With sales of his books having exceeded sixty million copies, Morris West is not only Australia's best-selling writer, but also one of our best-known storytellers. With his so-called `Vatican Trilogy' - `The Shoes of the Fisherman', `The Clowns of God' and `Lazarus' - he virtually invented a genre, the papal novel.
In the past, West has resisted calls for an autobiography, holding that the `chronicles of my works and days have already been presented under the decent draperies of fiction'. However, having turned eighty, West has put aside fiction to give an account of his twentieth-century pilgrimage.
The book is not an autobiography as such, but rather part memoir, part philosophical meditation, part spiritual testament. We learn of his early family life before becoming a trainee with the Christian Brothers, of the trials of religious life, and of life as a writer on the international stage. West reflects on the nature of evil, on violence, and on the roles of dissent and prophecy in the Church. He also writes movingly of his encounters with Brother Death.
West has, over the years, defiantly retained his rightful place as a son of the Church, and in doing so has encouraged countless others troubled by rigid orthodoxies. Changes in the Church in recent decades, and in West's own life and attitudes, are well captured by two pieces of his journalism that are reproduced in full in the book, both about recent popes. The first is a glowing obituary of John XXIII, `The Good Pastor', written in 1963. The second is a very critical reflection on the current pontiff, written on the occasion of the papal visit to Australia for the nation's first beatification (of Mary MacKillop).
Late in his life, West has given us an uplifting account of his experience of being a Christian in these troubled times. It is written with grace, intelligence and wisdom. [A Selection of the John Garratt Catholic Book Club.]