another escape from jail and the evil Brock Vond, only to reappear in that jail again (same time same place, as far as I could tell) to suffer Brock's brutal dominance. But, who cares? VINELAND is a web of interaction, not some boring story of simple cause and effect.
In some respects, VINELAND is that old saw-a riddle wrapped in a mystery inside an enigma. But this time, it's not Churchill describing Russia; it's the lyrical John Updike channeling George Carlin on a great and hilarious riff.
At the same time, THREE-CHEERS for the Pynch, who ties everything together in the final chapter in a neat post-modern package. There, you will find his clear and amusing narrative explanations for the bizarre DL and Takeshi, the toxic Brock, and the earnest stoner Zoyd. There's his silly overview of the story-"Oh, the usual journey from point A to point B." Pynch even tells you what happens to Desmond, the feral family dog, who seemed lost forever.
VINELAND has a singular, playful, and awesome associative style, with Pynchon in total control. And since it's Pynchon, he tells you. Indeed, this reader found on page 160 in the original hardcover: "A young woman with regular features, wearing a draped white gown, appeared out of the airport crowds, leaned her forearm on Takeshi's shoulder, whispered, `Watch the paranoia, please!' and then disappeared again." Read the book and you'll see this is Pynchon, having fun, with Lady Literature reminding him to set limits.
A really terrific novel and well worth the effort.
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